Bomba e a Pantera Negra

A black panther, thought to be a jungle spirit by the locals, is causing problems for entrepreneur Robert Maitland, who is trying to clear the vegetation for farming. Bomba (Johnny Sheffield) tries to track down the panther, but finds himself distracted by Robert's pretty sister Judy (Allene Roberts) and sultry maid Losana (Lita Baron), who the superstitious natives believe to be evil.

Having played 'cute kid' in seven Johnny Weismuller Tarzan movies, Johnny Sheffield was promoted to star of his own series of African adventures, playing jungle boy Bomba. This is his second film as the vine-swinging teen, but the first that I have seen, and if it is anything to go by, it might be my last for some time: the plot is uninspired, the pace is sluggish, and the 'action' is padded out with stock footage. I imagine that it was all downhill from here.

Sheffield is fine as the athletic adolescent - he's had enough practise at this kind of thing, after all - but the film lacks the energy and excitement of the Tarzan movies, partly due to its low budget (evident in the limited, unconvincing jungle studio sets), but mostly because of the dull script that focuses more on Bomba's attraction to the two women and less on the killer panther.

The film only comes to life in the final act, when Robert attempts to clear the jungle by lighting a fire (that quickly gets out of control), and Bomba wrestles with the panther (a stiff-legged stuffed animal) -- but it's too little, too late.

N.B. I assume that the Bomba movies were aimed at a young 'Saturday matinee' audience, but the opening scene, in which Bomba's pet capuchin is savaged to death by the panther, is the sort of thing to have kids in tears (even I choked up at the sight of the little monkey's limp body).

Bomba gets pretty busy in this one: he has to face a killer panther, a white jerk who almost sets fire to half the African jungle, and two women fawning over him - and who can blame them? He looks even more bulked up than in the first film in the series, and frankly he is smoking hot. The two women who cannot keep their hands off his body are the cute, demure Allene Roberts and the "French" (actually Spanish) Lita Baron: the choice should be pretty easy. Like its predecessor, the film makes little attempt to integrate the stock footage of wild animals convincingly - not only does the film stock look different, but the footage seems to be set in different locations, if not in different continents altogether. And the jungle studio sets never look like anything other than jungle studio sets. ** out of 4.

Fairly weak follow-up to 1949's "Bomba, the Jungle Boy" has a better production (with much-improved nature footage from stock), but a terribly nonsensical script to contend with. Johnny Sheffield returns as Bomba, a teenage Tarzan complete with loincloth and stunted English, here tracking a killer black panther through the jungle; meanwhile, an American architect and his kid-sister (in matching pith helmets!) try persuading the jungle natives to chop down the trees to make room for their experimental farm, but the workers are scared off by the marauding beast who represents an ancient taboo. Also frightening the men is Lita Baron, a glinty-eyed French maid who may be possessed by the soul of a cat (paging Simone Simon!). Bomba certainly isn't afraid of the bewitching lass, taking momentary delight in her frisky caresses and excitable hands! Sheffield, with his thickly-sculpted physique and junior high school grin, is still a charmer...but what good can be said about a jungle adventure in which most of the action comes courtesy of the second-unit add-ons? (a buffalo fighting an alligator, for example). Monogram Pictures did keep the series going after this, but were already running low on fresh ideas. *1/2 from ****

I am very satisfied with this BOMBA film, as I was with the previous one which I saw today. Not boring, despite the lame directing and stock footage that is a bit too much galore for my taste. But that's the rule in this kind of films, including the first TARZAN films and I don't even speak of JUNGLE JIM stuff too. So, yes, this little celluloid jungle adventure flick is fun, agreeable, but you need to be prepared to watch it. I mean don't be too hard in terms of judgment. It was destined to young audiences in saturday and sunday matinees. I even prefer this movie to most of JUNGLE JIM ones, starring Johnny Weissmuler. The fight between Bomba and the panther, in the end, is quite surprisingly good.

Bomba on Panther Island (1949)

** (out of 4)

The second film in Monogram's series finds Bomba (Johnny Sheffield) trying to track down a killer black panther who is causing all sorts of trouble in the jungle. He must also help a young woman (Allene Roberts) and her brother (Harry Lewis) who are doing special experiments in the jungle but their mysterious helper (Lita Baron) has the natives thinking she might be evil. After a decent start, this second entry quickly loses steam and in the end it's just another cheap, low-budget jungle movie that is nothing more than a rip-off of the Tarzan series. Of course, the biggest difference is that Sheffield played 'Boy' in those MGM films so it was natural that he'd be offered his own series. Sadly, the end results are rather weak but then again this is actually one of the best I've seen from the series so take that as you will. I think the opening scene where a monkey friend of Bomba is killed was rather effective but as soon as this is over the cheapness quickly kicks in. The majority of the panther attacks features stock footage of a panther "stalking" and then we cut away to the results and this is just a human (or animal) on the ground dead. At first I laughed at how cheap this effect was but by the end of the movie I understood because when the "fake" leopard does attack Bomba the results is so laughable that you can understand why the producers didn't want to use it too much. At one point it seems as if Bomba is fighting a cloth toy! Sheffield looks the part of a jungle boy and he's actually not too bad in the part. Roberts makes for a good love interest and Baron certainly has the looks and sexuality for her part. At 76-minutes the film is way too sluggish for its own good but the performances and a few scenes of the wildlife at least give it a little life.