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Fred MacMurray's having some trouble, both at work and at home. He's a football coach to a perpetually losing team, his teenaged daughter Betty Lynn is depressed because she can't get a date, his wife Maureen O'Hara is spread pretty thin by continually doing damage control, his boss Rudy Vallee keeps pressures him, and his maid Thelma Ritter actually bets against him on game day! His youngest daughter Natalie Wood tries to help her sister by making up a fake suitor, but the lie quickly gets out of hand when Betty wants to meet him. That part of the movie is by far the cutest and funniest, as everyone pitches in to try and help Betty and her imaginary boyfriend-but you'll have to watch the movie to find out the hilarity!

Father Was a Fullback reminded me of a cross between Kiss and Tell, in which a teenaged Shirley Temple makes mischief when her hormones start kicking in, and The Impossible Years, in which Professor David Niven has trouble with his two teenaged daughters when they start dating. If you liked either of those classic comedies, you'll probably like Fred MacMurray's take on it. It's not my favorite old comedy-I adore The Impossible Years- but it was entertaining, and it was very cute to see Maureen O'Hara as Natalie Wood's mom once again.

George Cooper(Fred MacMurray)is the losingest coach State U has ever known. A well meaning square fresh from Elm Tree High, his team has potential but is yet to win a game in this his first season, which will make or break him. Comic relief comes in the form of his family's maid who knows to always bet against his team, and two daughters: Natalie Wood as a scruffy tomboy spouting poetic slang in which I must say is her best role, and Betty Lynn(who in real life is actually only eight years younger than Maureen O'Hara)as an angst-ridden hormonal teen with no writers block nor lack of pubescent imagination when she secretly sends in a unique offing to "True Romance" magazine. Her true calling apparently does not help matters any, except when it turns out that Joe Burch, the ploy her parents use to bring her out of her shell, turns out to be a high school football hero all the colleges have been bartering for. He had been intending to go to the leading team school, but in the end decided State U, "to be near Connie...she's the first thing I liked more than a football...." Hurrah! The team now has an official starting star for next season, and George's coaching contract will be renewed. A Happy End.

Maureen O'Hara would have made any man a perfect wife. And she was -- we are talking strictly on screen here -- a good mother too.

This has a little to do with football and mostly to do with the growing pains of an adolescent girl. The actress who plays her did go on to TV. Here she is pretty unappealing. Her younger sister is Natalie Wood. I don't think I ever liked Wood in a movie made when she was an adult but she was a bewitching child actress. She sparkles here.

Fred McMurray does a decent job. Never a favorite of mine, he too had a major career in television.

What drew me to this was Thelma Ritter, always a delight. She plays the family's live-in maid. A lot of movies have maids, usually back-talking ones. Would a football coach at a state college, with a terrible team, have been able to afford what seems such a luxury now? It doesn't seem likely. But her presence is most welcome.

"Father Was a Fullback" is loaded with talented actors of the mid-20th century. The story is a good look at the culture of the time from a few points. Teenagers began to be more heard and families seemed to be conflicted over the changing relationships that emerged in the years after the war (WW II). College football had a completely different look from the sideline benches, with the alumni, and in other ways.

This isn't about anything heavy or startling, and modern audiences may not find it that interesting. Even for someone who lived - that long ago, the plot of this film is just so-so. The best thing about it is the cast. Fred MacMurray and Maureen O'Hara, as George and Elizabeth Cooper, were stars who would continue in that lofty realm for at least two more decades. But this film also has some supporting players who would become household names in the years ahead. Among these are Thelma Ritter as Geraldine and Jim Backus as "Sully" (Professor Sullivan). And, this is just the 11th film of 11-year-old Natalie Wood. She would be one of the few child stars to become a major star as an adult before her mysterious ocean drowning in 1981 at age 43.

There may have been a clever thought behind the title, but it escapes one today. Cooper is a college football coach who's in dire need of a fullback. The film may seem very slow to many. But, for those interested in what life was like back then, it should provide mild entertainment.

It took a total four screenwriters (Aleen Leslie, Mary Loos, Casey Robinson and Richard Sale) to adapt one exceptionally thin play by Clifford Goldsmith, a comedy about a losing college football coach and his nutty family in small town America. It's nice to see Maureen O'Hara again playing mom to precocious Natalie Wood (following 1947's "Miracle on 34th Street"), but O'Hara has distressingly little to do here except dote on exasperated hubby Fred MacMurray, the coach who sidelines himself mostly on the couch. The writing and staging are so mechanical you can almost sense the pauses for preconceived laughs, but nobody except Wood and Thelma Ritter (in another of her maid roles) gets anything amusing to say. MacMurray, as usual, looks like a Bassett Hound in a top coat, and older sis Betty Lynn takes an awfully long to bloom (she writes a short story about a teenage bubble dancer, which is funny until O'Hara gives her a solemn talking-to, spoiling the laughs). Jim Backus (billed as James G. Backus) is nice to have around as a neighbor, and Richard Tyler is a handsome kid who works at the gas station (his best line: "Mustaches--do you know how hard they are to grow?!"). The laugh lines aren't deft, though they are occasionally underplayed by the cast, and this creates a droll rhythm which makes up for the lack of any big scenes. **1/2 from ****