The Colgate Comedy Hour

I've been lucky enough to see five episodes of this golden age of TV pioneer. The high powered talent was only part of a top notch production. Two of those shows featured Abbott and Costello, who can be seen doing their "Who's on First?" routine and interacting with horror film legend Boris Karloff. The other three are Martin and Lewis shows, and actually made me laugh out loud more than a half century later, their work was that good. In fact, what's obvious from those shows is that there's a lot of ad-libbing going on, and the two seem like they're absolutely having the times of their life. If you find that DVD (the sleeve advertised two shows but actually contains three, all with original commercials, I found it for a dollar at a Dollar General store...talk about a buried treasure!) look for the bit part where Jerry teases two NBC studio cameramen. A true gem. And fans of old TV commercials won't be let down, either, by the catchy jingles and nice animation for Colgate toothpaste, Palmolive soap and shave cream, Halo shampoo or Fab detergent.

This series shows what should still be there today: honest humor, charm, joy in life and a lot of craziness of the kind that makes life more beautiful. A classic that you can probably enjoy at all times.

I own a DVD that is entitled "The Abbott & Costello Show". But it's actually two episodes of "The Colgate Comedy Hour". From what I have seen it looked like a good show. But again I have only seen two shows. Both shows were hosted by Abbott & Costello and they were hilarious. It featured many different skits and bits including the "Two Tens For a Five". And of course it had everyone's favorite "Who's on First?". I really enjoyed the quick banter between the two. I heard the best Abbott & Costello routines are the ones preformed in front of a live audience. Costello was great at ad-libbing and it shows here. I have only seen a couple of the Martin & Lewis movies and they were good. So I'm guessing the ones hosted by them were good too. I really recommend this to anyone who likes comedy and especially anyone who hasn't seen the "Who's on First?" bit. It's classic stuff.

Not all Colgate Comedy Hour episodes originated from New York. In fact, when it began, production originated from New York and was kine-scoped for West Coast broadcast. Beginning with the second season, production was divided between Hollywood and New York, with the majority of episodes originating from Southern California. The show started in New York and ended in L.A. The first Los Angeles-based episode of the show aired late in September 1951. All of the Los Angeles-based Colgate Comedy Hour episodes seem to have been filmed instead of aired live, as I have seen with a December 1952 Abbott and Costello-hosted episode. Fred Waring was the final host of the series, and on Christmas Day 1955. The first Colgate Comedy Hour to originate from outside New York or Los Angeles was from Philadelphia in 1951 not Las Vegas or Miami in 1954. No sooner did the show end did Los Angeles overtake Chicago as an important center for TV production, as it remains 50 years later.

An earlier comment claims that an episode in November 1953 was the first color television broadcast ever. That is not so. The Federal Communications Commission, on Oct. 10, 1950, approved a color television system developed by CBS that was not compatible with existing black and white television sets. However, a court challenge by RCA, which was developing its own color system that was compatible with black and white sets, tied up the inauguration of the CBS color system until a decision for CBS by the U.S. Supreme Court in May 1951.

Finally, on June 25, 1951, CBS broadcast a one-hour program in color, called "Premiere", featuring Ed Sullivan and other CBS stars, and carried it on a five-station East Coast CBS-TV hookup.

The episode of "The Colgate Comedy Hour" broadcast in color in November 1953 was actually the network debut of the rival RCA color television system. In December 1953, the FCC formally reversed its earlier decision and approved the RCA system as the color standard for American television.