As Últimas Férias

Last Holiday contains the first really dramatic performance by Alec Guinness. It's also the first time he's carrying a film as per the billing on the strength of his abilities. It's one beautiful performance in a picture with a universal message.

Alec Guinness plays your British every man who having no wife, no family, and no close relatives is likely to be remembered by very few when he passes on and then for a short time. He's given the news that the grim reaper is close, it might be a matter of a few weeks or a few months. What to do but go out and just enjoy things while you can.

So he packs off and stays at the small but posh Regal Hotel, a seaside resort much prized by the British vacationers. And he has some phenomenal luck there, winning huge poker pots, longshot horse racing bets coming in. He even finds some love with hotel housekeeping manager Kay Walsh. But how to tell the new friends he's made what is in store for him?

J.B. Priestley wrote the original script and in my opinion should have been a candidate for all kinds of awards. It is direct and simple and never maudlin. Guinness got the character down perfectly. And the ending is truly ironical.

Which must have pleased and singed director Henry Cass a bit. Back in the 30s when Guinness was starting in the profession he tried out for a stage production directed by Cass who told him in no uncertain terms he was a no talent bum. This comes from a biography of Guinness. Kind of like Phil Rizzuto who was told he'd never be a ballplayer by Casey Stengel and then having him as his manager on the Yankees after becoming an All Star.

One should watch Last Holiday together with Grand Hotel and note some of the similarities and the differences with Lionel Barrymore and Alec Guinness both portraying men under a death sentence.

I think the message is the same, you never know when you're checking out so live accordingly.

This film happen to be at the top of my all time favourites.

I always thought that Alec and Kay had a sparkle when acting together..."Oliver Twist";"Last Holiday";"The Horses Mouth";"Tunes of Glory"...I did not mention "Scrooge" because they did not appear together in any scene.

It is interesting to note that if two actors have a close rapport then their performance reflects this very well.

In "Tunes of Glory" a number of scenes were cut that had both actors in it. I remember one scene Still had Jock and Mary in bed together. Maybe it was deemed unnecessary and the censor would have made it an "A" movie instead of a "U".

I would greatly appreciate any comments you may have concerning these two actors as I am writing a book about British Film Actresses and a large section will be devoted to Kay Walsh.

Thank you,

MCG

What makes a film good? In this case it's the writing that first draws you in. Writer and co-producer J.B.Priestly (The Old Dark House '32 ~ An Inspector Calls '54) has a way with words that compels the viewer to want to know more about his characters. With wit and a sense of mystery, he surrounds us with multi layered groups of people that are mostly drawn together by chance. In 'Last Holiday' the cruel hand of fate brings us face to face with ultimate irony.

It's filled with marvelous situations, at first upsetting, then wryly funny, leading to an unexpected ending that invites us to examine the way we not only relate to others, but how we treat them. Priestly is examining the bias that all too often accompanies class consciousness. The cast is exquisitely diverse, everyone from bit players to mains, deliver sterling performances under direction from Henry Cass (Glass Mountain '49). Welsh born Cinematographer: Ray Elton (Quartet '48) with his strong grounding in documentaries, brings a realistic look to the fine work of Scottish art director Duncan Sutherland (San Demetrio London '43 ~ The Human Monster '49).

I found the music score by Romanian born composer Francis Chargrin surprisingly melodic for a 50s film of this type. Its thoughtful main theme is equally likable as his later 'The Beachomber' in '54. You might also remember Chargrin for his 'Colditz Story' '55, and 'Grey Friars Bobby' '61. Those who enjoy the always professional performances of Alec Guinness will enjoy his generally dour role in this off-beat mini classic.

My viewing was hindered by Australian TV broadcaster Gem's, persistence in supering 'pop-up' adds for up-coming shows, and their ridiculous LARGE lolly 'Pink' station ID. At least this time they screened the full film after inadvertently leaving out a reel in an earlier screening! Sure wish this broadcaster would treat their viewers, and the films they run with far more respect!

Unadventurous and safe agricultural equipment salesman George Bird (Alec Guinness) is diagnosed with Lampington's disease and told within a matter of time he will eventually painlessly slip into a coma before passing on. On the advice of his doctor as George has no close friends, is unmarried, and has no living family he liquidates his savings and insurance with his intention being to travel to the opulent Regal Hotel with his plans to spend every bit of his money and live more than he had up to that point.

Last Holiday is a 1950 comic drama directed by theater turned film director Henry Cass, and written by noted novelist, playwright, and political commentator J. B. Priestley. While a relatively small film in its day, retrospective analysis has been favorable to it, particularly in the performances of Alec Guinness as George Bird, Kay Walsh as Mrs. Poole, and Sid James as Joe Clarence with many divided on the film's "trick ending". Despite some very questionable decisions involving the ending, Last Holiday is a very poignant story that works on both a humorous level as well as a character based one.

The plot of Last Holiday is pretty thin at first glance as the movie is pretty much the setup with George Bird being a simple working-class man of strong character and principles who's been overly cautious throughout his life while neglecting things like the cultivation of friends and family. Guinness is undeniably the heart of this film as there is a humorous element to seeing George Bird throw caution to the wind with thoughts of the future and societal and cultural expectations placed to the wayside as Bird enters the opulent world of The Regal and his knowledge of how things work on a day-to-day basis serve to humble those of a higher class. In many ways you can see Bird as something of a precursor to other similar characters such as Peter Sellers' iconic Academy Award nominated performance as Chance the Gardener/Chauncey Gardener where the deceptive simplicity of the character is contrasted against the considerably emptier characters who pride themselves on status, prestige, and influence. Guinness is given no shortage of supporting players to play off against with particularly good exchanges coming from head housekeeper Mrs. Poole played by Kay Walsh with the two forming a low key romance that is very endearing, and Sid James is quite entertaining as Joe Clarence. Unfortunately the movie makes a massive mistake in its application of a twist ending that feels like it robs the story of emotional impact and it really seems like it ends on a downer note for no other reason than to catch the audience off guard. I'll admit it's a bold move in terms of an ending but not only does it needlessly turn tragic it leaves a feeling of "so what?" to everything we've seen.

There's a fantastic film for 95% of the running time thanks in no small way to the legendary Alec Guinness as George Bird who we really grow to care about as a likable everyman in an extraordinary set of circumstances. There's some on point social satire involving the contrast of Bird's working class principles against the "view from 20,000 feet" held by those of higher status at The Regal, but the ending they go with detracts from those solid points and takes a story that should be uplifting and turns it rather bitter and cruel.

The central character (Guiness) is "a modest unassuming salesman of agricultural implements" (Wikipedia). A respectable almost classless person whose unassuming manner, unglamorous job and modest salary have limited his social circle. For the first (and last) time circumstances allow him to spend freely and, for want of any other idea, stay a few weeks at a very upmarket seaside hotel. Its clientele have only one thing in common: either possessing wealth or using the opportunity to accumulate it. Some are rich and lack class, others have power and status as well as wealth. The Guinness character for the first time has an opportunity to network with important people.

Guinness in a way reprises his role in The Man in the White Suit - a thoroughly honest man innocent in the ways of the world whose modest manner and appearance belies his inventive genius. Yet is remarkably unchanged by success and continues to treat both high and low equally - and cause a surprising degree of unintended upset.

A good story with excellent cast, it is a less demanding part for the chameleon genius of Guinness. As usual with Priestley very well crafted story-telling. However the film dates from 1950 - 5 years after WW2 when people were looking to a better future and trying to put grief behind them. During WW2, Priestley had been the nation's uncle, providing not false comfort but a steadying presence putting the worlds events into a assimilable form for the average person. With the end of the war, the public's need for Priestley (much as their need for Churchill) ended. The film's sour end seems to have no point other than to say just when things are looking up and people at their most cheerful and optimistic, everything can be be dashed to the ground in an instant.