Beulah

I am a baby boomer and have very fond memories of the Golden Age of Television. As a child growing up during that time, one of my favorite shows as "Beulah." It was originally aired on Tuesday evenings at 7:30 with Ethel Waters then Louise Beavers (with a different cast) as the star. The 6 or 7 TV episodes Hattie McDaniel filmed were never aired until the show went into syndication (approximately 1955). It aired locally in Cleveland, Ohio on a Monday-Friday basis from 1955-1962. Pretty long time for a syndicated show. It was extremely popular and well-liked locally by kids and their families. I am pleased to say I have audio copies of all the shows, video copies of about 9 of the shows (2 with McDaniel, 2 with Beavers, 3 with Waters). I also have 15-20 copies of the original radio show with Marlin Hurt, Hattie McDaniel and McDaniel's replacement (upon her death) Amanda Randolph (played "Mama" in "Amos-n-Andy"). I love this show!!!

Like Amos And Andy, Beulah started out on radio and started with a white man doing an imitation of a black woman who was a maid. Beulah was a character on a number of radio shows and so popular she eventually got a show of her own.

Early television was mostly radio shows moved over to TV with established public favorites and like Amos And Andy, Beulah now had to be played by a black actress.

One thing about Beulah as you look on the credits you see an ever changing cast of regulars of the white family that employed her Beulah and her friends. Beulah was played by Hattie McDaniel, Ethel Waters, and Louise Beavers and she had as a boyfriend handyman Bill and as her Ethel Mertz the occasionally scatterbrained Oriole.

One thing that remained constant was that Beulah was the wisest one in the house. Always tactful her wisdom got the family out of many a crisis.

Health reasons were why McDaniel quit and other commitments limited Ethel Waters. Louise Beavers finished the series up.

When you come down to it, Beulah was in many ways a black version of Hazel. Or maybe it's the other way around.

I'm white - no real life experience with non-whites until the late 50's and I was born in '46. Though no real life, I watched Amos and Andy and Beulah. What I learned from them, as they were my only contact with the subject, was: there are people with skin darker than mine, they talk slightly differently than my parents and relatives in(state I was born) but a lot like my relatives in (state we moved to just before I turned 6), some are smarter than others, they are more likely to be helpful, most of them are trustworthy (I refer to those not Kingfish/partners in small cons),they have lives like my family and me.

In other words, with only those shows as data, during the time most likely for it to happen, I had no racist beliefs and a quite positive view - which nothing later changed. I understand in the vaguest possible way the NAACP attitude, but, for me, those shows were very positive!! I firmly agree with that Hazel connection - though Hazel was not one of my favorites and Beulah was.

With people today being so sensitive to practically everything, the tendency is to assume that "Beulah" was racist. This is simply not true.

Although a domestic, Beulah was never subservient. It was to Beulah that the family turned whenever there was a problem, and it was Beulah that always kept her cool no matter what was happening.

Its true that her boyfriend, Bill Jackson, was somewhat lazy, but even he owned a fix-it shop. It just that was never in a hurry to fix anything. He was more interested in Beulah's cooking.

Butterfly McQueen played Beulah's best friend Oriole. Oriole was scatterbrained, but sort of in the same way that Gracie Allen was scatterbrained.

None of the characters was ever demeaned, talked down to, or "dissed" (I hate that word.) Today the racism industry calls it racist simply because it depicted a black woman as a domestic. Actually, it was simply a light-hearted family comedy which reflected life in the early 50s.

Beulah had an incarnation as a radio program before television picked it up. The people who complained about its portrayal of African Americans in a negative manner perhaps did not listen or watch. The white family for whom Beulah worked invariably got into dilemmas they were too dumb to resolve on their own. A basic recurring theme is that they were rescued by Beulah's ingenuity and common sense. McDaniel was a delightful comedienne as she pulled her "family" away from troubles and mischief. Beulah clearly maintained an affection for the benighted family and they appreciated her. McDaniel's reputation was enhanced by this role.