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Abbott and Costello are one of the best comedy duos on film, and there are some great entries of theirs, Abbott and Costello Meet Frankenstein being a contender for their best. Meet the Killer, Boris Karloff is not one their high-points, there are a few draggy spots, a rather standard story and while he is eerie and commanding Boris Karloff is underused(so much for the misleading title). The gags are well-timed and funny though, especially the dressing up in drag, Costello being hypnotised by Karloff and playing cards with a corpse. There is a very nice mix of zany comedy and suspenseful mystery elements, the dialogue is snappily written, the film looks good and is directed in a way that allows the stars to have fun and the story to breathe while not leaving things out of control. Abbott and Costello are still as funny as ever and their chemistry still sparkles even with contrasting personalities. The acting is solid enough from all, Karloff is still fine in his role, you just want to see more of him considering how great an actor he was and is. Overall, not among the greats with Abbott and Costello but makes for good fun regardless. 7/10 Bethany Cox

Much of Abbott and Costello's late 40s/early 50s output put them in parodies of various film genres--this one is a parody of murder mysteries. I saw this as a child and liked it, although I was let down that Boris Karloff had such an insignificant role. Now that it's out on DVD as part of the third A&C boxset, I'm seeing it again, and I still think it's quite funny. There are many well-paced comic set-ups and the boys don't look bored as they do in some of their later vehicles. No great analysis is needed for a film like this--it's just classic comedy and has held up very well.

Fans of ABBOTT and COSTELLO should enjoy this entry, even if the title is a bit misleading--and even if BORIS KARLOFF doesn't get to be quite as menacing as you might want him to be. He does look distinguished in that turban as a Swami who tries to put Costello into a trance so he'll believe that he's the murderer, with negative results.

Most of the action takes place at a secluded hotel where a well-known lawyer has been found murdered. Suspicion points to bellboy COSTELLO, and in a script that has ABBOTT as a house detective, you can see that poor Lou is gonna have a hard time proving his innocence...especially when dead bodies keep popping up everywhere wherever he goes.

It's not as funny as WHO DONE IT? or HOLD THAT GHOST, but considerably better than some of the later stuff they did toward the end of their career.

Enjoyable enough nonsense for their fans.

One of my favourite Abbott and Costello films, Abbott and Costello Meets the Killer tells about a series of murders that take place in a ski hotel near a large lost caverns. The impossible bellboy, played by Lou, is suspected of murder, and the house dick, played by Bud, is his friend and sometimes character reference. It seems that a lawyer was going to write his memoirs, and lots of people did not want that to happen. A menagerie of misfits and blatant suspects people the hotel. A woman who poisoned her lovers, deftly played by the sultry Lenore Aubert of Abbott and Costello Meet Frankenstein fame, and a phony swami played by the ever affable but eerie Boris Karloff lead the cast of irregulars. Also along for the fun is serious character actor Alan Mowbray. There are a lot of hits and misses in this one, but definitely when the laughs hit, they hit hard! Lou dressed as a parlour maid and being hit on by that lovable character actor Percy Helton has to be one of the highlights as well as Lou in the lost caverns. Lots of good, old-fashioned fun!

I'm a big A&C fan and have been since I was ten. I saw this A&C film many times in the 1980s (I recorded it once and watched it over and over again). It turns out that this film is included in Volume 3 of the Best of Abbott and Costello DVD set. After purchasing the set, I had a chance to watch it again recently. There are some genuinely outstanding gags here. Of all the movies made after A&C MEET FRANKENSTEIN (the duo's high point), this is one of the best. The chase scene through the caverns is actually very well made and has withstood the test of time. It remains one of the best climaxes from an A&C movie. Unfortunately, Boris Karloff isn't put to very good use in the film. This is a surprisingly atmospheric film, though, and at times it even contains elements of noir. It reminds me of a cross between WHO DONE IT and HOLD THAT GHOST, although it's not as good as either of those films. Still, unlike A&C GO TO MARS or Africa SCREAMS, it's certainly not a blemish on their filmography.