A Conquista da Felicidade

Well, this wasn't "It Happened One Night" but, the plot line was similar. Rich girl (Joan Fontaine) secretly hops aboard a transport plane to escape a loveless marriage. Jimmy Stewart, the pilot, finds her and is annoyed to have a pretty girl hiding on board. In Hollywood guys always get mad finding a pretty stowaway, yeah, right. Anyhow, after a plane crash and lots of hanging around, nature takes over ... and you know... Actually, I enjoyed it. A little escapist comedy, that managed to entertain. Eddie Albert is good too, as Stewart's side-kick. I'd rank it a respectable 6 1/2. Also, Fontaine is as always, very feminine.

I think this movie is charming. It is part farce and part whimsy. It is not a great comedy, and I don't think it was ever intended to be. It has a few stereotypical characters, but that can be fun. I have seen the movie several times. It is pure escapism.

In New York, the spoiled Diana "Dee Dee" Dillwood (Joan Fontaine) is an indecisive millionaire that has broken with her various fiancées. Her uncle and her psychiatrist convince Diana to get married with Henry Benson (Willard Parker) and they go to a fancy hotel. Meanwhile the pilot Marvin "Marv" Payne (James Stewart), who owns an air flight company with two old airplanes with his friend Bullets Baker (Eddie Albert), lodges in the wedding suite on the next door of Dee Dee and Henry expecting to rest to fly to California on the next morning. Dee Dee flees from the wedding night and hides in Marv's room. She uses a strong sleeping pill and on the next morning, she does not wake up. Marv and Bullets take her to the airport and she convinces them to take her to California with them and a chimpanzee; a soppy couple that has just married; an embezzler with a wallet full of money; a coffin with a body; and frozen seafood. After a storm, passenger and crew are stranded in a farm of a hospitable family where Dee Dee learns that the she will find her true love when she kisses the right man.

"You Gotta Stay Happy" is a delightful screwball comedy with James Stewart and Jean Fontaine that show wonderful chemistry. I saw this movie yesterday and I laughed a lot with the funny situations, especially when the poor Marv wants to sleep and is interrupted many times. It is amazing how Hollywood does not present a tribute to Jean Fontaine (96), to her sister Olivia de Havilland (97), to Maureen O'Hara (90) and to Lauren Bacall (89) and any other actor or actress from the Golden Age still alive in the Oscar ceremony. Ms. Lauren Bacall is still filming but it would be heartwarming to see Ms. Jean Fontaine, Ms. Olivia de Havilland and Ms. Maureen O'Hara reunited again, after all those years. My vote is eight.

Title (Brazil): Not Available

Though "You Gotta Stay Happy" came after the heyday of screwball comedies, it follows the recipe well enough: take one zany heiress, mix up with earnest hero, add wise-cracking best friend, toss in some comic stereotypes for support, add a dash of innocent deception to get the plot rolling, then a pinch of mistaken identity (or something like it) to keep things stirred up, and top off with some chaste romance. Bake (or half-bake) for a little over an hour and a half, garnish with a cigar-smoking chimpanzee, and... voilà! Enjoyable light entertainment. You may be hungry an hour later, but it's fun while it lasts.

Jimmy Stewart's Marvin Payne is a variation on the actor's patented good-guy persona: a decent if sometimes cranky pilot, he's trying to keep his ramshackle airline *and* his carefully crafted life-plan running smoothly. Joan Fontaine, proving surprisingly proficient at comedy, plays indecisive rich girl Dee-Dee Dillwood, whose antics seem calculated to throw Marvin off schedule in both arenas. And Eddie Albert, as "Bullets" Baker, shines in an early and excellent incarnation of what would become his trademark 1950s character-- the lovable sidekick.

It's hard to outline the plot without giving it all away-- partly because all the pieces are intertwined, and partly because there aren't all that many pieces-- but I'll try. Fontaine's running from the altar, and Stewart, not fully aware of her circumstances, is somehow persuaded to let her aboard his cargo plane. Meanwhile, co-pilot Albert has enterprisingly sold seats to a few other unauthorized personnel. Will our intrepid fly-boys manage to steer their two-engine plane through stormy weather to complete all deliveries and stave off bankruptcy, or will they be too distracted by the fact that the police seem to be looking for one of their illicit passengers? And how about Stewart's heart, which seems to be flip-flopping for Fontaine a full six years ahead of schedule (he's penciled in "love" for 1954)? Will he be relieved or upset, if and when he learns her full story? It'd be too much to say that "the plane lifts off and hilarity ensues," but I was both amused by the proceedings and invested enough in the leads to care whether they got their happy ending. A warning: some of the aforementioned comic stereotypes-- naive Native Americans, women content to stay in their place-- haven't aged as well as others, so put on your 1940s hat before popping in the DVD.

This movie is certainly not a deep or memorable movie. In fact, I just saw it again for the second time and I had forgotten so much of it--even though I saw if for the first time only a couple years ago.

Jimmy Stewart is the owner of a very tiny freight airline. During a stopover, he is accidentally united with Joan Fontaine who is running from a brand new marriage she hasn't yet consummated to a man she didn't love. It doesn't take a genius to figure out that sooner or later, Stewart and Fontaine will be a couple, though the rest of the movie consists of a series of wacky adventures until the ultimate conclusion.

So why give the movie only an 8? Well, first, Fontaine's character is rather annoying and highly reminiscent of Julie Roberts' character in RUNAWAY BRIDE. Someone that ditsy and self-centered, for me, is a little hard to really care about and you aren't really pulling for the leading man to take this shallow woman. Secondly, and more importantly, the movie has way too many contrived and "wacky" subplots--a guy running off with his company's funds, the chimpanzee who loved Fontaine and smokes cigars, the Southern-fried humor supplied by the young couple from Georgia, etc. It just seemed REALLY, REALLY contrived. Plus, the dialog itself was rather forced.

So, overall it's just an adequate film--best enjoyed by old movie and Jimmy Stewart buffs.