Adicionar um enredo no seu idiomaGeorge Harland and his daughter, Patricia, are photographers who discover a wild boy in the jungle. When Patricia become lost, Bomba brings her back, overcoming plagues of locusts, forest fi... Ler tudoGeorge Harland and his daughter, Patricia, are photographers who discover a wild boy in the jungle. When Patricia become lost, Bomba brings her back, overcoming plagues of locusts, forest fires and fierce wild animals.George Harland and his daughter, Patricia, are photographers who discover a wild boy in the jungle. When Patricia become lost, Bomba brings her back, overcoming plagues of locusts, forest fires and fierce wild animals.
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Mostly, I remember one particular scene. Peggy Ann Garner has had some sort of trouble pushing her way through the bush and her skirt is torn. Bomba, in a fashion that is unusually cultivated for the Amazon basin, points that out to her. She grabs her torn skirt, flips it, and glances down for a moment at her underpants showing through the tear. I thought I would die with excitement.
There were other adventures too, most involving animals I think, but I've long forgotten them.
Historical note: The Mayfair turned to even MORE explicit fare in the 1970s and, the last time I saw it, was boarded up and defaced by grafitti. And to think that George Washington passed within one hundred feet of this site on a trip to New York. The old days are gone forever. (Sob.)
Você sabia?
- CuriosidadesThis was the first of 12 features, made over a six-year period (1949-55), starring Johnny Sheffield as Bomba that were made by "Poverty Row" studio Monogram Pictures. Sheffield had made his last Tarzan movie two years earlier. After the last Bomba feature was made in 1955, it would mark the end of Sheffield's film career.
- Erros de gravaçãoWhen Peggy Ann Garner rips her skirt, she asks Bomba to get her a leopard skin to wear. He returns with a large, loose skin and, when he hands it to her, she goes behind a tree and emerges in an obviously designed and sewn costume.
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Patricia Harland: I think I'd better get out of here. Before I decide to stay the rest of my life.
Bomba: Not like home?
Patricia Harland: That's just it. I like it too much.
Bomba: Why not stay? All good here. All friends.
Patricia Harland: Don't try to talk me into it. It'd be too easy.
- ConexõesFollowed by Bomba e a Pantera Negra (1949)
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Bilheteria
- Orçamento
- US$ 85.000 (estimativa)
- Tempo de duração
- 1 h 10 min(70 min)
- Cor
- Proporção
- 1.37 : 1