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IMDbPro

Casei-me com um Morto

Título original: No Man of Her Own
  • 1950
  • Approved
  • 1 h 38 min
AVALIAÇÃO DA IMDb
7,3/10
3,1 mil
SUA AVALIAÇÃO
Barbara Stanwyck, Lyle Bettger, and John Lund in Casei-me com um Morto (1950)
Official Trailer
Reproduzir trailer2:20
1 vídeo
63 fotos
Film NoirDramaRomance

Adicionar um enredo no seu idiomaA pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex.A pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex.A pregnant woman adopts the identity of a railroad-crash victim and starts a new life with the woman's wealthy in-laws, but is soon blackmailed by her devious ex.

  • Direção
    • Mitchell Leisen
  • Roteiristas
    • Sally Benson
    • Catherine Turney
    • Cornell Woolrich
  • Artistas
    • Barbara Stanwyck
    • John Lund
    • Jane Cowl
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,3/10
    3,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Mitchell Leisen
    • Roteiristas
      • Sally Benson
      • Catherine Turney
      • Cornell Woolrich
    • Artistas
      • Barbara Stanwyck
      • John Lund
      • Jane Cowl
    • 58Avaliações de usuários
    • 33Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Vídeos1

    No Man of Her Own
    Trailer 2:20
    No Man of Her Own

    Fotos63

    Ver pôster
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    + 57
    Ver pôster

    Elenco principal52

    Editar
    Barbara Stanwyck
    Barbara Stanwyck
    • Helen Ferguson
    John Lund
    John Lund
    • Bill Harkness
    Jane Cowl
    Jane Cowl
    • Mrs. Harkness
    Phyllis Thaxter
    Phyllis Thaxter
    • Patrice Harkness
    Lyle Bettger
    Lyle Bettger
    • Stephen Morley
    Henry O'Neill
    Henry O'Neill
    • Mr. Harkness
    Richard Denning
    Richard Denning
    • Hugh Harkness
    Carole Mathews
    Carole Mathews
    • Blonde
    Harry Antrim
    Harry Antrim
    • Ty Winthrop
    Catherine Craig
    Catherine Craig
    • Rosalie Baker
    Esther Dale
    Esther Dale
    • Josie
    Milburn Stone
    Milburn Stone
    • Plain-Clothes-Man
    Griff Barnett
    Griff Barnett
    • Dr. Parker
    Jean Andren
    • Louise Russell
    • (não creditado)
    Georgia Backus
    Georgia Backus
    • Nurse
    • (não creditado)
    Virginia Brissac
    Virginia Brissac
    • Justice of the Peace's Wife
    • (não creditado)
    Ivan Browning
    • Porter
    • (não creditado)
    Ashley Cowan
    • Justice of the Peace's Son
    • (não creditado)
    • Direção
      • Mitchell Leisen
    • Roteiristas
      • Sally Benson
      • Catherine Turney
      • Cornell Woolrich
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários58

    7,33.1K
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    Avaliações em destaque

    wisewebwoman

    One of the best melodramas of the forties

    Barbara shines as the deceiving wife and does so much with her eyes. Jane and John are also very good. Strong script and not too overly sentimentalized for its era. A very enjoyable soaper with a great supporting cast. Gee, I miss all those great bit players of the thirties and forties. They added so much sparkle and credibility and a type of reassurance not seen in today's movies. Bravo to the entire cast in this little gem.
    7preppy-3

    Good film noir

    Barbara Stanwyck plays Helen Ferguson--pregnant and penniless deserted by her ex Steve (Lyle Bettger). On a train she meets Patrice Harkness (Phyllis Thaxter) and her husband Hugh (Richard Denning). Patrice is also pregnant and going to see Hugh's parents who have never seen her before. Then the train crashes. Patrice and Hugh are killed and everybody mistakes Helen for Patrice. She goes along with it for her child. Then her ex shows up in town with blackmail on his mind.

    Based on the excellent novel "I Married A Dead Man" by Cornell Woolrich. Now the plot is more than a little ridiculous but this movie (like the novel) is so beautifully done you don't notice. It's shot in beautiful black and white (which fits the mood) and has good acting--especially by Stanwyck. Technically she's too old for the role (she was 45 when she played this) but she's so good that you overlook it. She has a GREAT scene when she realizes what she has to do to get rid of Steve. The look on her face was perfect! When I first saw this in a revival theatre the audience laughed and applauded when that scene came on. The movie looks great with beautiful settings. Also fun to see Thaxter and Denning early in their careers. A very good unsung film noir. Recommended.

    Do NOT see the 1996 redo movie called "Mrs. Winterbourne". They turn it into an (unfunny) comedy!
    bdhammond46

    Good movie, great acting

    I really like this movie. OK, so the plot is unbelievable. When you've got good acting and excellent directing you can overlook it all. I especially like Lyle Bettger's portrayal of the heel boyfriend and blackmailer and Jane Cowl as the kindly mother in law. And what can you say about Barbara Stanwyck that hasn't been said - steady, compelling, convincing. She's the best.

    There's one line in the movie that always makes me laugh. After Barbara has her baby, the doctor and nurse are talking about her progress and agree "if she continues to do well, she can see the baby in a couple of weeks". In our 21st century experience of instant parent/baby bonding, this seems so bizarre!
    8MartinTeller

    No Man of Her Own (1950)

    A case of mistake identity turns into a grand deception as a new mother tries to secure a better life for her child. The premise is similar to THE HOUSE ON TELEGRAPH HILL (minus the concentration camp angle, of course). A bit predictable and a bit far-fetched, but Stanwyck's performance sells it completely, and Leisen shows a dedication to the material, bringing what might have been a rather hokey women's weepie to life. The drama is compelling from start to finish, with measured pacing and excellent camera-work. The situation keeps ratcheting up to a tense climax. Lyle Bettger is pretty great as the slimy antagonist, as is Jane Cowl as the benevolent grand dame of the household (John Lund once again comes off rather bland). If the ending seems a bit too convenient, at least it provides for a really satisfying callback.
    Doylenf

    Another mistaken identity story...but a good one...

    Leave it to Barbara Stanwyck and John Lund to make this film noir soap opera work on every level. Stanwyck, pregnant and unwed, meets another woman and her husband on a train, a wealthy woman going home to see her family. When the train is wrecked and the woman and husband killed, Stanwyck assumes her identity since the man's parents have never met her nor even seen a photograph of her. The plot gets thicker once Stanwyck assumes the dead woman's identity.

    The picture combines the suspense of a film noir with some soap opera touches but Barbara's strong performance makes it all work. John Lund, Jane Cowl, Phyllis Thaxter, Richard Denning and Lyle Bettger are all fine in support. It's all based on a Cornell Woolrich novel called "I Married A Dead Man" with the usual touches of irony found in his work.

    It's one of director Mitchell Leisen's better films (he did "To Each His Own", "Hold Back the Dawn", and many other interesting films.) Absorbing and well worth watching. Not a well-known film but it's one of Stanwyck's best.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      In-joke: The character played by Barbara Stanwyck is named Helen Ferguson; this is the real name of one of best-known Hollywood publicists of the era, who also represented Stanwyck.
    • Erros de gravação
      Patrice decides to go to the Country Club dance with Bill at short notice. Such an event would be limited to members and invited guests. Yet Steven Morley, who does not move in that social circle, is in attendance and makes contact with Patrice.
    • Citações

      Bill Harkness: [returns to car after dumping a dead body onto a moving train] He stayed on, caught on the catwalk or whatever it is, but his hat came off.

      Helen Ferguson: Don't.

    • Versões alternativas
      This film was published in Italy in an DVD anthology entitled "L'uomo con il mantello", distributed by DNA Srl. The film has been re-edited with the contribution of the film history scholar Riccardo Cusin. This version is also available in streaming on some platforms.
    • Conexões
      Featured in Film Review: Changing Faces (1968)
    • Trilhas sonoras
      Molly Malone
      (uncredited)

      [Performed by Bill on the piano]

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    Perguntas frequentes16

    • How long is No Man of Her Own?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 6 de novembro de 1950 (Brasil)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • La mentira candente
    • Locações de filme
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Califórnia, EUA(Studio)
    • Empresa de produção
      • Paramount Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 38 minutos
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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    Barbara Stanwyck, Lyle Bettger, and John Lund in Casei-me com um Morto (1950)
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