Papai Batuta

Once again, this is a movie in which the original is better than the re-make, even though the latter was a decent, popular film.

What the two films offered, however, was another stark contrast in how the culture (and Hollywood) has changed. In this original version, unlike today's films: 1 - The father rules the roost; 2 - the kids are nice kids. They actually behave and are respectful; 3 - The general atmosphere is a far more kind and gentle one than scene in today's "family films."

In other words, this is a real throwback to an era of nice family films, when they really were truly that. It reminded me of "Life With Father." If you liked that film, you'd enjoy this.

Clifton Webb was fun to watch as the strict father. Myrna Loy's role as the mother wasn't as much as one would expect. Perhaps if the title hadn't already been taken, this would have been more aptly named "Life With Father" since Loy's part was so minor. The kids were pretty wholesome and believable for that era except Jeanne Crain was far too old to be playing a 17-year-old.

If the film could be described in one word, it would be CHARM. It doesn't provide a lot of big laughs but it's pleasant, and at 86 minutes doesn't overstay its welcome.

While some might be critical of this movie for being "overly cheerful and sappy", I find "Cheaper by the Dozen" and movies like it of their time a haven in today's sexualized, blow 'em up assortment of trash. This movie is pure entertainment. You don't have to think. Just sit back, laugh and enjoy.

Clifton Webb is a joy in this delightful film, based on a true story, of an eccentric genius and his twelve children. The color is gorgeous, and the interior design of the family's New Jersey home ought to have won an Oscar. Myrna Loy is solid as Webb's patient, loving wife, and Jeanne Crain energetic as his spunky daughter. There isn't much story here, as events unfold naturally, as they do in life, and one isn't always sure where the film is going. Early twentieth century America is captured in all its overstuffed, art nouveau-ish glory, as the film's plot, irregular, often going off on odd tangents, perfectly mimics that style of design so popular at the time. The movie is really about the end of an era, as we see the very tail end of the Gilded Age turning into the roaring twenties, and with it the death of the old paternalism, at times stiff, occasionally charming, perfectly embodied by Mr. Webb; and there is an awesome sadness at the film's conclusion, as we see a man and his era pass into history.

I have seen the 1950 version of "Cheaper By the Dozen" perhaps a dozen times! It is a delightful glimpse of influential family life in the 1920's.

There are too many children, but this movie is funny because of Clifton Webb, who was a master of comedy in his detached, upper crust style, as in other movies such as another classic, "Mr. Belvedere." Seems like "we" have gotten too sophisticated these days to appreciate the innocence of movies like this one. There was laughter, a little love-interest, problems with kids, certainly sadness, and coping with so many children. But, it is appealing because there is no blood and guts, no explicit sex scenes and no foul language. This movie is a classic!

One of my favorite characters is Mr. Belvedere as played by Clifton Webb. A man that is a genius and knows everything about anything including raising children but very little patience for kids. So the idea of Webb raising a dozen little ones was interesting. The film about the Gilbreth family, in the early 20th century turns into a wonderful family picture as Webb is Mr Frank Gilbreth, a man concerned with efficiency. A role perfect for Webb. Gilbreth is a very strict and opinionated man about how to do things quicker and faster. Gilbreth even has opinions about the quickest way to operate on tonsils, even though he is not a doctor. The best way to prove his theory is to film the mass operation of eleven children and himself. The whole film truly centers on the love of a man for his family and Webb is the perfect person for this picture. The ending is a sad event because the film takes the time to develop lovable characters that you care about. A film well worth the time to sit and have a bag of popcorn and "soda pop" and don't forget your dog. Enjoy!