Iwo Jima - O Portal da Glória

This is a flag-waging and patriotic tribute to US marines .Very decent war scenes along with documentary footage that convey us the assault troops establish on the Pacific islands, but like the navy, the US army fought its way from island to island in the Pacific. Striker(Wayne) and his squad(Forrest Tucker, John Agar,James Brown,Richard Jaeckel,James Brown,Richard Webb, among others) are responsible for the capture of the Pacific islands. And, of course, the picture brings to life one of the most famous images of the Second World war- Joe Rosenthal's photograph of US marines raising the flag at Iwo Jima, on the morning of February 23, 1945 and with special appearance of the three living survivors of the historic flag raising of Mount Suribachi. John Wayne is top-notch as valiant but deranged sergeant Striker training rebellious recruits and soldiers in this believable war film . Wayne won his only Oscar nomination, before his obtaining in ¨True grit¨. Supporting cast is frankly magnificent. The motion picture is well directed by Allan Dawn.

The film is based correctly on Iwo Jima battle in a hard-fought US operation, one of the most difficult campaigns of the Pacific theater . US capture of Japanese-held island in the Bonin group , about 1450 km south of Tokyo after intense fighting Feb-March 1945. Fortified by the Japanese, it held two airfields, with a third under construction, and was a valuable strategic target for US forces as it would provide a base for land-based bombers to raid the mainland of Japan. It was assaulted by US Marines 19 Feb 1945 after a prolonged air and naval bombardment. The 22000 Japanese troops put up a fanatical resistance but the island was finally secured 16 March. US casualties came to 6891 killed and 18700 wounded, while only 212 of the Japanese garrison survived.The film is dedicated to the United States Marine Corps whose exploits and valor have left a lasting impression on the world and in the hearts of their countrymen . Appreciation is gratefully acknowledged for their assistance and participation which made this picture possible.

I have seen this John Wayne classic war film many times, but only recently learned that three surviving original flag raisers (at the time the film was made) had cameo roles in it. Towards the end of the movie, after the beachhead and Mount Suribachi are secured, Sgt. Stryker calls for a squad to raise a flag. Watching from behind Stryker, we see three young men squat down in front of him. Stryker hands them an American flag and directs them to climb to the top of Mt. Suribachi and raise it. The three men playing the roles as themselves are: PFC Rene A. Gagnon, USMC; PFC Ira H. Hayes, USMC; and, PH3 John H. Bradley, USN -- three of the five original famous flag raisers captured on film in the famous scene atop Mt. Suribachi, and forever etched in stone in the Iwo Jima Memorial at Arlington, Virginia. The other two flag raisers were shot and killed later on the island.

Rip-roaring re-creation of WWII in the Pacific. It's more a tribute to Marine Corps fighting spirit than a traditional flag waver, even though it duplicates probably the greatest flag raising scene in US history. Wayne's perfect as the veteran Sgt. Stryker who must ready his squad for combat. At this career stage, Wayne is not yet an icon. Thus he shows his under-stated acting skills that were largely replaced by his sheer iconic presence later on. As a result, his thespic talent is too often under-rated by critics. The storyline, aside from combat, involves Stryker's difficulties with two of his men, played by Agar and Tucker. Tucker is something of a physical rival, while Agar does his duty to a Marine Corps father while rejecting the Corp's spirit. There's also brief time with girls while the guys are on leave, and I especially like the sensitive way Julie Bishop's status as a reluctant hooker is insinuated along with a lot of subtle heart.

Of course, the film's dramatic centerpiece is the lengthy combat footage. Budget-minded Republic went all out here. They blend effectively real war footage along with well done studio set-ups and location re-creations. The latter is largely thanks to the Corps cooperation which involves hundreds of real marine troopers. In fact, that beach-head footage of the assault on Tarawa may be the most intense of any post-war combat film. It's truly scary, as it should be.

Anyway, after seven decades the film may have lost some of its topicality, but the human elements remain, along with a fine turn by America's favorite cowboy, this time as a steadfast and heroic soldier.

John Wayne acted in a number of war films: Operation Pacific, Back to Bataan, The Green Berets, and The Longest Day. No doubt, this is his best. It's one of the true classics.

Some may find it unrealistic due to its sanitized language and relatively meager gore (remember, it was made in 1949). But its themes are timeless: duty, honor, country. The skillful integration of battle scenes and real-life newsreel footage makes it seem almost like a documentary.

If you want a politically correct war film, try something else. If you want a well-made, well-acted, patriotic film, this is it.

John Wayne did a bunch of war movies, always playing the heroic soldier. It is ironic then that he was considered medically unfit for service in WWII. Nonetheless, "Sands of Iwo Jima" is certainly the definitive John Wayne war movie. He got his first Oscar nomination for this movie which is enough to make it important just for that (he was only nominated one other time, winning for "True Grit").

The movie plot is just straight formula and has the same collection of ethnic types that you find in every war movie ever made---the fast-talking big city guy, the farm boy, the wisecracking Italian, etc. The battle scenes had to be sanitized for audiences back then and the treatment of the Japanese as the enemy in this movie is outrageously stereotyped by today's standards. Every time the Japanese come on camera the background music turns sinister and the little Japanese actors have an appropriate villainous and fanatical look to them. The only war movie I can think of where the Japanese are humanized in any way is "Bridge on the River Kwai" while there are many movies where the German soldiers and especially General Rommel, are portrayed if not sympathetically, at least respectfully.

Catch the last scene where the three real-life survivors of the Iwo Jima flag raising are given the flag by the Duke to raise on Suribachi. One of the flag-raisers, John Bradley, was so modest about his exploits afterwards that he didn't even have a copy of the famous flag-raising photo hanging up in his home. It wasn't until after he died that his children learned that he had won the Navy Cross for his heroism in the war. The book written by his son, "Flags of Our Fathers" is being made into a movie by Steven Spielberg and is sure to be sensational. No doubt that it will be immediately compared to "Sands of Iwo Jima" which, until "Flags" comes out, is the definitive movie about that battle.