Flertando com a Morte

Perhaps the fondest memories of my father's life were those involving his one and only entry in the Indy 500 from 1949, the event chronicled in this movie.

My dad, George Lynch, crashed after the first lap, hitting the wall in the first turn near the camera bay. The event is captured in the film, with the racetrack announcer calling his name. Figures that my dad's one and only Indy mishap is captured forever on film.

"The Big Wheel" is not a bad movie. However, the plot is very, very familiar and although I hadn't seen this movie before, it sure felt that way as MANY films made during the 1930s, 40s and 50s had similar themes. So the film certainly won't get any kudos from me for originality. But, it is moderately engaging and isn't a bad time-passer.

Mickey Rooney plays Billy Coy--the son of a very famous race car driver that was killed years ago at the Indy 500. He's intent on following in his father's footsteps--well, as least as far as being a racing champ! But he's a bit too cocky and young and folks around him think that he's a bit too eager. However, it turns out he is very talented and has what it takes to win--provided he doesn't sabotage himself. In addition, his father's old pal (Thomas Mitchell) is intent on wooing the widow Coy (Spring Byington). What's to happen? See the film...or not.

Rooney and the rest of the cast were just fine in this film. There were some other similar films before it and the plot about a guy who alienates everyone but eventually learns humility and makes good is possibly one of the oldest clichés in films! Fortunately, the racing sequences are competently made and the film has enough going for it that you won't hate it. Not exactly a glowing endorsement, huh?

Not a bad film... the three central characters are played by talented, convincing actors. The plot focus is on Mickey Rooney's character Bill Coy who follows in his father's footsteps for good and for bad. No other characters are developed- all the emotion and story energy is on the cocky, proud star racer/mechanic who does some mellowing under life's hard knocks... the final indy race is an exciting high-point in the action. This picture recently became available on DVD in a MADACY Mickey Rooney Triple Feature Movie Marathon series...

Mickey Rooney's first film after leaving MGM was this independent production for United Artists, The Big Wheel. This is a racetrack story done with hardly the budget of Le Mans or Grand Prix or even MGM's racing story To Please A Lady that Clark Gable did with Barbara Stanwyck two years later. Still it has a nice cast with good location shooting at various racetracks climaxing of course with Indianapolis 500.

The Mick's got a lot to prove, he's the son of a racing legend who lived a fast life, died at the Indianapolis 500 and left widow Spring Byington to raise Mickey by herself. She's had of late though Thomas Mitchell who was her husband's old mechanic and he's now courting Byington.

Because of his attitude Rooney doesn't win many friends at the racing circuit. When Steve Brodie is killed, a lot of the drivers especially Michael O'Shea blame Rooney. And it comes out a lot of them disliked his father for some of the same personality traits and more.

Mickey's got two girls in this one, Mary Hatcher daughter of race car owner Richard Lane and sultry singer Lina Romay. He has to the end of the picture to figure out which one is really in his corner.

The Big Wheel is not a great picture, but it was better than some of what Rooney was doing after World War II at MGM. For the most part they still saw him as a kid over there. The Big Wheel let Mickey Rooney grow up and for that it should be considered a milestone film in his career.

Mickey Rooney gets a character well-suited to his abilities, and the good atmosphere at garages and auto racing tracks also helps make this a solid B-melodrama. The story follows a familiar pattern, but the setting is different enough to make it interesting.

Rooney plays the son of a race driver who wants to establish a racing career of his own. The character goes through a number of changes as his fortunes ebb and flow, and Rooney makes him believable at each stage. He had the ability to be sympathetic when necessary, and he also had the knack of making a character turn abrasive in a believable fashion. Here, it helps to flesh out a familiar plot.

Most of the other characters are one-dimensional, and are only there to give Rooney something to play off of. An exception is Thomas Mitchell, whose skill at playing seemingly simple roles makes the garage owner into a believable character in his own right.

The auto racing settings are interesting, and although the racing sequences rely on stock footage, they are still enjoyable. The story takes Rooney's character from hot rods to midget racers to the Indianapolis-style cars. It was set in what was then the present, and race fans in its audiences probably could have spotted some familiar cars. Now, it is also of interest as a decent recreation of the Indy racers of its day.