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The film starts well as it is told in a Rashomon-style flashback, with three local old-timers in the town recounting slightly different versions of the events surrounding the female protagonist's [Lily's], arrival and her manipulation in the feud between two cousins, for her own gain.

De Carlo, Coburn. Brady, Bevans, Stevenson, Simpson, and, Litel are excellent actors. However, the film's theme ruins their performance as this is a feminist-based western which achieves its goal of emasculating the three male protagonists.

Conclusively, the film is a lightweight, campy Western comedy. The plot is not particularly deep or coherent. The resolution left too many plot holes. Don't waste your time on this one.

"The Gal Who Took the West" is a nice looking film from Universal Studios. It's obvious they put a decent amount of money into the picture, after all, they filmed it in color, but the story is pretty dopey.

When the story begins, a reporter in the present day goes out west to investigate the story of the O'Haras and Miss Marlowe. Three different old coots from the town tell a slightly different tale...a bit like "Rashomon".

It seems that when Lillian Marlowe arrived in the town back during the time of the old west, the land around the territory was run by the O'Hara clan. The General (Charles Coburn) is the family patriarch and his two nephews (John Russell and Scott Brady) are rivals and hate each other with an intensity that seems almost comical. Both of the cousins instantly fall for her and because she's so amazingly sexy and wonderful, they're about to start a little war to get her. The rest of the film is about efforts to stop this insane hatred from boiling over.

The film, to me, seemed like a western combined with an episode of Popeye. This is NOT meant as a good thing and the cousins just seem stupid and annoying. Plus, none of it really makes any sense. Overall, it's a picture that looks great but not much more.

Wonderful Yvonne De Carlo! This story of two cousins,vying with each others for a valuable property ,waiting for the ancestor's death (but it seems he is not about to kick the bucket) is a comedy where nobody seems to take things seriously ;there's a very long fight between the two heirs towards the end and Yvonne's choice does not seem to be the wisest,if we consider the very last picture of the movie.

But it does not matter;the only thing that matters is miss De Carlo:when she appears ,we only have eyes for her;her two songs are a true delight (the second one is witty,funny and infectious);generally I do not go much for those saloon ballads but those are the highlights of the movie.

The story is told by three old "witnesses";thus the arrival of the lady is filmed three times,each one giving his own version of the facts.

When Charles Coburn builds an opera house, vaudeville singer Yvonne De Carlo grabs the gig, so she can sing "Frankie and Johnny". Meanwhile, Coburn's grandsons -- Scott Brady and John Russell -- wrangle over her in this silly but entertaining Technicolor western from Universal.

I first encountered Miss De Carlo in TV's THE MUNSTERS. She was born Margaret Yvonne Middleton in British Columbia in 1922. She first appeared in the movies in tiny unbilled roles like "Showgirl" or "Handmaiden", occasionally arising to the dignity of being credited as "Princess Wah-Tah". She shot to stardom in ens of SALOME, WHERE SHE DANCED. She spent the next decade playing the mildly astonished vamp in dozens of B pictures. She died in 2007.

The fun of this film is telling the story from three different viewpoints -- each version diametrically opposed to the others -- what is the truth? probably a mixture of all of them -- it's a fun film with DeCarlo in fine form and the feuding brothers fighting it out for her affections is half the fun.