Meu Maior Amor

As a fan of Susan Hayward's, this is one of her best films. I still cry every time I see it. The story is timeless and touching. A must see!

Susan Hayward foolish? Dana Andrews a can't-get-a-date loser? No, I didn't think so either. But they are both so good in their roles that they no only make the film work, they make it a triumph. Hayward was nominated for an Oscar, as was Victor Young's glorious title-song. Both Hayward and Young should have won.

"My Foolish Heart" is essentially a "woman's film," a label that is frequently pejorative. (But then so is "Gone with the Wind.") What makes "Heart" so transcendent, besides Hayward and Andrews, is that the entire film is so well-crafted. The dialog is first rate--by turns poignant, rueful, comic, and sarcastic--from the Epstein twins of "Casablanca" fame. Mark Robson's direction is spot-on, and he has a great cast to work with. As Hayward's father, Robert Keith contributes a beautifully shaded performance. Kent Smith and Lois Wheeler are sympathetic as two who are injured bystanders. In her film debut, Jessie Royce Landis creates the first of her flighty women who are much more than they initially seem.

Victor Young's song is reprised several times during the film and was one of the first title-songs to achieve popularity. It is especially well used in the scene near the end when Hayward is waiting for Kent Smith to bring her a drink. She hits all her marks beautifully, and the song is stunningly used as background.

I doubt that any attempt at a remake would be nearly as successful as the original. They don't make 'em like his any more--no nudity, no questionable language, no violence: just top-notch acting, writing, direction, all set to a marvelous Victor Young score.

And it should be noted that Hayward, despite her Oscar and four other nominations is regrettably underrated and largely forgotten today. Andrews never was given his due when he was alive, and he had an impressive body of work-- for example, "Laura" and "The Best Years of Our Lives" (especially his scene in the moth-balled bomber)--that put him at the forefront of talented leading men of the Forties and Fifties.

When I saw Susan Hayward in "My Foolish Heart," I immediately thought back to her other successes "With A Song in My Heart," and "I'll Cry Tomorrow." There are so many similarities in her acting, especially at the beginning of Foolish Heart. She even brushed her hair the same way as in "Tomorrow."

As always, Susan Hayward got the role of the troubled woman. She evokes such sympathy in this particular role as Eloise, a woman who recounts a tragic love affair at the start of World War 11.

Dana Andrews, a very fine actor, is perfect for the part of her ill-fated lover.

Special acting kudos should also go to Robert Keith for his portrayal of her understanding father. Keith was quite a good actor. He really was in top-notch films. Besides this gem, he was Barney Loomas in "Love Me or Leave Me" and the doomed father to Robert Stack and Dorothy Malone in "Written on the Wind."

Notice that the term pregnancy is not used in the film. I guess that in 1949 we didn't talk of women being pregnant while not being married.

Unfortunately, this movie would probably be regarded as corny today but 1949 was such a different world in movie history.

There isn't a great deal of J. D. Salinger's short story "Uncle Wiggly in Connecticut" left in Mark Robson's supposed film version "My Foolish Heart" but it's a superior example of the 'woman's picture' nevertheless, thanks almost entirely to a superb Susan Hayward as the unhappily married woman recalling her first love, (Dana Andrews, always a good bet). The director was Mark Robson and it's one of his better pictures while the Epstein's (Julius J. and Philip G.) did the screenplay, again a good sign. Hayward was Oscar-nominated, as was the famous title song which, in its many incarnations, has outlived the film. No classic, then, but an intelligent and likeable picture that deserves to be better known.

"My Foolish Heart" is far better than the critics acknowledged in 1949, and offers something else that wouldn't have been apparent when first released.

Films made during and just after WW2 give us an insight into what people experienced at the time in a unique way. Although we have plenty of documentaries that show what happened, the movies are more personal, and work on a different emotional level - we identify with the stars and through them a window is opened on the past.

When an old friend, Mary Jane (Lois Wheeler), visits Eloise Winters, played by Susan Haywood, she reflects on the events that led to her present unhappiness. Years earlier, Eloise was engaged to Lewis Wengler (Kent Smith). Although he was in love with her, she sought something he couldn't provide. At a dance, she meets Walt Dreiser played by Dana Andrews with whom she has immediate chemistry. They fall in love, but the war intervenes and changes their lives.

Maybe the stars were a bit too old for their parts, but their performances easily made up for it. Susan Haywood's career was studded with great performances, but she tapped an inner truth in this film. Dana Andrews was not a particularly animated actor, but when the role suited his rather controlled persona, as this one does, he was perfect.

"My Foolish Heart" has a number of strands. Mary Jane is Eloise's friend, and saves her from committing a hurtful act, but their relationship is complex. Eloise's relationship with her parents also seems a little strained, especially with her mother, but it is strengthened by the arrival of Walt, although it doesn't appear that way at first. Kent Smith's character ends up with the woman he loves, but it's definitely a case of be careful what you wish for.

The film shows that death in war can occur quite randomly - simply by accident. However, the victims are killed by the war just as surely as if their plane had been shot down over Germany or their ship torpedoed in the South Pacific.

Eloise is also a casualty of the war.

Although critics at the time dismissed this as just another "weepie", and even the director, Mark Robson, disowned the film, it was a box office success. It goes to show that the public saw more in it than the critics, and artists aren't necessarily the best judges of their own work.

"My Foolish Heart" has an unusual love story and is an insightful look at how the loss of a loved one can affect the rest of a person's life; after WW2, I think plenty of people would have identified with Eloise.