O Garoto e a Rainha

Quite an under-stated classic with some superb film-noir scenes shot on the river-bank.

Mudlarks, scavengers for anything at all on the Thames' tidal mud-banks, were only one of the Victorian under-class of homeless, often orphan kids forced to scratch a living, some-how, or die without raising an eye-brow in the great metropolis. This film tells how one of these poor kids attempts to see "The Mother of the Country". Andrew Ray, who plays 'Wheeler' died in 2003. The rest of the cast can never quite out-act the young lad though Findlay Currie as the boozy, kind and understanding John Brown comes close.

Irene Dunne wore darn near as much make-up as Lon Chaney Jr. in the Wolfman, to portray the role of Victoria I. She was a much underrated actress and the role fit her like a glove. Then, there's the late Sir Alec Guinness as Disraeli and the incomparable Finlay Curie as John Brown, the only man who had leave to blow his nose in the presence of the Queen. The tale focuses on a "Mudlark," a street urchin who lives off scrounging castaway goods from the mud banks of the Thames, who finds a likeness of Queen Victoria and resolves to visit this "Mother of all England." How this event is used by Disraeli to get her to end her reclusive widowhood is the plot of the story. Alas, no video and no DVD. This superb classic, too good for even its own time shows up from time to time on the late show and if it does, don't miss it. You'll be charmed by some outstanding performances and a winsome story. Oh. Yes, the kid gets to meet the Queen and she does join polite society once more. That much is history.

A fine film that is mainly forgotten but still worth seeing, it deals with a homeless boy in Victorian London (1876) who rubs shoulders with two of the leading figures of the time - Queen Victoria and Benjamin Disraeli.

A heart-warming story of historical fiction, directed by Jean Negulesco, it displays the formidable acting talent of Irene Dunne and Alex Guinness. Disreali's audience with the Queen at the start draws us into the main themes of the movie. Andrew Ray, as the boy, is exceptional. The great character actor Finlay Currie plays the role of the Queen's friend John Brown, a crusty, boozy Scot and a close companion of the Queen, who takes a personal interest in the boy. (The character of John Brown was also the subject of the movie from the 1990's - Mrs. Brown, played by Dame Judi Dench.)

The role of the mudlark-a child who scavenges on the banks of the Thames is played by Andrew Ray. It was while doing this,that he found a cameo of the Queen. Illiterate and poverty-stricken, he knows nothing about the Queen but when he finds out who she is, he wants to meet her. The discovery of the child during a banquet at Windsor Castle becomes a national story, in which the Prime Minister (Alex Guinness as Disraeli) uses the issue to underscore the need for social reform and to thus win support for his government's program. The speech in the House of Commons is a high point in the movie, as is the widowed Queen's encounter with the boy near the end of the film.

Colourful conversations between Alex Guinness (Disraeli) and Findlay Currie (John Brown) add sparkle to the film as does a well-lubricated Brown as he takes the boy on a tour of the castle.

At the end, Disraeli and Brown, totally different in character, are drawn together by their love of the monarch. The widowed monarch, at first alarmed by the boy's stealing into her private residence, is moved by a second encounter when she learns that he merely wanted to see her. This also suited the Prime Minister's purpose of giving the monarch confidence to come out of seclusion.

Charming adaptation of a story that could very well have happened during the days of Victoria's reign after Prince Albert died.

I am not sure if it is a concoction of the imaginative author or not.

Either way, the heavyweight cast delivers as does the director and production -- and of course -- the charming Mudlark simply named "Wheeler". Here is a tale where our imaginations are treated to a fantasy of grand proportions. The comedy of errors during some scenes are enough to make us all giggle. Dunne and Guiness were wonderful!

I have not heard where Andrew Ray wound up. Does anyone know of his whereabouts?

This unlikely Anglophile gives it 10 thumbs up!

I found this on YouTube and I'm pleased I did. This is a black and white film from the good old days of movies, before CGI, profanity and mindless action were essential to a movie's credibility; when good acting and intelligent writing were much more important. I'm being overly cynical, I know, but you get the point.

The Mudlark is an enjoyable little film, with a cast of fine British actors of yesteryear who are a pleasure to see in action once more. The plot of this may be a bit silly in places, and sometimes it gets a bit slow (a half baked and totally unnecessary romantic sub plot doesn't help), but for the most part this is a charming movie and should be enjoyed by adults and older children alike.