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6,1/10
651
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAfter the war, Donald Elwood meets his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a ... Ler tudoAfter the war, Donald Elwood meets his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a way according to the customs of her dead husband's class.After the war, Donald Elwood meets his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a way according to the customs of her dead husband's class.
- Direção
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- 1 vitória no total
Philip Ahlm
- Policeman
- (não creditado)
Eric Alden
- Captain
- (não creditado)
Eddie Baker
- Policeman
- (não creditado)
Bobby Barber
- George - Bartender
- (não creditado)
Hall Bartlett
- Guest
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
10tankiii
I don't know what movie others are watching BUT! Just watch the opening number and you can see the chemistry between Astaire and Hutton! Them dudes will blow you away at how original it is and I do not see anyone doing this number today. Sure it's not hard drama but Astaire movies usually are not meant to be so. Astaire is and will be one of the greatest dancers ever! Not my opinion but fact. Perhaps those who trash this movie just like it because Hutton has top billing, coming off her success in Annie get your gun. Your either a Hutton fan or not and for me this is one of those hidden jems! Watch it and judge for yourself and at a very reasonable price on a certain jungle site it is worth the money! TRUST ME!
10jim-1140
Maybe this film was never going to pick up an Oscar, but for plain entertainment value it's pretty hard to beat. You've got to remember that this film is over fifty years old and, although the quality of the video is very good, they did things a little differently back then. What was funny or topical at that time might well go over our heads today. The plot isn't gripping, but it will keep you amused, and the film really buzzes in places. Astaire dances to his usual excellent standard, with some unusual and snappy routines, but for the first time, he really has to compete for the stage with his partner. Miss Hutton not only keeps up with Astaire, she actually manages to upstage the 'Master' in the dance routines. You'll have to watch the film four or five times before you start to look at Astaire when they dance together. Betty Hutton is totally magnetic; you can't stop watching her for a moment. Although she may not have quite the technical abilities of some of Astaire's previous partners, she more than makes up for that with her enthusiasm and dynamic personality. It's like tossing a grenade into a vat of champagne - an explosion of sparkle and fizz. And make no mistake about it...That gal can dance! Well worth seeing.
With a little editing and a better finale, Let's Dance could've been a great musical. It starts out with a bang, and rides along on a fun and energetic high for the first 2/3 of the film. Then, the storyline of Hutton trying to retain custody of her child starts to drag on too long. As if to make up for the slow last third of the movie, the director then tacks on a short and overly simplistic ending, as if he wasn't sure how to get out of the film. Even with these problems, though, I was pleasantly surprised by how much fun this was. Hutton had tremendous energy as a comedienne and singer, and she sparkles through most of the film. Astaire also seems to be having a great time and shows a zany side that's quite delightful. There are several good musical numbers and two "must-see" dance pieces. In the first, Fred dances around, under, on top of and inside a piano, and he also gets to show off his lesser-known but fairly impressive skills as a pianist. This number has to rank among his all-time most enjoyable. The second great number has Fred and Hutton dressed as cowboys in a saloon, and it's a hilarious and wonderful routine. I cringed a bit when I read that Astaire was doing a cowboy number, but he's just as great in boots and blue jeans and he was in top hat, white tie and tails. There's some very good comedy writing in the film, and the secondary actors all do a fine job. Despite its slow and repetitive last section, Let's Dance is definitely worth watching. And some of the dance numbers deserve repeated viewing. An unexpectedly fun and funny film.
This film was hurried into production to take advantage of Fred Astaire's availability, part of the agreement MGM signed with Paramount in order to get Betty Hutton on loan to do "Annie Get Your Gun" at Metro. It is such standard fare that it pales when one thinks of Hutton's great triumph earlier in the year with "Annie." She and Fred Astaire were poorly matched given his sophistication and her frenetic singing and dancing. If only the musical comedy had some decent songs it could have gotten by on those alone. Unfortunately, there are few songs and they are mostly unforgettable, save Astair's dance routine on, over and under a grand piano and with a hat rack. There is a comedy song and dance number, "Them Thar Dudes" in which the two stars dress up as a couple of western dudes - both with fake mustaches - and sing and dance a fun and funny number. However, Astaire looks positively pained having to slum as low as this while Hutton steals the song because it is up her alley. There is an embarrassing number for Hutton when she starts singing a love song while her dress - in the rear - gets overheated. This film shows how brilliant Hutton was when she was given good material. The most accessible, direct and embracing singing voice of her time, Betty Hutton always surpassed her material when singing but, as with this film, was given to slapstick and overacting when clearly a director did not have control over her. Such is the fate of this film.
The film is engaging because it has at its core the old "mother running with her child from the evil relatives while the Knight is on his way and may or may not make it in time" plot. Because of the material Hutton comes off as Hutton while Astaire suffers badly, saved the minute he begins to tap his feet or open his mouth to sing. Two legends in a mediocre film make it a must see if you are a fan of either or both of the legends.
The film is engaging because it has at its core the old "mother running with her child from the evil relatives while the Knight is on his way and may or may not make it in time" plot. Because of the material Hutton comes off as Hutton while Astaire suffers badly, saved the minute he begins to tap his feet or open his mouth to sing. Two legends in a mediocre film make it a must see if you are a fan of either or both of the legends.
This is another example of how entertaining movies could be! I loved seeing Betty with Fred, and it sure made me realize that Astaire was much more than a dancer. The affection between the two stars is apparent at every turn and you could actually imagine that they could have been a couple in real life. I loved the fact that this time Betty is a 'Mom' and the child who plays her son is a delight. The story line is nothing new, but the songs and the dancing is fantastic. As with movies from this era, the supporting cast is just wonderful and I loved seeing Ruth Warwick, what a beauty! She was another underrated actress of the time. The clothes are beautiful and best of all the whole family can sit and watch! If you enjoy the musical comedies of the golden age of Hollywood, than don't pass this one by-
Você sabia?
- CuriosidadesAs this film was conceived as a star vehicle for the female lead, there are fewer Astaire numbers than one expects from one of his musicals, and only one solo: the celebrated "Piano Dance," in which he jaunts on, in, above and under a grand piano, culminating in a series of effortless suspensions over a succession of high-back chairs.
- Versões alternativasThere is an Italian DVD edition of this movie, distributed by DNA Srl: "LET'S DANCE". The movie was re-edited with the contribution of the film history scholar Riccardo Cusin. This version is also available in streaming on some platforms. This DVD also contains another movie with Betty Hutton: "ANNIE GET YOUR GUN".
- ConexõesFeatured in The Dick Cavett Show: Fred Astaire (1970)
- Trilhas sonorasCan't Stop Talking About Him
(uncredited)
Written by Frank Loesser
Performed by Betty Hutton and Fred Astaire
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- How long is Let's Dance?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
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- Também conhecido como
- Let's Dance
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 52 min(112 min)
- Proporção
- 1.37 : 1
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