Um motorista de ônibus e seu amigo trabalhador do esgoto lutam para ficar ricos enquanto suas esposas os observam com paciência cansativa.Um motorista de ônibus e seu amigo trabalhador do esgoto lutam para ficar ricos enquanto suas esposas os observam com paciência cansativa.Um motorista de ônibus e seu amigo trabalhador do esgoto lutam para ficar ricos enquanto suas esposas os observam com paciência cansativa.
- Ganhou 1 Primetime Emmy
- 4 vitórias e 7 indicações no total
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This show is Fantastic and it was over 10 years before I was born, but my family loved this show and I grew up watching it in re-runs.
Hilarious show, great comedic timing and the friendships (even though Ralphie Boy could be a turdy friend at times) makes it all Worth watching still in 2021. :D I love that Alice didn't take no Flack from Big Mouth Ralph, compared to the other shows I grew up watching where the woman did Everything the husband said. Glad I had Alice as a role model, cause I don't take no Flack from NO MAN EITHER! ;D.
Always loved Ralphs little silly dances, for a Big guy, he was surprisingly light and spry on his feet! ;D Still all relevant topics today. Watch IT! :D.
Hilarious show, great comedic timing and the friendships (even though Ralphie Boy could be a turdy friend at times) makes it all Worth watching still in 2021. :D I love that Alice didn't take no Flack from Big Mouth Ralph, compared to the other shows I grew up watching where the woman did Everything the husband said. Glad I had Alice as a role model, cause I don't take no Flack from NO MAN EITHER! ;D.
Always loved Ralphs little silly dances, for a Big guy, he was surprisingly light and spry on his feet! ;D Still all relevant topics today. Watch IT! :D.
The Honeymooners is a classic comedy from the 1950s. There were only 39 original episodes made. But all 39 were classic gems. Jackie Gleason was hilarious as Ralph Kramden,the hard working, always complaining bus driver & husband of Alice (Audrey Meadows). They both worked very well together. The other couple in the show was Ed Norton (Art Carney) & Trixie Norton(Joyce Randolph). Art Carney was brilliant in this TV show, his personality & mannerisms are some of the funniest ever. A great actor. I don,t have one favorite episode that I can say is the best, they are all great. This is one of the best comedy shows ever made. The laser disc box sets of all 39 episodes are 2 of my best ones in my whole collection. A Must Have!!!
Jackie Gleason is one of the greatest talents in the history of American show business. His comic takes and blowhard act has produced so many professional and amateur imitators that none even has to question who or what you are imitating. Art Carney is one of America's greatest character actors. He created the greatest side-kick anyone ever had, a character with so many quirks you could probably build a show around him. Together they make one of the greatest comedy teams ever.
But what makes this work is Audrey Meadows as Alice. When the Honeymooners first began, Ralph's wife was played by Pert Kelton, a battle ax of an actress who is just the kind of wife Ralph Cramden would wind up with in real life. The original skits were really comic 'fly on the wall' looks at the arguments the loudest neighbors in the neighborhood keep having. They were amusing enough to keep the skits going but there wasn't enough of a counterpoint to Ralph. His battles with Alice resembled Ralph's later battles with Alice's mother, (which Kelton came back, more appropriately, to play in the 60's series).
When Gleason moved to CBS in 1952, Kelton was unavailable for health reasons and Gleason had to find a new Alice. Audrey Meadows, a glamour girl who worked with all the top comedians of television's golden era, decided she wanted the job. The now-famous story is that Jackie turned her down because he couldn't picture Meadows as Ralph Kramden's proletarian wife. Audrey had a friend photograph her in her kitchen just after she woke up and had the photo sent to Jackie, who immediately declared the woman in the picture to be 'his Alice' and demanded to know who the actress was. When he found out, Audrey had the job and 'The Honeymooners' became a TV classic.
Meadows offered something Kelton didn't: a CONTRAST to Ralph, rather than a fellow gladiator. She was not only attractive, (if not allowed to be glamorous), but she was intelligent and non-abrasive, even if she had the strength to stand up to Ralph and give as good as she got in the battles. More than that, it became obvious why Ralph was such a dreamer and a blowhard. How did a guy like him ever get a woman like Alice to love him and marry him?
He spends all his time either promoting himself and trying to be 'The King of the Castle' or scheming to become rich and important. It's the only way he knew to be big enough to deserve Alice. What he didn't know is that Alice offered him that rarity, unconditional love. Ralph didn't have to be a 'big man' to please her. He just had to be Ralph. He finds that out at the end of every episode but forgets it again in time for the next show, because if he didn't, they'd have no plot.
Strengthened by this theme, the writes got more and more ambitious and The Honeymooners did stories of increasingly greater length, eventually taking up the whole show. Ralph Cramden became Gleason's most popular character because he was so human. He had much more dimension that Reggie Van Gleason, The Poor Soul, Charley Bratton or Joe the Bartender, as entertaining as they were. This in turn, led to the Classic 39, which became the flagship for the series and kept 'The Honeymooners' alive for decades after most of the Golden Age of Television had faded from memory.
But what makes this work is Audrey Meadows as Alice. When the Honeymooners first began, Ralph's wife was played by Pert Kelton, a battle ax of an actress who is just the kind of wife Ralph Cramden would wind up with in real life. The original skits were really comic 'fly on the wall' looks at the arguments the loudest neighbors in the neighborhood keep having. They were amusing enough to keep the skits going but there wasn't enough of a counterpoint to Ralph. His battles with Alice resembled Ralph's later battles with Alice's mother, (which Kelton came back, more appropriately, to play in the 60's series).
When Gleason moved to CBS in 1952, Kelton was unavailable for health reasons and Gleason had to find a new Alice. Audrey Meadows, a glamour girl who worked with all the top comedians of television's golden era, decided she wanted the job. The now-famous story is that Jackie turned her down because he couldn't picture Meadows as Ralph Kramden's proletarian wife. Audrey had a friend photograph her in her kitchen just after she woke up and had the photo sent to Jackie, who immediately declared the woman in the picture to be 'his Alice' and demanded to know who the actress was. When he found out, Audrey had the job and 'The Honeymooners' became a TV classic.
Meadows offered something Kelton didn't: a CONTRAST to Ralph, rather than a fellow gladiator. She was not only attractive, (if not allowed to be glamorous), but she was intelligent and non-abrasive, even if she had the strength to stand up to Ralph and give as good as she got in the battles. More than that, it became obvious why Ralph was such a dreamer and a blowhard. How did a guy like him ever get a woman like Alice to love him and marry him?
He spends all his time either promoting himself and trying to be 'The King of the Castle' or scheming to become rich and important. It's the only way he knew to be big enough to deserve Alice. What he didn't know is that Alice offered him that rarity, unconditional love. Ralph didn't have to be a 'big man' to please her. He just had to be Ralph. He finds that out at the end of every episode but forgets it again in time for the next show, because if he didn't, they'd have no plot.
Strengthened by this theme, the writes got more and more ambitious and The Honeymooners did stories of increasingly greater length, eventually taking up the whole show. Ralph Cramden became Gleason's most popular character because he was so human. He had much more dimension that Reggie Van Gleason, The Poor Soul, Charley Bratton or Joe the Bartender, as entertaining as they were. This in turn, led to the Classic 39, which became the flagship for the series and kept 'The Honeymooners' alive for decades after most of the Golden Age of Television had faded from memory.
Whether it's one of the classic 39 or one of the lost episodes, I always have a blast when I watch this show. It is one of the best shows ever to grace television. Everyone on the show was hilarious whether it was Ralph as the big mouthed, short tempered husband, Ed as the goofy upstairs neighbor or Alice and Trixie as the wives who always tried to keep them in line. It never fails to make me laugh out loud when I watch this show and I'd recommend it to anyone who needs a good laugh.
This is one of the greatest TV shows of all time. If you have never seen this, you're in for a real treat. Ralph (Jackie Gleason) is a bus driver for the Gotham Bus Company. He lives in Bensonhurst, Brooklyn with his long-suffering wife Alice (Audrey Meadows). His best pal is the sewer worker who lives upstairs, Ed Norton (Art Carney). Ralph is always scheming to make money. His ideas never work. The things I like best about this show is a) the writing -- introduced phrases that are now part of the American language ("To the moon, Alice!" b) the directing -- look what they did with three cameras that never moved! c) the acting, esp. the improvisation when gags failed -- remember, this was live TV! This show was the influence of the cartoon "The Flintstones", plus a couple of generations of every other TV sitcom.
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- CuriosidadesAudrey Meadows was the only cast member to receive residual payments for the show for her entire life. This was a result of her shrewd manager, who predicted the prospect of a "rerun" even in the early stages of television, before precedent was set for it. As a part of her contract, she was told to stipulate that if the show were to air in subsequent time slots in the future, she would be paid royalties, which is an interesting bit of history, because it's now a standard condition for all television work that the involved parties from an episode should get paid for each showing of it. These days it applies to directors, actors, actresses, writers, and voice actors, along with others in different capacities as well.
- Erros de gravaçãoThe background behind the stove and the window were actually curtains. There are a few episodes in which the corner (where the two meet) would separate and you could see a little of what was behind it.
- Versões alternativasBesides the modification to the opening title sequence when prepared for syndication, original announcer Jack Lescoulie's voice was replaced with that of Gaylord Avery, a longtime CBS staff announcer.
- ConexõesFeatured in Zenith Presents: A Salute to Television's 25th Anniversary (1972)
- Trilhas sonorasYou're My Greatest Love
Written by Jackie Gleason and Bill Templeton
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- Tempo de duração
- 30 min
- Cor
- Black and White(original version)
- Black and White
- Mixagem de som
- Proporção
- 1.33 : 1
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