Na Corte do Rei Artur

This movie is humorous, charming, and easily becomes a favorite for those who enjoy light entertainment. Hollywood is hardly the place for serious history lessons so I simply accept it as is. Bing, in his usual inimitable style, performs quite well as the blacksmith, Hank Martin, who by accident is transported back to another age, the time of King Arthur. The beautiful Rhonda Fleming is breathtaking as Alisande, or Sandy, the object of Hank's affections although she is betrothed to the brave and formidable Sir Lancelot, played by Henry Wilcoxon.

I just love that episode when King Arthur (Cedric Hardwicke), Sir Sagramore (Wm. Bendix), and Hank (Bing Crosby) dress up in tattered clothing and take to the high road with their knapsacks to experience the kingdom at firsthand. King Arthur's comment, "I say, we are not alone" while giving his scruffy garments a good scratch, is one of those hilarious moments in the film. William Bendix's portrayal is superbly ridiculous, not to mention his attempts at quaint "ye Olde English."

The story is not deep but it's well done in my opinion and I enjoy it more each time I see it. It's great family entertainment too.

"A Connecticut Yankee in King Arthur's Court" is a film that has a little something for everyone, and that is what makes it a winner. It has the right blend of humor, action, intrigue, music, fantasy and charisma. One of the few total straight-to-finish feel good movies, "Yankee" is great for everyone in the family. And of all the films I have ever seen, this is my favorite. A pretty good recommendation, and I can't make it any stronger!

Bing Crosby plays a regular Joe who is mystically taken to the realm of Camelot. Basically he bums around and goes on adventures, bringing his 20th century wit and know-how along. He teams up with spectacular William Bendix's Sir Sagramore and falls for the beautiful Rhonda Fleming. Battles, music, evil plots and laughs ensue.

At times it seems a little too self-serving to Bing Crosby, but it's understandable and at times actually enjoyable. Bing has his run of Camelot, singing and bringing mirth to everyone. The technicolor is a little cheesy at parts, but by no means does it ruin anything. It doesn't matter what you're looking for, this movie has it; "Connecticut Yankee" is the perfect movie for when you're looking for something that takes its joviality seriously.

My unintentional boycott of Bing Crosby films must end. I have no idea, being a fan of classic cinema, how this was my first experience with the actor/singer. Tay Garnett's interpretation of Mark Twain's book of the same name, A Connecticut Yankee in King Arthur's Court proves that musicals can be fun, endearing, and serious, all at the same time. By the end of the movie I was feverishly searching Bing Crosby's filmography to see what other works of his I can check out!

A simple mechanic living in Connecticut in the year 1912, Hank Martin (Bing Crosby), takes a bump to the head on a stormy night, waking to find himself in 528 A.D. adapting well to his new surroundings, Hank shows his new counterparts technology and gently gives them hints about the future. He soon finds himself befriending those closest to King Arthur (Cedric Hardwicke), including most notably his favorite niece, Alisande La Carteloise (Rhonda Fleming). He quickly falls for the beautiful woman he nicknames Sandy, stepping on the toes of Sir Lancelot ( Henry Wilcoxon) whom she has been promised to. Learning that Sandy doesn't love Sir Lancelot, Hank goes about giving her glimpses of the world in which he comes from, and pushing her to only marry out of love. Trying to convince King Arthur to better learn what the lives of his subjects are like, he fashions an incognito trip for them in plain clothes. Disaster ensues when Merlin, (Murvyn Vye) sees the King's absence as a chance to overtake the thrown. If there's one thing we know about Hank though, it's that he is just resourceful enough to get out of any situation.

A Connecticut Yankee in King Arthur's Court was a fun look into the novel of Mark Twain, told largely through music. Bing Crosby brought the picture to life for me, and any fans of his must see this film! I found the film well-acted and touching. The film was a great story of the everyman type that succeeds. The film looked beautiful in all of its Technicolor glory. I will definitely be checking into more Bing Crosby films!

I watched this merry movie the other day and enjoyed it

immensely, even though it was about the hundreth time I'd seen it.

It's a wonderful 'family' movie, in that it isn't offensive or overlong-

it's fun. My favourite part has to be the song "busy doing nothing", sung by

the unlikely trio of Bing Crosby, Cedric Hardwicke and William

Bendix (the first and last time they ever sang together!). There are nice touches all the way through, including the 'echoes'

every time king Arthur requests something: "MORE HOT WATER! . . . more hot water. . ." Or "CLOSE THE DOOR! . . .close the door. . ."

to which Murvyn Vye's Merlin replies, "the door closeth sire." While we are on the subject of Merlin, I'm surprised that with a

voice like his he didn't appear in more of Hollywood's costumers.

I've only ever seen him in one other film, and that was 'Green Fire'

(1955). Of course, I have to mention William Bendix's portrayal of 'Saggy' or

sir Sagramore. He turns up in Bing Crosby's prison cell

shame-faced and apologetic for calling him (Crosby) a dragon and

says the following: Saggy: If only there were ought we could do. Crosby: Well, ain't there ought? Saggy: Nought. Whoever heard of a knight of the round table with a thick Brooklyn

accent?! I usually detest musicals but this, along with 'White Christmas', is

an exception. The duet between Rhonda Fleming and Bing Crosby

('Once and for always') is brilliant. It's hilarious when he says she's

pretty, to which she replies enthusiatically, "oh, thou art pretty too

sire!" and he, looking round apprehensively says, "no, say I'm cute

or something!"

I understand that Paramount wanted to film this with the Rodgers and Hart score, but couldn't work out the copyright problems, so Burke and Van Heusen who wrote the between them the most songs for Bing Crosby contributed a very nice score.

I read Leonard Maltin saying that this movie, "fit Crosby like a glove" and I couldn't have put it better. No, it's not Mark Twain's satire, it's a Bing Crosby film and in 1949 Crosby was the most bankable star in Hollywood. For once Paramount used technicolor and Rhonda Fleming was never lovelier on the screen. This was a woman that technicolor was invented for.

William Bendix's Brooklyn origins kinda stand out, but it's to a good comic effect. The trio of Crosby, Bendix, and Sir Cedric Hardwicke have a rollicking good time with Busy Doing Nothing. Bing has one of his patented upbeat philosophical numbers with If You Stub Your Toe On The Moon.

The third song he sings Once and For Always by himself and with Rhonda Fleming. That song was nominated for best song, but lost to Baby It's Cold Outside.

Nice also that Bing managed to record the score for Decca with Rhonda Fleming and Bendix and Hardwicke.

One thing I like about this film is that it shows Crosby's comic talents without Bob Hope. I like the Road pictures, but Bing was a comic talent onto himself and this film better demonstrates than any other.

This is Crosby at the top of his game.