Almas Abandonadas

There was a boatload of talent in this film; but not from the leads or even supporting actors, except for the incomparable Thelma Ritter. Richard Jaekel went on to a fine career in many roles. But we find a little gem for Anthony Curtis, who is Tony Curtis, of course. He shows little of the promise of his fine later acting career. but certainly fits in Brooklyn. The film could without the corny commentary by the overblown newspaper icon. On its own merit and without voiceover, the film is good enough by itself. So stop making guns in shop, kids.

Irving Schulman's novel The Amboy Dukes was written and being read around the time I was born. For those of you who don't know, Amboy Street is a street in the Brownsville section of Brooklyn where the street gang the Dukes hang out.

It's almost kind of quaint, but sadly so in that these kids spend time in shop class making zip guns. Very soon all kinds of weaponry would be available for street gangs right down to today.

And how things have changed. Back then one aspired like Luis Van Rooten and Thelma Ritter to move to a place like Canarsie. Now no one aspires to move to Canarsie.

Van Rooten and Ritter are the parents of Peter Fernandez and Sharon McManus and Fernandez is a member of the Amboy Dukes. Social worker Stephen McNally has some hopes of reaching him. But when he and pal Al Ramsen shoot shop teacher Robert Osterloh with one of those make it yourself weapons they become beyond the reach of social workers. And detective Jeff Corey suspects them from the beginning.

Fernandez and Ramsen had brief careers, but other members of the Dukes did a lot better. Richard Jaeckel certainly had a career of note already and Mickey Knox probably would have, but for the blacklist. And Tony Curtis stands far out in front of all of them. It was clear he was going to be star, in fact the film would have been better had he been in the lead instead of Fernandez.

City Across The River is a somewhat quaint look at Brooklyn when I was only two years old. According to Tony Curtis's memoirs some establishing shots were done there, but the cast filmed in Hollywood. It's one of the first films to deal with post war juvenile delinquency, even before West Side Story. Dated, but it holds up well.

No matter how depressing this film appears to begin with, it's a great film and much ahead of its time. It's like a documentary probing the gang mentality of youngsters getting brought up to become good fellas and worse, and there are many aspects to the drama, one being that of the teachers, who really have a hard time and sometimes can't control their own classes. It's a social drama as well, Thelma Ritter has a poignant part as the worried mother, and Frankie's little sister has an important part also. Everything about the film is professional, and they are all convincing, from the poor people of the shabby back streets of Brooklyn to the policemen, the gangsters, and most striking of all is perhaps the character of "Crazy" whose real name is Theodore (Joshua Shelley), a fantastic clown with a penchant for cruelty. Tony Curtis has only a small minor part but is already Tony Curtis - it's like a hint at a prelude to his later great appearances. The final great dancing hall scene when things are getting really hot is a masterpiece in itself of polyphony bringing out all the true colours of the major actors including the leading gangster, fabulously contrasted against the fervent musicians and their frenzied music. Although I hesitated if I would see it through at all because of its dark depressive elements, I was finally deeply impressed - a great documentary film like all those "Naked City" films.

Not only have I seen this movie but I also saw it being filmed -The location where it was shot was the Williamsburgh section of Brooklyn NY - The picture was an adaptation of popular book of the time titled "The Amboy Dukes". Amboy Street was actually located in the Brownsville section of Brooklyn. I guess the filmmakers didn't think Brownsville was seedy enough so they shot all exterior shots in Williamsburgh. Ironically my family lived in Brownsville before moving to Williamsburgh so you can see how the family fortunes were progressing. My mother had owned a candy store on Pennsylvania Ave. right across the street from Thomas Jefferson High School in Brownsville in the early 1940"s . The movie was shot around the corner from where I lived in Williamsburgh. I recall seeing some of the "gang" sitting in a small panel truck waiting for the set-up to be completed. Sitting there was Tony Curtis. I recall a crowd shot being filmed on Havemyer Street one night. The block was brightly lighted and I remember thinking that they needed an awful lot of light to film. When I actually saw the finished picture this scene was a day time sequence. What did I know. The film crew also placed a billboard on the building at the corner of South 2nd St. (where I lived) and Havemyer Street. "Happy Times Poolhall" it flashed. That billboard was still there months after filming but it reminded me of our brief connection with Hollywood every time I saw it. I sure would like to see this picture come out on DVD so I could constantly play it and see the "old neighborhood".

I lived in the Flatbush section of Brooklyn, NY and saw "City Across the River" after reading "The Amboy Dukes" when I was 13 years old, a very impressionable age. Tony Curtis was the rage and all the boys started combing their hair with the "Curtis look." At the time it seemed as if all of my contemporaries read the book, much like "God's Little Acre." The former because it described our lives in Brooklyn and the latter because of the "sexual" passages contained therein. It was a time of pegged pants, "ducks-ass" hairdos ala Curtis, stick and punch ball, athletic clubs, going to the 12 cent movies Saturdays at 12 o'clock to see a double feature, cartoons, the "chapter" (weekly serial), not getting caught with your feet on the tops of seats in front by the omnipresent white dressed matron, street gangs, zip guns and our beloved Brooklyn Dodgers. Immediately after seeing the movie, "the neighborhood" boys, from ages 13 to 16, vicariously adopted the nicknames of the characters in the movie according to their own personalities. As I recall, names were Crazy Shack, Bull Benson, etc. One of the things that sticks in my mind was the way the neighborhood kids, in order to show their machismo as depicted in the movie, would gather on street corners and lift the metal bus stop stands as dumb bell weights, with one arm and then the other. It was a great time and television was only seen if you looked in the window of the bar and grill around the corner on Flatbush Avenue and Winthrop Street.