Rimfire

There's quite a lot to enjoy in this quickly paced little spooky western. It all starts with an attempt to hijack the stagecoach, one that is luckily thwarted by "Harvey" (James Millican). One of those he rescues happens to be the neice of the local sheriff, and soon he finds himself deputised. "The Abilene Kid" (Reed Hadley), meantime, gets himself into a bit of bother with some marked cards, and after a cursory court hearing under the jurisdiction of the no-nonsense "Judge Gardner" (George Cleveland) is sentenced to hang. Now the film gets interesting. He was found guilty by public acclamation (i.e. A vote of those in the courtroom, rather than by a formal jury) - 11 to 6. Shortly after his execution, some of the eleven start to go the way of the dodo - and the townsfolk start to suspect a ghost! Could it be the "Kid" back for vengeance on this who wronged him? There's a decent sub-plot about some missing gold, too - just to keep it interesting, and a little romance with "Polly" (Mary Beth Hughes). The ending is a bit rushed, but hough the production is pretty basic and the acting really unremarkable, the whole is better than the sum of the parts and we are presented with an entertaining film for an hour.

"Rimfire" is an almost forgotten little gem of a western. In fact, I hadn't heard of it until it's recent DVD release. It was produced by the Lippert Company and directed by the veteran B. Reeves Easton. Easton had been around films since 1915 and this was his final directorial effort. Running at a scant 63 minutes it boasts a fairly large cast of recognizable western players and contains an interesting story line.

Tom Harvey (James Millican) foils a stagecoach holdup and comes into town and takes a job as a deputy sheriff. Heroine Polly Jordan (Mary Beth Hughes, who was on the coach turns out to be the niece of the town sheriff Jim Jordan (Victor Kilian). Harvey confides int the sheriff that he is in fact an under cover army officer in search of some stolen government bullion. Harvey and Polly meanwhile, become attracted to each other.

Gambler, The Abilene Kid (Reed Hadley) who had also been on the coach, is falsely framed for cheating in a card game by saloon owner Barney Bernard (Ray Bennett) and his two henchmen Blazer (John Cason) and Toad (I. Stanford Jolley). Harvey believes in the Kid's innocence but is unable to prove it. In a trial Bernard and his two henchmen testify against him and Judge Gardner (George Cleveland) finds him guilty and sentences him to hang.

Following the Kid's execution, several of the Kid's accusers begin to be murdered by a ghostly figure believed by some to be the ghost of the Kid. A playing card in sequential order is found at the scene of each murder leading all to believe that the Kid is somehow involved. Finally Harvey discovers the identity of the murderer and.............

This was a rare opportunity for veteran character actor Millican to play the lead and romance the heroine. He had been around films since the early 1930s but is probably best remembered for his western roles (on both sides of the law) and for his distinctive speaking voice. His career was cut short by an early death in 1955 at the age of 45.

Others in the cast include Fuzzy Knight and Chris-Pin Martin as the comic relief, Henry Hull as newspaper editor Nathanial (Horace??) Greeley, Glenn Strange as the stagecoach driver and Margia Dean as Lolita a saloon girl.

Take a look at this one if you get the chance.

Rimfire is directed by B. Reeves Eason and jointly written by Ron Ormond, Arthur St. Claire and Frank Wisbar. It stars James Millican, Reed Hadley, Mary Beth Hughes, Henry Hull, Fuzzy Knight and Victor Killian. Music is by Walter Greene and cinematography by Ernest Miller.

Captain Tom Harvey (Millican) is an undercover army officer working in a small Texas town investigating the theft of army gold shipments. Taking on the role of a deputy, he suddenly finds the town gripped by terror as they believe the ghost of a gambler who was wrongly convicted and hanged has come back from the grave to enact revenge.

"Gold and greed, it seems, go together. And so do. So do gold and death"

Clocking in at just over an hour, Rimfire is compact and unfussily directed for maximum impact. There's a slight irk that once the central hanging and conviction enters the story, the film barely has time to unfold the mystery element, in fact so much is crammed into the final twenty minutes you really can't afford to look away. But why would you look away when the film is so interesting in narrative and so visually arresting? The biggest character in the piece is Ernest Miller's black and white photography, low-key lighting with prominent shadows, there's a pessimistic ambiance given the production, a sense that humanity is rotten. Which when coupled with the unusual aspects of the story make this very much a unique Western of the 40s.

Well performed with the likes of Hadley, Hull and Millican turning in professional shows, and with super work from photographer Miller, this rounds out as very much a Western noir worth checking out. 8/10

After a rattlesnake bites his horse, a cowboy named "Tom Harvey" (James Millican) has to walk alone along a dusty trail in a remote part of New Mexico, where he sees a stagecoach being held up by bandits. Skilled with a gun, he surprises the outlaws and, with some help from a stagecoach passenger called "The Abilene Kid" (Reed Hadley), manages to chase them away. Grateful for his help, the stagecoach driver offers him a ride to the nearest town. Once there, he is offered a job as a deputy sheriff, which he performs exceptionally well. Sadly, a short while later, his colleague, the Abilene Kid, is falsely accused of cheating at cards and is tried and sentenced to death. But things don't end there as, not long after he's hanged, a series of murders occur, and the townspeople start to believe that the ghost of the gambler, seeking revenge for his death, is behind them--with Tom Harvey becoming one of his main targets. Now, rather than reveal any more, I will simply say that this was an odd, grade-B Western that managed to hold my attention, mainly due to the mystery surrounding the murders. On a more critical note, although the acting was mostly solid, I didn't particularly like Fuzzy Knight's comedic performance as "Porky Hodges." He just wasn't that funny. However, this film was made during a different era, and comedy of this type was quite typical at the time. So, I guess it's to be expected. Be that as it may, although it's not a great Western, I suppose this film was decent enough to pass the time, and I have rated it accordingly.

"Rimfire" is a low-budget effort from Lippert. Much of their product was forgettable, but every so often they'd come u with a good one, and this is one of them.

There are no "stars", just a good cross-section of solid, reliable character actors, and that helps a lot. James Millican was a supporting actor in a lot of westerns, but he's the lead here and does a very good job of it. Velvet-voiced Reed Hadley is The Abilene Kid, a gambler framed and hung for cheating at cards, George Cleveland is a conflicted judge, Henry Hull is a crusty newspaper editor, and the rest of the cast is comprised of a variety of familiar western faces--among them Forrest Taylor, Fuzzy Knight, John Cason and Don Harvey--who have more screen time than they usually get, and they all acquit themselves well. There are several interesting plot twists, which you don't usually find in low-rent "B" westerns, and give the film the kind of atmosphere that, again, isn't usually found in "B" westerns. This was veteran director B. Reeves Eason's final film as director--although he did do some second-unit work and directed several episodes of TV series after it--and it's a good one to go out on. Well done.