Guerrilheiros das Filipinas
Título original: American Guerrilla in the Philippines
AVALIAÇÃO DA IMDb
5,9/10
1,4 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAmerican soldiers stranded in the Philippines after the Japanese invasion form guerrilla bands to fight back.American soldiers stranded in the Philippines after the Japanese invasion form guerrilla bands to fight back.American soldiers stranded in the Philippines after the Japanese invasion form guerrilla bands to fight back.
Micheline Presle
- Jeanne Martinez
- (as Micheline Prelle)
Robert Patten
- Lovejoy
- (as Bob Patten)
Miguel Anzures
- Native Traitor
- (não creditado)
Sabu Camacho
- Bo
- (não creditado)
Erlinda Cortes
- Partisan
- (não creditado)
Cris de Vera
- Japanese Officer
- (não creditado)
Rosa Del Rosario
- Partisan
- (não creditado)
Maria del Val
- Señora Martinez - the Aunt
- (não creditado)
Vic Diaz
- Japanese General
- (não creditado)
Arling Gonzales
- Radio Operator
- (não creditado)
Fred Gonzales
- Radio Operator
- (não creditado)
Eddie Infante
- Col. Dimalanta
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
It's not really about what I thought of the film - I note military and naval experts have commented on various inaccuracies. This is more a comment on an aspect of the film, which I saw many years ago in b/w, and got a greater insight into when seeing the Canadian commentator Elwy Yost's programmes on cinema history in the 1970's. How many viewers realise that the reason the heroine (the Filipino hero's wife) is cast as a Frenchwoman? This is not to make the story more romantic, or as a tribute to 'our gallant wartime allies' or even because the actress might be French, but because in those days to comply with the Hayes Code, the heroine, if she gets the white hero in the end (or vice versa!) has to be white!
Not one to see a lot of war films, I have to say I enjoyed "American Guerilla in the Philippines," starring Tyrone Power and directed by Fritz Lang.
Power plays a real-life navy man, Chuck Parsons, who helped organize guerrilla forces in the Philippines after MacArthur promised to return.
There are some exciting and tense scenes, and also, the film is a tribute to the courage of the Filipinos. There are obvious non-actors in small roles, which is a little distracting, but I suppose this was done for the sake of realism.
Power is rugged and handsome as Parsons, and Tom Ewell gives an excellent performance as a wisecracking soldier.
Micheline Presle is the de rigeur love interest - it's Tyrone Power who's starring, after all, and their love scenes are great, as are their scenes where she subtly fights her attraction to him. Of course, I'd have caved right in.
Power did not get to meet the real Chuck Parsons until a few months after filming, when Parsons appeared, unannounced, in Power's dressing room when the actor was performing "Mr. Roberts" in London. One must assume Parsons was pleased to have been portrayed by a matinée idol.
Fritz Lang did a wonderful job of directing, but of course, this film is a far cry from Metropolis. It was a hard shoot for Power, as his wife, Linda Christian, miscarried while visiting him on location.
Despite other reviews on this page, Amrican Guerrilla is very watchable. You have to take it for what it is - propaganda to get the U. S. ready for the Korean war.
Power plays a real-life navy man, Chuck Parsons, who helped organize guerrilla forces in the Philippines after MacArthur promised to return.
There are some exciting and tense scenes, and also, the film is a tribute to the courage of the Filipinos. There are obvious non-actors in small roles, which is a little distracting, but I suppose this was done for the sake of realism.
Power is rugged and handsome as Parsons, and Tom Ewell gives an excellent performance as a wisecracking soldier.
Micheline Presle is the de rigeur love interest - it's Tyrone Power who's starring, after all, and their love scenes are great, as are their scenes where she subtly fights her attraction to him. Of course, I'd have caved right in.
Power did not get to meet the real Chuck Parsons until a few months after filming, when Parsons appeared, unannounced, in Power's dressing room when the actor was performing "Mr. Roberts" in London. One must assume Parsons was pleased to have been portrayed by a matinée idol.
Fritz Lang did a wonderful job of directing, but of course, this film is a far cry from Metropolis. It was a hard shoot for Power, as his wife, Linda Christian, miscarried while visiting him on location.
Despite other reviews on this page, Amrican Guerrilla is very watchable. You have to take it for what it is - propaganda to get the U. S. ready for the Korean war.
This movie had a rush release just weeks before American soldiers get serious in Korea. A very good feel from this war drama about American fighters stranded in the Philippine Islands waiting for Gen. Douglas MacArthur's return. Guerrilla warfare helps sustain against the invading Japanese in 1942. Some very nice scenery and interesting war action. Top direction from Fritz Lang and potent acting from Tyrone Power and Tom Ewell.
There were hundreds of these cheap-ish World War Two quickies in the decade following the close of the conflict itself. They differed little from those produced during the war, still being in a kind of adulatory propagandistic mode, except that they were a little more vague usually having no direct message. What's more, as more time went by the seemed to get further and further from the realities of the conflict.
An American Guerrilla in the Philippines sees Tyrone Power, swashbuckling idol of the pre-war years, as an officer battling Japs in the Philippine jungle. Power has matured as an actor since his pictures a decade earlier, appearing tougher and less boyish, although he has also become less interesting in the process. His performance is steady and natural, but he is unable to make anything of what is admittedly a rather bland character on paper anyway. His buddy Tom Ewell is an unusual addition to the cast. He was in later years a very fine comedy actor, but it's hard to tell if he's appearing here as comic relief or not. In some moments, such as his burbling in the water trying to stay afloat, seem as if he is trying to play them for laughs, inappropriately if so, and certainly not at all funny. The rest of the cast is simply plain bad or plain boring.
Director Fritz Lang is normally someone who can give a nice baroque touch to even the most American of film formats, while still remain true to genre and tone. He seems uncertain however quite what to do with this one. He gives many shots in the jungle an abstract feel, with no familiar points of reference, giving them a threateningly wild look. Often his camera takes a spectator's position, peeping out through foliage. It's hard to tell what purpose this serves, as it distances us from the events on screen. Incidentally, Lang was a very good director of crowds and action, as evidenced in his big-budget silent pictures. There are some very powerful moments, with characters moving straight towards us down the middle of the shot and memorably stylised movements. However for a director who is normally so good at imbuing his work with a dark and nightmarish feel, An American Guerrilla in the Philippines has none of the bleak terror of, say, Operation Burma, a picture which really worked because it made us the audience feel lost within the jungle ourselves.
And ultimately An American Guerrilla in the Philippines is too light, and too sparing on any true sense of tragedy. It's lack of a real feeling of danger gives it many dull stretches, and its lack of realism does a disservice to those involved in the conflict. All of which is rather odd because the picture is also far from being a comedy. The only thing which saves it and makes it watchable is Fritz Lang's strong, vibrant imagery, such as dozens of hats waving in the air or a soldier's dying scream just inches from the lens. Having said that, there are far better Fritz Lang pictures to see these brilliant touches in.
An American Guerrilla in the Philippines sees Tyrone Power, swashbuckling idol of the pre-war years, as an officer battling Japs in the Philippine jungle. Power has matured as an actor since his pictures a decade earlier, appearing tougher and less boyish, although he has also become less interesting in the process. His performance is steady and natural, but he is unable to make anything of what is admittedly a rather bland character on paper anyway. His buddy Tom Ewell is an unusual addition to the cast. He was in later years a very fine comedy actor, but it's hard to tell if he's appearing here as comic relief or not. In some moments, such as his burbling in the water trying to stay afloat, seem as if he is trying to play them for laughs, inappropriately if so, and certainly not at all funny. The rest of the cast is simply plain bad or plain boring.
Director Fritz Lang is normally someone who can give a nice baroque touch to even the most American of film formats, while still remain true to genre and tone. He seems uncertain however quite what to do with this one. He gives many shots in the jungle an abstract feel, with no familiar points of reference, giving them a threateningly wild look. Often his camera takes a spectator's position, peeping out through foliage. It's hard to tell what purpose this serves, as it distances us from the events on screen. Incidentally, Lang was a very good director of crowds and action, as evidenced in his big-budget silent pictures. There are some very powerful moments, with characters moving straight towards us down the middle of the shot and memorably stylised movements. However for a director who is normally so good at imbuing his work with a dark and nightmarish feel, An American Guerrilla in the Philippines has none of the bleak terror of, say, Operation Burma, a picture which really worked because it made us the audience feel lost within the jungle ourselves.
And ultimately An American Guerrilla in the Philippines is too light, and too sparing on any true sense of tragedy. It's lack of a real feeling of danger gives it many dull stretches, and its lack of realism does a disservice to those involved in the conflict. All of which is rather odd because the picture is also far from being a comedy. The only thing which saves it and makes it watchable is Fritz Lang's strong, vibrant imagery, such as dozens of hats waving in the air or a soldier's dying scream just inches from the lens. Having said that, there are far better Fritz Lang pictures to see these brilliant touches in.
A rugged war-time combat drama set in 1942 , focusing the actual story of a group of American soldiers in the Philippines who fought with the resistance movement . Classical and true warfare movie titled ¨American Guerrilla in the Philippines¨ , this British title obviously didn't approve of such American jingoist title : ¨I shall Return¨. It stars the great Tyrone Power in the lead and the flick talks about the Phillipines battle , during WWII , concerning on defenders and resistance fighters , but Japan has just invaded ; regarding events happened in Bataan , Corregidor and Leyte .The Japanese army has overrun the Philippines , sending General MacArthur packing , promising to return . The US Army's defense of its Philippines colony and the allied Malay countries/colonies behind it counted on its island fortress of Corregidor on Luzon -and a few others- but loses it in the 6 May 1942 Japanese combined forces attack . Exciting warfare movie following the blockade run that took General Douglas MacArthur and his staff from the Philippines to the safety of Australia , then the survivors of a bombed and sunk PT boat make their way to shore . Ensign Chuck Palmer (Tyrone Power) and crewman Jim Mitchell (Tom Ewell) finally reach Tacloban on the island of Leyte attempting to make Australia by a boat . In a Yankee mission school , Palmer meets the married women Jeanne Martinez (Micheline Presle) and , subsequently , both of whom fall in love . Later on , they are among the escaping survivors who are ordered by general Douglas McArthur to organize a guerrilla , as Chuck forms a guerrilla army to raid Japanese and to help Americans landing on Leyte . As a group of soldiers flee from Japanese repeatedly attack and they head for blowing-up the Japanese installations . The defenders gave a few days for posterior victories and future US conquest like Midway , Island Salomon and Bismark .
This classic warlike movie is nicely starred by Tyrone Power at one of his best and unknown roles as a two-fisted officer , he's accompanied by a plethora of first-rate secondaries , all of them form the small army of Guerrilleros endeavoring to blow up pivotal Japanese headquarters . Stirring actioner warfare completed with slice of military stereotypes although some characters are very one-dimensional . This rousing action saga results to be a a good film dealing with war in human terms . Here director Lang has a sensitive handling of actors and provides an exact compositional sense . Fritz handles in all -especially the battle scenes- with flair play and vigour . There is a fair bit of flag-waving and patriotism , but that was just what was needed when the picture was made . It may not be an awesome film , but this is a thrilling and well made war epic . This colorful movie contains action , breathtaking battles , thrills , historical events , romance , and the battle scenes are impressively made with special mention at the end as they are besieged at a church . Stalwart main cast , Tyrone Power , the French Michellie Presle , both of whom provide splendid interpretations . Being stunningly supported by Tom Ewell giving an eye-catching and sympathetic portrayal , Robert Patten, Tommy Cook , Vic Diaz , Carleton Young , uncredited cameo by Robert Barrat as Gen. Douglas MacArthur and Jack Elam as a grizzled swindler .
This is one of a handful of feature films that have featured the story of the World War II , Philippines surrending and Battle of Bataan , they include as follows : ¨Bataan¨ (1943) by Tay Garnett with Robert Taylor , ¨So proudly we hail ¡¨ by Mark Sandrich (1943) , ¨They were expendable¨ (1945) by John Ford with John Wayne , ¨Back to Bataan¨(1945) by Edward Dmytryck with John Wayne , Anthony Quinn , Beulah Bondi . The film is set into a lush , abundant jungle with nice cinematography in technicolor , though a perfect remastering being extremely necessary . It contains an atmospheric as well as evocative musical score by Cyril J. Mockridge . It is well set in South Pacific , Philippines and shot on location in Manila, Subic Bay, Philippines. The motion picturewas professionally directed by Fritz Lang but far from his classics , being a strange stuff to come from this German ex-patriate filmmaker. He is a prestigious director , his films deal with a deep description of civilized societies , he believes that corruption is an essential part of it , that society punishes sincerity , innocence and love, vengeance and greed determine the behavior of people . Rating : 6.5/10. The picture is pretty well , it is a spectacular picture but resulting to be sometimes a vaguely dull war Hollywood production .
The actual deeds deal with Philippines fall , creation of Guerrillas ,and concerning an unsuccessful attempt by US and Filipino troops under General Douglas MacArthur to defend the peninsular against the Japanese 1 Jan-9 April 1942 . Following the surrender of Bataan , MacArthur was evacuated , but Allies captives were force-marched 95 km/60 mi to the nearest railhead in the Bataan Death March,i ll-treatment by the Japanese guards during the march killed about 16.000 US and Filipino troops .
This classic warlike movie is nicely starred by Tyrone Power at one of his best and unknown roles as a two-fisted officer , he's accompanied by a plethora of first-rate secondaries , all of them form the small army of Guerrilleros endeavoring to blow up pivotal Japanese headquarters . Stirring actioner warfare completed with slice of military stereotypes although some characters are very one-dimensional . This rousing action saga results to be a a good film dealing with war in human terms . Here director Lang has a sensitive handling of actors and provides an exact compositional sense . Fritz handles in all -especially the battle scenes- with flair play and vigour . There is a fair bit of flag-waving and patriotism , but that was just what was needed when the picture was made . It may not be an awesome film , but this is a thrilling and well made war epic . This colorful movie contains action , breathtaking battles , thrills , historical events , romance , and the battle scenes are impressively made with special mention at the end as they are besieged at a church . Stalwart main cast , Tyrone Power , the French Michellie Presle , both of whom provide splendid interpretations . Being stunningly supported by Tom Ewell giving an eye-catching and sympathetic portrayal , Robert Patten, Tommy Cook , Vic Diaz , Carleton Young , uncredited cameo by Robert Barrat as Gen. Douglas MacArthur and Jack Elam as a grizzled swindler .
This is one of a handful of feature films that have featured the story of the World War II , Philippines surrending and Battle of Bataan , they include as follows : ¨Bataan¨ (1943) by Tay Garnett with Robert Taylor , ¨So proudly we hail ¡¨ by Mark Sandrich (1943) , ¨They were expendable¨ (1945) by John Ford with John Wayne , ¨Back to Bataan¨(1945) by Edward Dmytryck with John Wayne , Anthony Quinn , Beulah Bondi . The film is set into a lush , abundant jungle with nice cinematography in technicolor , though a perfect remastering being extremely necessary . It contains an atmospheric as well as evocative musical score by Cyril J. Mockridge . It is well set in South Pacific , Philippines and shot on location in Manila, Subic Bay, Philippines. The motion picturewas professionally directed by Fritz Lang but far from his classics , being a strange stuff to come from this German ex-patriate filmmaker. He is a prestigious director , his films deal with a deep description of civilized societies , he believes that corruption is an essential part of it , that society punishes sincerity , innocence and love, vengeance and greed determine the behavior of people . Rating : 6.5/10. The picture is pretty well , it is a spectacular picture but resulting to be sometimes a vaguely dull war Hollywood production .
The actual deeds deal with Philippines fall , creation of Guerrillas ,and concerning an unsuccessful attempt by US and Filipino troops under General Douglas MacArthur to defend the peninsular against the Japanese 1 Jan-9 April 1942 . Following the surrender of Bataan , MacArthur was evacuated , but Allies captives were force-marched 95 km/60 mi to the nearest railhead in the Bataan Death March,i ll-treatment by the Japanese guards during the march killed about 16.000 US and Filipino troops .
Você sabia?
- CuriosidadesThis movie was filmed just prior to the outbreak of the Korean War in June of 1950, and used American warships to portray Japanese ships. One such ship, the U.S.S. Orleck (DD 886), exists to this day after serving in the Korean War, the Vietnam War and being sold for a while to the Turkish Navy, and is permanently docked in Lake Charles, LA, where it serves as a museum.
- Erros de gravaçãoWhen setting the sail early in the movie, Power's character refers to a halyard as a sheet. No real sailor would make such an error.
- ConexõesEdited into All This and World War II (1976)
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Detalhes
- Data de lançamento
- País de origem
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- Também conhecido como
- American Guerrilla in the Philippines
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração1 hora 45 minutos
- Proporção
- 1.37 : 1
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By what name was Guerrilheiros das Filipinas (1950) officially released in India in English?
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