Barricada

An anti tyranny allegory from a Jack London novel by way of Bill Sackheim and all wrapped up in a western. Don't know 'bout you but that's not how I like my political allegories. Or my westerns, come to think of it. Makes for some heavy, stiff passages with lots of Shakespeare quoting, Wise Sayings ("Some men can't live without integrity") and cardboard characters who are either pure or pure evil. Still, there are a couple things that elevate this film a bit above the mediocrity line, chief among them Raymond Massey's fine performance as a power mad, sadistic psycho, kind of a combination Macbeth and Hitler (he's given a German last name). Indeed, Massey is such a good bad guy that I'm surprised he didn't do more of these villainous turns instead of the faintly dull Doc Gillespie/Abe Lincoln stuff. Give it a generous C plus, mostly for Massie.

This movie seems to have fallen through the cracks, in the sense that, of all the conventional westerns made around that time, this isn't one of them, and nobody seems to have found anything much to say about it.

It's supposedly a remake of "The Sea Wolf" (I haven't seen that) from the same source novel by Jack London.

A fairly evil joker (played by Raymond Massey) runs a gold mine like it's the prison work camp from "Cool Hand Luke". But there's no slow-burning, cool-talkin' anti-heroes here - Massey is the most dynamic character in the film, most of the men in his charge are a dim mob, and everybody is flawed in one way or another.

One man comes to town looking like the hero, but he's on the run from prison, not notably moral or likeable, and he gets beaten to a pulp by either the major heel, or the minor ones, on a regular basis throughout the picture.

There's a disgraced former judge who Massey keeps around apparently for personal amusement, who talks of faith and morals, but is a slave to the bottle.

And there's a well-spoken nosey gent, who also talks a good game but has a bad leg, and is even victimised by the comedy relief. The comedy relief, by the way, isn't funny, but is one of the more memorably slimy characterisations to turn up in a Western before the spaghetti westerns of a later period. Even the female love interest is on the run from prison.

Weird movie, due to the unusual perspective in which the most hateful character in the flick is also presented as clearly the most interesting, dynamic, and in some ways, admirable character.

"Barricade" is probably worth more attention than it's had, for all its flaws, including some weak acting among the featured characters, and some of the more memorably lousy fight scenes in Hollywood history.

Never really heard of director Peter Godfrey before, and his CV doesn't really include anything that would pointer you towards this, let alone what to expect out of "Barricade". If it comes up on TV, and you're not violently allergic to westerns, you might want to give it a look.

Bob Peters (Dane Clark) is hiding from the law. He would rather keep moving but he's offered a job with mining Boss Kruger (Raymond Massey). He finds the job worst than expected and Kruger a ruthless tyrant. Escaped prisoner Judith Burns (Ruth Roman) arrives in town and makes a run for it on a runaway stage coach. She crashes and recuperates at the mine.

This is apparently adapted from the Jack London novel "The Sea Wolf". This is an interesting western. Raymond Massey is a great actor although I would like him to be scarier. It's interesting to take the point of view from folks on the run from the law. There are some fair action and some less impressive action. It's interesting.

Jack London's Sea Wolf (1941) is remade here into an undistinguished oater. Nonetheless, Massey is effective as the tyrannical mine boss, loudly lording it over his hapless men in a role tailor made for the actor's powerful presence. A rather subdued Dane Clark, however, is again playing second fiddle to John Garfield in a role Garfield had in the much more expensive original. But, pity a poor well-scrubbed Ruth Roman who looks utterly lost in an ill-defined eye-candy role.

What's notable in this remake is the absence of an intellectual counterweight to the tyrant's Nietzschean view of humankind. What there is in this version is divided between the sometimes philosophical comments of Milburn (Douglas) plus those of the Judge (Farley). In the original, it was actor Alexander Knox who went toe to toe with the tyrannical Edward G. Robinson. Likely, the producers figured a sagebrush opera was not the place for intellectual debate, which nonetheless sparked the original.

Speaking of the production, it does a good job of making a budget effort appear bigger than it is. Despite appearances, the production never leaves greater LA, making good use of Vasquez Rocks and Bronson Canyon.Then there's that wagon crash that's no stock footage and a real stunner. Still and all, the drama never really gels, while the script and direction remain lackluster, at best. And considering the Jack London roots, that's a genuine disappointment.

Loosely based on jack london's story sea wolf, another man versus nature... or in this case... man versus large figure in charge. When judith (ruth roman) and her new friend milburn (robert douglas) show up at a gold miner's camp , the foreman (ray massey, in a rare, regular guy role! ) gives them temporary work. But things are a bit off ... everyone is afraid of the foreman, who runs a tight ship, and things go off the rails fast. When a crooked judge dies, they realize they can't go along with the way things are in town. The corrupt foreman is a viscious killer and doesn't care who gets in the way. Then nature intervenes. Like it always does in a london or hemingway story. Directed by peter godfrey, for warner brothers. Filmed at vasquez rocks and griffith park. It's pretty good. Not sure what the lesson is, but nature always seems to play a role.