Quem é o Infiel?

A Letter to Three Wives has a stellar cast with Ann Southern, Jeanne Craine, Linda Darnell, Paul Douglas, and Kirk Douglas. Any one of those actors would assure the viewer of a terrific performance. All of them together creates one of the first ensemble casts that are so popular today as in ER or Friends. Ann Southern is great as she plays off of Kirk Douglas and Thelma Ritter. Just looking at Linda Darnell makes watching the movie worthwhile. She was one of the most beautiful women who ever acted in a motion picture. Paul Douglas plays his usual rough and tumble character with a heart of gold. The premise is that a group of friends has one female who has the attention of all the men, and all the stares of the women. One day when the three wives are working on a volunteer project with some children when they receive a special delivery letter from the target of their stares. In the letter the woman states that she is moving away and will never return, and she is taking one of their husbands with her. The women then think about how easily it could be each one of their husbands. It's a great way to spend a couple of hours on a Sunday afternoon, and boy will it surprise your wife when you watch it with her. She won't know what to think.

One of the funniest and truest commentaries on married life is set into motion when the three wives receive a letter stating that the town siren has run off with one of their husbands--but which one? Flashbacks trace the course of three stories in one--along with witty dialog and comic situations that keep you entertained from beginning to end. All of the principals are excellent--but if I had to choose the favorite couple it would have to be Paul Douglas and Linda Darnell. Why they weren't both at least nominated for Oscars, I'll never understand. Darnell, in particular, more noted for being a great beauty than a great actress, has some of the wittiest lines in the movie and gets them across with slambang effect. Her Lora Mae Hollingsway just about steals the film in some of the funniest, yet poignant moments in the whole story. Paul Douglas is superb opposite her, as are Thelma Ritter and Connie Gilchrist as two outspoken bystanders. Not far behind are Ann Sothern and Kirk Douglas as the squabbling couple whose marriage is falling apart because of her financial success as a soap opera writer vs. his non-lucrative teaching career. Only sequences that fail to register strongly are those between Jeanne Crain and Jeffrey Lynn--lacking the wit of the other stories. The lines and situations get more hilarious as the film goes on and by the end you've seen one of the most richly satisfying comedies ever about the ups and downs of domestic bliss. Fully deserved its Oscars for best screenplay and direction.

You have here a situation that is rarer than you might imagine-a top-notch cast with an even better script. This is a delightful film with fine performances all around and some of the best dialogue! Strangely, none of the cast were nominated for their work here, although three were nominated for other performances in other films they did that year. The script deservedly won an Oscar as did the director. This is a joy to watch and the voice-over narration is perfectly handled throughout. Highly recommended!

Jeanne Crain was a very pretty girl, Ann Sothern was chiefly noted for her comic turns, and Linda Darnell was a memorable beauty--but although all three appeared in popular films none were particularly celebrated for their acting talents until Joseph L. Mankiewicz tapped them for the roles of three society wives in this poison pen letter to both sexes. Wickedly witty in script, and remarkably acid in tone, A LETTER TO THREE WIVES would put every one involved in the film firmly on the Hollywood map.

Three society wives (Crain, Sothern, and Darnell) are committed to hosting a children's picnic on an isolated island--and as the ferry prepares to depart they receive a letter from town femme fatale Addie Ross (never seen but memorably voiced by Celeste Holm.) Addie informs them that she is leaving town forever... but has decided to take one of their husbands along as a memento. And each of the three wives, cut off from the outside world for the day, is left to wonder: when I go home tonight, will my husband still be there? During the day each of the wives recalls scenes from her marriage. Deborah (Craine) arrived in town as a pretty but very awkward farm girl fresh out of the navy and with a wardrobe consisting of a single and very ugly mail-order dress; she has never felt entirely secure. Rita (Sothern) is married to a schoolteacher, and has committed the unpardonable sin of becoming the writer of a popular radio show that brings her more money than her husband will ever earn. And Lora Mae (Darnell) was a beauty born on the wrong side of the tracks who connived her way into a wealthy marriage and now specializes in bickering with her gruff and boorish husband. And always they have been victim to Addie--a woman who "has class," who stings them with competition and evil wit, and who has their husbands eating out of her hand.

Although the construction is artificial, the script is wickedly knowing, painting a truly subversive vision of American marriage and mores of the late 1940s. Of the three leads, Ann Sothern dominates with her spirited "Rita"--but Darnell has the best of the script, a series of manipulations and drop-dead quips and ripostes, and Crain is perfectly cast as the insecure beauty who is as out of place as a dove at a gathering of eagles. The supporting cast, which includes Kirk Douglas, Thelma Ritter, and Connie Gilchrist is remarkably fine as well. And before all is said and done, small town society gets raked over coals.

If A LETTER TO THREE WIVES has a flaw, it is the same flaw that would trouble Mankiewicz's later and even more celebrated ALL ABOUT EVE: the point of view that a woman is ultimately nothing without a man, an idea that tends to limit the scope of the film and at times even belittle its characters. Some viewers may also be disappointed with the film's conclusion, which--although extremely ironic--lacks the sharp bite you might expect. Even so, this is a truly memorable and often very funny film, and one that deserves to be seen more often today than it usually is.

Gary F. Taylor, aka GFT, Amazon Reviewer

In `A Letter to Three Wives,' Deborah Bishop, Lora Mae Hollingsway, and Rita Phipps are chaperoning underprivileged children on a day trip picnic. As they board the riverboat that will ferry them up-river to the picnic grounds, they are stopped by a messenger who delivers a letter from their dear, close friend, Addie Ross. Addie, who was supposed to accompany them on the day trip, quite unexpectedly, left town that very morning. After debating whether or not they should open the letter, with a bit of trepidation, they do. And so begins the story of three wives, three husbands, one letter, and Mrs. Addie Ross.

Addie Ross wrote in the letter to her dear, close friends Deborah, Lora Mae, and Rita, that she was so sorry to be leaving town, permanently. And, that by the way, she took one of their husbands with her.

Which husband has run off with Addie Ross? That question is the driving force of this drama, with just a bit of comedy to hone its edges. This movie is compelling, there are no gaps; from start to finish you're hooked. Be there no doubt, you'll be kept guessing until the end. All is not always what it seems.

`A Letter to Three Wives,' is a story nicely staged by a series of three flashbacks, each chronicling meaningful events in the lives and marriages of the three wives.

Jeanne Crain does well playing Deborah, the young, sometimes self-doubting and suspicious wife of the well-to-do Brad Bishop, played by Jeffrey Lynn. As we soon learn, Brad is a lifelong, close friend of the alluring Addie Ross.

The story is further fashioned by the immense talents of Kirk Douglas and Ann Sothern, who portray George and Rita Phipps. George is a devoted school teacher, and Rita is a social climbing script writer of radio plays. Both George and Rita are old, close friends of Addie Ross. However, Rita thinks George is just a little to close. Expect a stellar performance from Ann Sothern, because that's exactly what you're going to get.

This story's most interesting characters are portrayed by Paul Douglas, and the beautiful Linda Darnell. These talented actors play Porter and Lora Mae Hollingsway. They're a couple who tolerate a marriage of convince, he for her beauty, and she for his money. Lora Mae knows that Porter has helped Addie Ross with financial matters in the past, and perhaps other things in the present.

This movie has an excellent supporting cast in Thelma Ritter, and Connie Gilchrist. Look for them to relieve the natural tension of this story. Also contributing are Hobart Cavanaugh and Florence Bates, as Mr. and Mrs. Manleigh. Keep your ear tuned and listen for Celeste Home, as she is the voice of Addie Ross.

`A Letter to Three Wives,' is a festival of love, hate, jealousy, and suspicion. It's propelled by the energy of a very high caliber cast, and the directorial influence of Joseph L. Mankiewiez.

It should be noted that `A Letter to Three Wives,' brought Mankiewiez, two Academy Awards in 1949. Best Director and Best Writing, Screenplay.