O Grito da África

"Africa Screams" was Abbott and Costello's independent production for 1949, filmed at Nassour Studios. A&C are booksellers who find themselves on an African expedition; the leader of the expedition (lovely Hillary Brooke) is after diamonds. Hilarity ensues as A&C dodge lions and gorillas; Will A&C get their share of the diamonds?

"Africa Screams" boasts one of the finest supporting casts A&C worked with. In addition to Hillary Brooke (who later co-starred on their TV show), the movie is aided greatly by the appearances of legendary funnymen Shemp Howard and Joe Besser. An air of authenticity is given with the appearances of Frank Buck and Clyde Beatty. The tough-guy roles are nicely handled by boxers Max and Buddy Baer.

Bud is given more to do in this film, and he shines - he shows again that he would have made a wonderful character actor. He stands up to Hillary Brooke and her goons, and cuts deals for himself. Although he takes advantage of Lou once again, I can report that Bud does get his in the end! (How, I won't reveal. Watch for yourself and see.)

What prevents me from giving this film a higher rating than "6" are the low-budget sets at Nassour. Bud and Lou never had a big-budget film at Universal, but this film looks paltry by comparison. What also hampers the enjoyment of the film is the fact that it appears to still be in public domain; low-grade, scratchy prints are usually what can be found in the bargain section of the video store. All in all, though, a fun film. 6 out of 10.

While this isn't the best of the famous comedy duo's films (I personally think that A&C Meet Frankenstein has that honor), this is a decent comedy for fans of the pair. They manage to wring a few laughs out of a jungle theme that I personally feel was overused in films at that time. The actor who makes the film for me, however, is that wonderful "unknown" stooge, Shemp Howard, in a humorous supporting role.

In my younger days pre teens in fifties Britain always regarded A and C movies as a treat and there is something about the unsophisticated bye play between them that appeals more to the child in us than to the adult mature taste Here they play two sales assistants who go to Africa as part of a safari to locate diamonds ,although the hapless pair have been told it is to locate a species of orang utang There are predictable encounters with lions,gorillas and alligators,giving ample opportunity for Lou to do his patented terrified voice and herky-jerky motions to denote extreme terror.The movie is casually racist as was all too typical of its period -natives are either loyal but cowardly bearers or lip smacking cannibals with bones through the nose The most interesting bit was the performance of Joe Besser as a decidedly camp butler,a performance that today looks almost John Inman-esque.I wonder if the audience of the day picked up on it.There are roles for noted hunters of the day Clyde Beatty and Frank Buck as well as the Baer pugilists Max and Buddy

The film looks ugly with little in the way of production values

Recommendable to admirers only.The rest will probably find it an ordeal at best and wince making at worst

Understand, I like Abbott and Costello films. Their two top films (...Meet Frankenstein and The Time of Their Lives) are comedic classics. This, alas, is a minor effort, though other movie comics appear in it.

Possible spoilers in the following.

The film takes a simple story and adds some comedic routines that could be applied to any equivalent film. Costello reacting to animal 'menaces" is usually good, and he's at prime form in this film. However, even in the most comedic situations, I'd have thought that even Lou's character would have noticed all the help he was getting from the gorilla.

In the beginning of the film, the cover story is that an expedition is set up to go to Africa to hunt a legendary ape, Orang-Utan Gigantis. That translates to "great big Orang-Utan." But Orang-Utans aren't found in Africa! The chief of the cannibals mumbles some words, one of which is "ungawa," a Swahili word that means either "beat it," or "let's get moving," depending on context, but which is used as color in this one, having nothing to do with either meaning.

Amusing, but not their top form.

This is a generally enjoyable Abbott and Costello comedy, with a light and often silly feel that nevertheless works well enough. Hillary Brooke adds an elegant presence as their antagonist, and the story makes relatively good use of its comic possibilities.

The plot has the kind of deliberately implausible setup that Bud and Lou usually handled well, as their two characters become part of an African expedition led by the scheming Brooke. Once there, there are plenty of lions and other beasts that get tangled up with the characters. Frank Buck and Clyde Beatty also appear as themselves, although they are mostly only incidental to the story.

Brooke and the Baer brothers, as her henchmen, make their end of things work well, and there are also some good moments from Shemp Howard and Joe Besser. Not all of the comedy ideas are of the same quality, but most of it works well enough as long as you don't take it too seriously.