Apuros de um Anjo

"For Heaven's Sake" is a most unusual movie....far different than the typical movie of the era. Clifton Webb and Edmund Gwenn play angels whose job it is to find parents for children waiting to be born. One of the unborn kids (Gigi Perreau) is a problem case for Webb's character...she insists on being born to a power couple from Broadway (Bob Cummings and Joan Bennett). But these people are too self-absorbed and career-oriented to be parents...but the child refuses to give up on the notion that they'll one day be her parents. In frustration, eventually Charles (Webb) takes human form and decides to deal with the couple directly. He poses as 'Slim'...a Texan who is quite stereotypical. And, over time, he REALLY comes to like being human...with all its vices as well.

The notion of seeing Clifton Webb playing a rich Texan is strange to say the least! He usually was the embodiment of sophistication and breeding and not the type to wear bolo ties and talk about life on a ranch! Strange casting indeed!

So is it any good? Well, if you love Clifton Webb, you'll like the film. Even though it's one of his weaker films, he himself is quite nice in this against type role. In fact, because so much of the focus of the film is of him and his performance, the movie really doesn't give most of the rest of the cast anything to do other than be there for Webb. This isn't so much a criticism...just an observation. Additionally, I loved the special effects at the beginning of the picture...they were amazing for 1950. However, the film itself is very, very weird...so much so that I guarantee that many folks will give up on it before it's complete.

When Clifton Webb says this, he is referring to cowboy boots. In this exceptionally peculiar movie, he is an angel. So is Edmund Gwenn. Gigi Perreau and Tommy Rettig are also, though they are angels of a different, rather mawkish, sort.

When Webb utters this comment, he is pretending to be a Texan and an angel of a different sort: a theatrical angel. You see, little Gigi wants to be born as a human child (as does little Tommy.) Gigi has chosen her prospective parents: Robert Cummings and Joan Bennett. (Does this seem to anyone else like an unlikely match?) They are a theatrical couple -- he a director, she a star. They live in a chic Manhattan duplex. Cummings is urbane and Bennett looks luscious.

There are in-jokes about pets named Alfred and Lynn and tossed-off comments about Arlene and Martin. It has a swanky style.

Webb is saddled (no pun intended) with a highly unflattering hair style when he plays the Texas millionaire. He gets top billing but for the most part his considerable talents are wasted. OH! And he falls for the as always delightful, here tanned and rather plump Joan Blondell. She is playing a famous playwright.

The combination of the cynical story of the selfish theatrical people with the icky concept of angels waiting to be born as children makes for a fascinatingly strange concoction.

Angels Clifton Webb and Edmund Gwenn are tasked with bringing an unborn (not even conceived yet!) child into the world by getting a theatrical couple (Robert Cummings, Joan Bennett) with a rocky marriage to have a baby. Webb hatches a plan to take human form in order to better accomplish this task. But life as a human proves to be a distraction for him and Gwenn has to intervene.

Webb is the star of the show, particularly as a Gary Cooper-inspired cowboy character. If you're a fan of Webb's you have to see this. Cummings and Bennett are fine, if a bit dull. Gwenn is likable as ever. Joan Blondell adds her usual brand of zing to things. Gigi Perreau is cute playing the would-be daughter and Tommy Rettig from Lassie is adorable in a small part. Jack La Rue is fun as an actor who's played one too many gangster parts. Loses momentum midway through but is still enjoyable. Old-fashioned ideas such as having a baby will save a troubled marriage will induce eye rolls for many viewers today, I'm sure. But it's all well-meaning and good-natured. Not for the cynics among us. Sweet, charming, and funny.

The acid tongued Clifton Webb who earned three Oscar nominations in the Forties, in the Fifties had his image considerably softened and for most of the rest of his career would be doing items like For Heaven's Sake. How much base was applied to this acid for Webb to team with Edmund Gwenn as a pair of angels trying to help some unborn kids make their earthy debuts.

Webb has the tougher assignment. Gigi Perreau's prospective parents are theatrical couple Bob Cummings and Joan Bennett who've become rather jaded and are on the verge of splitting. Against a lot of celestial advice including Gwenn's, Webb decides to materialize and become human. And as his role model, Webb takes on the persona of Gary Cooper as a western millionaire. In fact Webb is shown going into a theater and seeing Coop in a revival of The Westerner. This is just to get some background information as to how to pull off the character.

And he enters the lives of Cummings and Bennett as another kind of angel, a theatrical one. Of course without any money since they don't use any where he's from. But when he does acquire some money, Webb acquires a lot of earthly habits and problems to go along with the pleasures and perks of being corporeal.

Webb and Gwenn who would team up again in Mr. Scoutmaster have a nice easy chemistry that really carries For Heaven's Sake to some really nice heights. I'd also make note of performances by Joan Blondell as an actress playing one a lot like Joan Blondell, Harry Von Zell in a nice caricature of a real Texas oil millionaire and most of all Jack LaRue as an actor who really starts believing he is one of those gangster tough guys he portrays on the screen. I think LaRue took as his model George Raft though God only knows LaRue played plenty of gangsters in his own career.

For Heaven's Sake holds up very nicely after over 60 years and makes nice family viewing.

FOR HEAVEN'S SAKE, George Seaton's 1950 heavenly comedy, is worth seeing mostly for the very funny performance of Clifton Webb. Webb is the whole show, playing an angel who comes to earth to help overly busy couple Robert Cummings and Joan Bennett have a baby.

Cummings and Bennett really have very little to do and are mostly wasted, though Joan Blondell has several funny scenes and is her usual breezy, likeable self.

Not a classic heavenly fantasy like HERE COMES MR. JORDAN or IT'S A WONDERFUL LIFE, but enjoyable and worth seeing for Webb's fine comic performance.