Capitães do Mar

In one of his final film appearances Lionel Barrymore dusted off his crusty sea captain character from Captains Courageous in playing Bering Joy, master of a whaling ship in the late 19th century.

Bering Joy is a whole lot like Disko Troup from the earlier film. He's a man immensely proud of his profession and the knowledge he's acquired over decades to be the best at what he does. His other love is his grandson, Dean Stockwell.

But the lad for want of a better term isn't doing so good with home schooling being provided on board a whaling vessel. And Barrymore isn't real happy with the new younger first mate being imposed upon him. That would be Richard Widmark who's college educated. But he solves a problem with the New Bedford educational system by giving Widmark the additional duties of tutoring Stockwell.

Down to the Sea in Ships is a generational clash of three generations with all three developing real affection for each other during the long whaling voyage.

This was Richard Widmark's first film with first billing and the first film in which he wasn't a bad guy. I'm sure that this was a role he wanted and fought for. How many little old ladies can you throw down a flight of stairs and maintain a maniacal giggle in every film? In many ways this film made him a star more than Kiss of Death.

Henry Hathaway directed some really good action sequences involving whaling, a search for a lost long boat, and the finale when the vessel gets stuck on an ice flow. And he assembled a fine group of players like Jay C. Flippen, Harry Morgan, John McIntire as the ship's crew. I particularly like the performance of Cecil Kellaway as the ship's cook who is both Barrymore's confidante and offers some sage advice to Widmark on the voyage.

Barrymore's chemistry with Stockwell is similar to what he had with Freddie Bartholomew and Mickey Rooney in Captains Courageous with Richard Widmark being at first a most reluctant Manuel. Young Stockwell gets quite an education on this whaling voyage and the viewers will get a lot of enjoyment out of it.

In this film progress is overtaking the old and outdated: Captain Joy (L. Barrymore) is a stern old man set in his ways and his first mate (R. Widmark) is a modern man with modern ideas. Add to this a catalyst in the form of the Captain's grandson (Dean Stockwell) and tensions mount.

I love most sailing films and this is no exception. Good acting all around. Somewhat of a tearjerker, although that's not bad in this instance. Save the whales advocates may not care for this movie because it shows whales being taken and blubber removed to prepare oil. I wonder where they got the idea for the ship to hit an iceberg?---At least it didn't sink.

This movie may be hard to find in video format, but I've seen it aired a couple of times in the last few years.

I gave this one a 9 of 10 mostly because it was a good story with fine acting. Also the ship scenes were realistic and full of action.

A nice clean movie your whole family will enjoy even if it is in black & white.

This is one of the all-time greats. Its brilliance is largely due to Lionel Barrymore. Usually seen in supporting roles (he & Frank Morgan being the two greatest character actors of the golden age), he carries this film as star. There are many electrifying scenes, especially his confrontation with Dean Stockwell, a worthy match for the star, not to mention murdering a whale. On shore, the leads sparkle in a high-stakes testing scene. It also documents an industry that is long gone. You can learn a lot about whaling here. (For example, the captain never speaks to the crew once the boat sails; all communication is through the first mate, who can, however, give a crewman permission to approach the captain.)

This film, not Captains Courageous, is the best boy becomes a young man film ever made. Tracy was great, in the latter, but Dean Stockwell blows away Freddy Bartholomew in the former. Barrymore is also better in this film. Although I thoroughly enjoyed Captains, this film is a full level above it. It is more authentic, and the scenes pursuing the whale are electric. I learned about whaling from Melville in his classic Moby Dick, but seeing the process makes it all the more impressive, despite its barbaric and politically incorrect status today. Let's not condemn a film because it is not PC today, otherwise we would lose a good one third of all films ever made before the enlightened 21st century. A must see for all young boys.

A sentimental tale about an elderly captain who wants to bring his grandson to sea with him, but refuses to compromise his duty to his ship and crew even though it costs him everything he loves. Lionel Barrymore plays Captain Bering Joy as a sometimes-foolish old man vying for his grandson's affection with his first mate. Dean Stockwell plays the grandson who loves the sea and his grandfather, but is failing academically. Richard Widmark plays the young first mate who has been assigned the onerous task of teaching the boy his schoolwork. The beauty of this film for me is the way it celebrates wisdom, courage, fairness, and honesty in life. In the end, it is the log of a person's life and actions that matter more than their ability to fit any prevailing standard of knowledge or trendiness. Barrymore's character is old, ignorant, autocratic, and uncompromising, but he is also an example worthy of respect that the grandson can value for the rest of his life if he is wise enough to do so.