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After a few successful teen-age roles (and a couple of ill-fated ones), Shirley's uneven career as a young lady was not helped by this routine romantic comedy of the early 1900s in which she plays a rebellious daughter of a minister (Robert Young) with shocking ideas about love. As a crusader for women's suffrage, Shirley seems more petulant than feisty, playing a girl who crusades for women's suffrage. Nice to see Robert Young in his pre-Father Knows Best days. The film has an attractive look with handsome photography and a good feel for the period atmosphere, but the script is too lightweight to carry much conviction. Pleasant enough if you want to see what Shirley Temple looked like at this stage in her career. She had three more "clinkers" to go before quitting the screen.

Her then-husband John Agar wasn't much help--here he comes across as a wooden actor, not well suited to comedy. Pleasant enough film, but just a trifle.

I saw this movie about ten years ago and absolutely loved it! It made me laugh and cry. I have always been amazed when I hear of Shirley Temples "struggle" to have successful movies as an adult. I think she was delightful and had a real gift for comedy. I am sorry her career ended so soon and can't help but wonder what we're now missing out on because of it. I am also frustrated that her later movies are not made available on DVD...at least hardly any. I think people could now begin to appreciate her...to rediscover the adult Shirley, because they'd be able to see her in a fresh way...something they had trouble with years ago. Adventure in Baltimore is a movie that makes you long for the innocence of the day and at the same time cheer for new youthful freedoms. I found myself really involved in her situations and couldn't wait to see what would come next. If you want a great and entertaining afternoon, just hope some channel is playing this movie and enjoy!

I'm not sure what kind of adventure folks were having in 1905 Baltimore, but it's clear to me that RKO was trying to cash in on a bit of the nostalgia gold that MGM found with Meet Me In St. Louis. There's no musical score in Adventure In Baltimore, but Shirley Temple taking the place of Judy Garland provides a nice wholesome image of a young woman who was questioning just what woman's place was in society as so many thousands of others were doing in America in 1905.

Shirley's a preacher's kid and her father is an amused and tolerant, but slightly put out Robert Young. The film opens with her returning to Baltimore because she's been expelled from a Ladies Finishing School, the kind of places that would shortly go out of date and style. She's been espousing such radical ideas as woman's suffrage and she wants to be an artist.

In addition to a slightly exasperated father, Shirley's also got a more than slightly exasperated young man who is interested in her in her then real life husband John Agar. One of the funniest scenes in the film is Agar at an oratorical society meeting delivering a speech expressing Temple's progressive ideas. The problem is she did not change the pronouns and poor Agar is making a big old fool of himself. Later on a 'scandalous' painting Temple does of Agar causes great concern and is used against Young who is being touted for the position of Bishop of the Episcopal Diocese of Baltimore.

Robert Young was made up to look a great deal older than he was at the time the film was made. With his graying hair and with it curled the way it was, Young looks like Robert Donat as he was in Goodbye Mr. Chips. It made me think that Donat might have been who RKO had in mind originally for the plot. Nevertheless Young does fine in the role and his scenes with Shirley have some real tenderness to them.

Adventure In Baltimore is not as good as Meet Me In St. Louis, but the film is nice family entertainment.

It is beautifully filmed by Robert de Grasse. And Robert Young's character is appealing and even admirable. This seems like a dry run for his most famous role, the title character in "Father Knows Best." Here he is a father in two ways: He has children, including Shirley Temple. And he is an Episcopal priest (under consideration for Bishop of his Diocese.) Shirley Temple is the main character. She is meant to be saucy and ahead of her time. But she's very hard to like. The escapade in which her boyfriend, John Agar, borrows a speech from her for a debating contest isn't admirable. And right here, it's hard to imagine that a priest would laugh off his daughter's involvement in such dishonesty.

Then she paints Agar. She promises she will just use his body as a starting point -- no face. But the painting is exhibited in a show and everyone sees that she has painted him in a bathing suit. That would have been extremely risqué for 1905. What would be the equivalent 101 years later? Something on the Internet or in an X-rated video.

All this while her father is being considered for Bishop. I wonder what Christopher Isherwood's original story was like. Maybe she was a forerunner to Sally Bowles. Here, however, she is sullen, pampered, and selfish.

Shirley Temple was capable of turning in better performances than "Baltimore" as she transitioned to adulthood, but the script (a flashback to 1905?) and the other actors were not people she could play off well.

Just two years earlier, Temple had a major hit with Myrna Loy and Cary Grant in "The Bachelor and the Bobby-Soxer". In this, the script was sharper and funnier. It was in the present day, focusing on Shirley's growth, and she had the dependable Myrna Loy to work off. Loy, while projecting a solid and comedic presence herself, always went out of her way to make sure the other actors were comfortable with her and with their role. In this case, when an agitated Temple kept showing up for work due to marriage difficulties, Loy sent her a beautiful bouquet of flowers and a heartfelt note, bonding the two actors for the rest of their lives.

Loy was the rock in every comedic group of actors she worked with. She went out of her way to allow the other actors to feel comfortable and do their best work, a proactive behavior she had learned when working with Clark Gable, Melvyn Douglas, Spencer Tracy, William Powell, Clifton Webb and numerous other co-stars.

Loy's steady and dependable acting allowed both Shirley and Cary Grant to be more expressive than the script indicates, making the movie a giant success and bringing Shirley's (adult) acting into the limelight once again. With this freedom, she could be herself and act. The result was a half million dollars for RKO and a runaway hit's publicity for Temple.

In "Baltimore" Shirley has no such attachments and no such freedom. There was no Myrna Loy to make her feel alive and open. The movie doesn't work well because there is little chemistry between the actors, even between Temple and her husband, John Agar, who did a good job with his role. A period piece was not something Temple needed. She was growing up and needed to be seen in the present day, as she was in "Bobbysoxer". Instead, and unfortunately, she is to go through several more scripts that do not fit her burgeoning character, and thus are movie flops, before finally calling it quits.

Shirley Temple had the acting skills to continue making movies, but she needed adult scripts and actors around her who were supportive, like Loy. It's a shame she hung up her shingle and simply quit. All she needed was the right "magic" around her.