Pirata das Arábias

This film is set in the late 1700s and follows a young shopkeeper's apprentice named "Davey Crandall" (Donald O'Connor), who is falsely accused of selling stolen goods and is subsequently scheduled to be hanged by the local authority, "Governor Elden" (John Emery). It turns out that Governor Elden is jealous of Davey's romantic relationship with the young maiden, "Lady Sylvia Copeland" (Helena Carter), whom he wants to marry. Furthermore, it soon becomes clear to the viewer that Governor Elden is the main beneficiary of all the stolen goods in that area. Even so, realizing that he won't have a chance to clear his name, Davey and his loyal friend "Tom Botts" (Will Geer) manage to escape from prison, after which he rises to fame as one of the most notorious pirates of the Caribbean. Now, instead of revealing more, I'll just say that this wasn't a bad movie per se, but it lacked the humor necessary for a musical-comedy of this sort, and I have rated it accordingly. Slightly below average.

Swashbuckling comedy, not as bad as I had anticipated but clearly no more than a footnote within the annals of this colorful action genre (here in its heyday). Donald O'Connor is an amiable and undeniably energetic lead (obviously, he gets to sing and dance too) – playing a shop-keeper's assistant who wants to make good for love of heroine Helena Carter. She, however, is coveted by her much older guardian…who also happens to be the (actually treacherous) Governor of the colony in which events are set.

Immediately falling foul of pirate Charles McGraw, O'Connor eventually finds himself serving under him – after he, his pal and their employer are accused (by none other than the Governor himself) of accepting and selling stolen goods. The villain, in fact, is in cahoots with a society of legendary pirates comprising Sir Henry Morgan, Blackbeard, Ann Bonney (Anne Of The Indies – whose story, incidentally, was being told contemporaneously in a much more satisfying film by that title), Captain Kidd, etc.; apparently, this Governor's so mean that even they are no more than his mere underlings!

Anyway, O'Connor eventually captures a ship practically single-handed (and sets free the convicts within, among them James Arness, on their way to Debtors' Prison), which wins him the moniker "Bloodthirsty Dave" and – naturally – a place in the pirate brotherhood. Recognizing the Governor's right-hand man as the courier of his message to them, the hero realizes the statesman's dual nature and determines to meet Carter in order to stop her impending marriage (she had earlier shunned O'Connor for his own buccaneering activity!).

This he does by impersonating a foppish aristocrat at a ball (whose presence causes a snobbish lady to enquire "Who is that weird creature?"), though his ruse is discovered soon after and lands him once again in jail. Needless to say, everything comes out right by the end: the villain receives his come-uppance after engaging in a fencing duel with O'Connor on a ship's mast, hero and heroine marry, and the pirates – given a royal pardon – turn respectable…or do they?

Double Crossbones is directed by Charles Barton and written by Oscar Brodney. It stars Donald O'Connor, Helena Carter, Will Geer, John Emery, Charles McGraw, Hope Emerson and Morgan Farley. Music is by Frank Skinner and cinematography by Maury Gertsman.

Davey Crandall (O'Connor) and friend Tom Botts (Geer) are falsely accused by the corrupt Governor Elden of Charleston (Emery) of fencing stolen pirate booty. Bluffing their way onto the ship of local buccaneer Capt. Ben Wickett (McGraw), the pair soon become embroiled in piracy purely by accident and then have to pretend they are in fact pirates just to prove their innocence!

Nothing to dislike here, it does exactly what it promises to do, it's avast yee frothy merriment with a little song and dance routine thrown in for good measure. It's comedy satire on the seven seas where everybody seems to be having great fun. There's treachery and trickery, a gorgeous dame to be spared from the villain's plans and a splendid narrative set up that puts all the famed pirates of Tortuga in one "brotherhood" meeting room.

O'Connor comes off as a poor version of Danny Kaye, but he is an amiable lead here, with energy unbound and a quip on the lips he makes the most of the standard screenplay. The production design is mightily handsome and Gertsman's Technicolor photography is quite simply stunning. Support cast list is impressive, with McGraw (sadly not in it enough) and Emerson (stealing the film) the highlights.

It's all very playful and colourful and not intended for deeper dissection, accept it on its own frothy terms and it becomes a fun 75 minutes of film. 6.5/10

I can't understand how anyone about to watch this movie, knowing it stars Donald O'Connor, can be surprised to discover that it's funny, lighthearted, and contains some dancing.

I was thoroughly delighted each time I watched it. Besides the fantastic, under-appreciated Donald O'Connor, the cast includes Will Geer (Grandpa Walton), as well as many other actors fans of classic movies and TV will recognize, by sight if not by name. The plot is no more far-fetched than any other pirate movie, and the acting is very good.

If you want to watch a serious pirate movie, by all means put in "Captain Blood." But if you're looking for some upbeat entertainment, I heartily recommend "Double Crossbones."

Through a strange series of circumstances a menual, inoffensive shop assistant (Donald O'Connor) becomes feared as a pirate called "Bloodthirsty Dave."

A few familiar faces show up (mostly rising talent) but O'Connor is the only bona fide movie star in sight. He lacks the insoucuant edge he'd later adopt in "Singin' in the Rain" but he's likeable enough.

It seems to be an attempt to turn O'Connor into the next Danny Kaye, especially in the one song in the piece, performed by O'Connor in a tavern early on. The movie's not really a musical and it could use a few songs and dancing. As it is, O'Connor's atheletic body is impressive, little though it is.

The comedy is in the mode of Danny Kaye and Bob Hope (without their overplayed cowardice). Though in his upper twenties, O'Connor looks barely out of adolescence.

Lots of light-hearted adventure crammed into a movie that certainly doesn't overstay its welcome. A fun time for anyone who isn't too demanding.