O Clamor Humano

To correct a previous commentary... "The Big Red One" is the 1st Infantry Division. The "Red Ball Express" was the name given to the truck convoys. My own opinions of the film: I think a movie like this needs to be appreciated within the context of the time period it was made. Considering that the country then was barely taking baby steps into the civil rights movement, the subject was handled pretty well. It sent it's message without being preachy or patronizing. A great cast also helps it make a worthwhile movie to watch. It's too bad that James Edwards died several years later while still relatively young. He might've made a real breakthrough to some leading roles.

The importance of this film cannot be overstated. 1 - It gave us JAMES EDWARDS, thus ending Hollywood's Heroic-Black-Man Prohibition. Without Mr. Edwards there would be no Sidney Poitier, no Denzel. 2 - This film, hot on the heels of President Truman's Executive Order integrating America's segregated military, examines the possible pressures of this new policy on both the races - without demeaning either. 3 - Until this time Hollywood had managed to fight two world wars on screen without any major assistance from America's Black population except as domestics. 4 - The existence of HOME OF THE BRAVE put pressure on subsequent films (which only a scant few bowed to)to present a more accurate racial and ethnic portrayal of America's fighting forces. So (with the exception of SAHARA) every Black man in a Hollywood war film owes thanks to Mr. Edwards.

The irony is Mr. Edwards' last film, PATTON, has him portraying a valet. The insult is that Patton's most important victory - The Battle of The Bulge - was facilitated in great part by the contribution of The Big Red One - a battalion of Black truck drivers - who risked all to keep Patton's front supplied until the weather cleared enough to allow cargo flights. This historic fact (the race of the drivers in this segregated unit) is ignored in the film leaving Mr. Edwards with the only Black speaking part in a sweeping biography about a WWII general - isn't this where we came in?

If you examine Mr. Edward's filmography (by which I mean screen the films) it is difficult to understand the spottiness of his career and his relative obscurity. Part of the explanation may lie in the murky machinations of HUAC, McCarthyism, the Hollywood Blacklist and Mr. Edwards' worldwide tour with this film (it included a stop in the then Soviet Union). If you have any information regarding this aspect of his life please post it here.

CeOTIS

Mark Robson's sensitively directed film perfectly captures the social mores and racial bigotry of its time during the stresses and traumas of war. The dialogue is brittle and thoroughly convincing. Although Lloyd Bridges and James Edwards are both excellent, Frank Lovejoy steals the film with his portrait of Mingo. Steve Brodie is just right as the insecure bigot who is more ignorant than evil. This is one of my five favorite war movies of all time. It reminds me of another great film made the next year called "The Men" with Marlon Brando. I give this one 10 out of 10.

...since AI first saw it on TV in the late 50's. This is a frank look at military racism and its results. The term "nigger" is used openly (a rarity at any time to be sure, in a movie without an all-black cast and especially way back then). James Edwards delivers a powerful performance as a psychosomatically paralyzed black soldier being treated by a white psychiatrist (Jeff Corey). Corey's relentless digging stirs Edwards's memory and the incident that caused the paralysis is finally uncovered. Stark, honest storytelling. Based on a play in which the afflicted soldier was Jewish, this retelling is very contemporary even today.

If this curious little drama lived up to its intentions,it might have been one of the important war films. It was great in its premise with its performances and all,but it falls far short and is little more than a footnote in Hollywood's attempts to deal with American racism. Director Mark Robson starts out with two strikes against him. First off,Carl Foreman's script is based on Arthur Laurents's curiously contrived stage play. Second,Laurents's play is about anti-Semitism,and though it is easy to say that all bigotry springs from one source,discrimination against black people is different from discrimination against Jewish people. To claim that they are the same misunderstands both.

The action takes place on a nameless islands in the Pacific during World War II. In the opening scenes,a psychiatrist(Jeff Corey)tries to find out how Peter Moss(James Edwards),a black soldier,came to be paralyzed from the waist down. Moss is also amnesiac and so he can't remember what happened to him on his last mission. Major Robinson(Douglas Dick),and Mingo(Frank Lovejoy)tell the doctor what they know. They say that it was a reconnaissance patrol to an island held by the Japanese. Robinson picked Mingo,Finch(Lloyd Bridges),and T.J. Everett (Steve Brodie) to "volunteer" from his outfit. He had recruited Moss,an engineer from another division,to make maps of the island. Robinson was then surprised to learn that Moss was "colored." T.J. is openly racist,but it turns out that Finch and Moss are old pals from high school,where they played basketball together. Tensions within the group rise to the surface and explodes as soon as they're dropped on the island to face the enemy. And against each other.

Neither the depiction of jungle warfare nor the racial attitudes are remotely believable. Men on sentry duty at night chatter away like schoolchildren and smoke cigarettes constantly. T.J.'s expressions of racism and Moss's reactions are equally simplistic and false. And when,finally,the reasons for the paralysis are revealed,audiences today will groan in disbelief,which shocked audiences who went to see this picture in 1949. The resolution of the conflicts piles improbability upon improbability. That said,the filmmakers to deserve credit for addressing racial issues at a time when the entertainment industry generally ignored them,and when segregation was the law of the land. The year 1949 introduced not only this picture,but also another picture,Elia Kazan's "Pinky" that also address the issue of racism and segregation as well. As with "Home Of The Brave",the active recruitment of black soldiers,sailors,and airmen during World War II played a huge part in changing that,and the stories of that change have yet to be fully told. This movie was a small first step in addressing the issue of racism in America during the 1940's.