Aventuras de Sally

Bacon may have directed, but the sight gags are pure Tashlin. His cartoonish style is perfect for out-and-out slapstick. Note the number of physical exaggerations, right out of storyboard animation. Actually, Tashlin's the perfect spark to get Ball's comedic career in motion, which I gather this movie did.

The plot line itself is patterned after the many occupational comedies of the time—The Good Humor Man (!950), The Yellow Cab Man (1950), etc.-- as Sally (Ball) and Humphrey (Albert) get hilariously mixed up with cops and crooks. Red Skelton even puts in an amusing cameo from his Fuller Brush Man (1948).

The gags fly fast and furious maybe too much so, along with an overlong climax. Still, the set-ups are consistently inventive, while Ball gets to show a lot of sex appeal along with the clowning. Albert strives manfully to keep up, but it's Ball who gets the close-ups and the spotlight. Catch her versatility, for example, as she moves effortlessly into her amusing nightclub act.

I don't know why the pro's consistently downgrade the film—TCM giving it only two stars out of four. True, the slapstick gets a little frenetic at times, but the results remain pretty darn funny and provide a great early glimpse of TV's top comedienne in the making.

Ah, this is fun. I've heard that in this movie, Ms. Ball was the closest to her future TV hit persona. It still was not "Lucy unleashed" as we later experienced on TV, but the action is unleashed. They may just have unrolled some new hijinks in this movie. Haven't seen the likes of some of it. The action got so rough at times that I understand Ms. Ball sustained several injuries, with ongoing effects. That tells me she did her own stuff. It was pret-ty wild ... She did a comedy with a young William Holden, "Miss Grant Takes Richmond," before this. But it was this Fuller Brush Girl movie that was used in discussions with CBS for her own TV show, to demonstrate that she could do comedy.

I didn't see Ms. Ball's early films until several years ago, and found it a novelty seeing her in them. She was mostly in drama, only doing comedy toward the end of her early film career, and there were only a few. It was very interesting to see her in high fashion 40's clothes and hair. She was very glamorous in most of them, often a show girl, then a sophisticated, haughty type. The personality was so different - nothing like her upcoming "Lucy." She was called the "Queen of B pictures," which could be said about some others also. She did a lot of bit and small parts before moving into leads. One of the weightier ones was "Lured" with George Sanders and Cedric Hardwicke. She also co-starred with a young Henry Fonda in "The Big Street." They dated for a while. He thought she was gorgeous, and she is - a very attractive woman. It was when she started doing the comedies that she knew she had found her niche, and the Ricardos started working on the idea of a TV show.

Hers is a hard work, good luck story with a happy ending. After toiling in the trenches for so many years, she came out way on top with her own show, which was a solid success for decades. As everyone knows, her reruns are still in demand. She's a legend. What if she had quit or been unwilling to strike out into the new media (at that time)? She went on to do other films, such as "Mame" with Robert Preston. Hey, I think she broke out of B movies!! Don't cry for Lucy. She came into her dream. Can't put her down either. She just kept popping up and up and up.

I think most comedy fans will enjoy this movie. It has the wonderful Eddie Albert, who definitely plays second fiddle to Lucy, but with vigor. Ha! Try it; I think you'll like it.

Sally Elliot (Lucille Ball) and boyfriend Humphrey Briggs (Eddie Albert) struggle to make the down payment for their dream home. Humphrey gets a surprise promotion but he's actually being setup as the fall guy by his boss. Sally's friend Jane is a Fuller brush girl selling cosmetics door-to-door. When Sally gets fired for blowing up the switchboard, she tries to join Jane as a Fuller brush girl but it leads to door-to-door misadventures.

Lucy is being the Full Lucy. She's hanging on a line, steamed like a roll, rolled like a wheel, drinking like a fish, and gets real blown up. I like babysitting and bad perms. The whole smuggling premise is convoluted and messy. It does allow her to do all crazy physical comedy. It would be funnier if it all flows directly out of her door-to-door sales. Humphrey is a side character and is almost unnecessary. This is all Lucy. She could have done this solo.

This was a nice surprise. I didn't know what to expect, but what I got was a lot of laughs. Sure, many of the gags were simple slapstick stuff but it worked. This was truly a funny movie and Lucille Ball and Eddie Albert made a great pair.

This film also was a good preview of what audiences were going to see down the road when Ball became super-famous on television. She plays a similar type of character: a well-meaning ditz who gets into one jam after another. Here, she winds up an innocent victim and has gangsters chasing her and Albert all over town.

I only wish this was out on DVD or even on a good VHS tape in the United States. With only a couple of reviews, apparently most people have never heard of it. It's worth seeing and owning, believe me.

The Fuller Brush Girl is one hilarious, light-hearted romp which shows off the comedic abilities of Eddie Albert and especially Lucy, who shows us a kind of dress rehearsal for her later antics on TV. The plot is complicated and full of incident. I can't understand the tepid reviews that this film gets, although Lucy's TV shows did not always get the kind of critical respect that they deserved, either. If you blink, you'll miss Lucy's chum Barbara Pepper as a housewife watching TV with her husband as the principals chase each other across the roof of an apartment building, colliding with the TV antennas and playing hilarious havoc with what is shown on the TV screens. The house that the Simpsons live in that Sally goes to visit is the house from the Hazel TV series, with a different doorway. I can't imagine any Lucy fan not enjoying this film, as it is probably the one film out of the many she did which really prefigures the Lucy TV character. I've read that Lucy suffered several mishaps in the making of this film, like getting powder in her eye from a rigged-up switchboard, and suffering from stomach troubles as the result of imbibing colored water substituting for wine. The trades at the time of this film's release, (1950) seemed to be in favor of this slapstick romp, and it's hard not to believe that the CBS executives didn't take a long look at this before green-lighting I Love Lucy. This is now available from Warner Archive, downloadable as a purchase from Vudu and Amazon, and is being shown on Antenna TV. See it by all means.