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"Trouble Makers" is one of the better Bowery Boys films and is worth seeing. It all begins with Slip and the gang out on the street trying to make money a very odd way--charging folks on the street to use their telescope. Little did they know that the telescope would come in handy, as Sach and Slip see a man being murdered across town at the El Royale Hotel! But what so often happens in old movies, the cops somehow don't believe them nor young officer Moreno.

The next day, the body of the man the pair saw murdered was discovered 15 miles away! Obviously they'd been right...and bizarrely, the police aren't concerned. So, with the help of the murdered man's daughter (who owns the hotel), they get jobs as bellboys in order to investigate.

"Trouble Makers" is a bit unusual in that the antics of Sach and Slip are a bit more muted and realistic...and made for a pretty good B-movie. On hand in this enjoyable film were Frankie Darro (once again playing a young hood) and Lionel Stander. Worth your time.

An entertaining addition to the Bowery Boys comedy series has Slip and Sach (Leo Gorcey and Huntz Hall) accidentally witnessing a murder in a hotel room window through a telescope down on the street below. They alert their friend Gabe (Gabriel Dell) who has now graduated to the stature of a rookie police officer, but when the boys investigate the hotel there is no body to be found and Gabe is reprimanded by his superiors. It's then up to Slip and Sach to take on jobs as bellhops in the hotel to try and solve the mystery and prove what they saw. This is a good and satisfying chapter, with funny bits featuring Gorcey and Hall at the top of their game. Both actors have some strong moments...Gorcey is given some extra-humorous malapropisms to deliver with gusto, and Huntz has to get tough and even push Leo around in a scene where he pretends to be an ex-con. It's good to see Gabriel Dell put to solid good use in his part of a young policeman, and the roles in general are well cast this time around -- Frankie Darro, Lionel Stander and John Ridgely play the shady characters, with Fritz Feld as the hotel manager. This entry comes off as tighter and better polished than usual, and one wonders whether this was due in part to Reginald LeBorg taking over from William Beaudine as director. *** out of ****

Plus Fritz Feld, Lionel Stander, Helen Parrish and the usual top-notch supporting cast of toughs and characters.

Slip (Leo Gorcey) and Sach (Huntz Hall) are in the sidewalk star-gazing business when they see a murder committed in a room at the El Royale Hotel, blocks away. In spite of the fussy-and-fidget objections of the hotel manager, Andre Schmidtlapp (Fritz Feld), the Bowery Boys (including Frankie Darro and Billy Benedict with lines and David Gorcey and Benny Bartlett looking on...as usual) and their friend Police Officer Gabe Moreno (Gabriel Dell)search the murder room and find nothing beyond learning that the room is occupied by "Silky" Thomas (John Ridgely.) Police Captain Madison (Cliff Clark)reprimands Gabe for leaving his beat on a false alarm, but later tips from Slip and Sach help Gabe lead raids on Silky's gambling operations.

The latter sends Gabe's former friend "Feathers" (Frankie Darro)to Gabe with a bribe offer but Gabe refuses. The boys read about the killing of a Professor Prescott and identify him as the man they saw murdered. Slip and Sach tell the professor's daughter, Ann Prescott (Helen Parrish), they will find her father's killers, and they get jobs as bellhops at the hotel. "Hatchet" (Lionel Stander), one of the gangsters, thinks Sach is a former cellmate and this causes a complication or two along the way.

Lazily entrepreneurial "Bowery Boys" leader Leo Gorcey (as Slip Mahoney) tries to sell passing pedestrians on peaks through a giant street telescope, erected outside "Louie's Sweet Shop". With Mr. Gorcey attracting no spenders, partner Huntz Hall (as Sach) hogs the viewing, but focuses on feminine figures instead of celestial orbs. When Mr. Hall aims the telescope at a nearby hotel, he is amused to see two men dancing together, and joins William "Billy" Benedict (as Whitey) for a brief two-step. Hall alerts Mr. Gorcey to the gay dancers - but, when Gorcey takes his turn to spy, the scene is revealed as a struggle, ending in murder!

Witnesses Gorcey and Hall ask rookie officer and Bowery pal Gabriel Dell (as Gabe Moreno) for assistance, but he finds no evidence any murder was committed. With Mr. Benedict, David Gorcey (as Chuck), and Benny "Bennie" Bartlett (as Butch) helping, Gorcey and Hall go undercover as a couple of hapless hotel bellhops, to investigate. Hotel manager Fritz Feld (as Andre Schmidtlapp), ex-con Lionel Stander (as Hatchet Moran), and versatile Frankie Darro (as Ben Feathers) lead the guest cast. Genuinely funny, with Gorcey quipping "he was a very extinguished man" in the morgue, and Hall strangling several laughs out of the script.

****** Trouble Makers (12/10/48) Reginald Le Borg ~ Leo Gorcey, Huntz Hall, Gabriel Dell, Frankie Darro

Ever the entrepreneurs, in this one the Bowery Boys are hawking star gazing to passers-by for 5 cents a pop. While playing around with the telescope, Sach sees two men fighting in a room of a hotel several blocks away. Then Slip takes over and sees one of the men strangled by the other and then he convinces up and coming rookie cop Gabe Marino to leave his beat and investigate the incident. However, when they arrive at the hotel, there is no body in the room. Slip tells Sach "to search every nook and granny." When the police captain arrives, Slip explains to him what he saw but that "we can't find the corpus delicious." With tips from Slip, Gabe is putting a big bookmaker's operations under a lot of pressure and in return they set Gabe up and he ends up suspended from force for 90 days. This Bowery Boys outing benefits from a strong supporting cast in Fritz Feld as the delightfully officious hotel manager, Lionel Stander as the humorously murderous "Hatchet" Moran and Frankie Darro as the small time thug Ben Feathers.

Twelfth Bowery Boys movie from Monogram has Slip and Sach witnessing a murder through a telescope. But when they take the cops to the scene of the crime, the body is gone and no one believes there ever was a murder. So, naturally, they set out to investigate the matter and find the killer. An enjoyable entry in the series. Nothing to get excited about but good. Leo Gorcey and Huntz Hall are their usual lovable selves. The rest of the Boys (Bennie Bartlett, David Gorcey, William Benedict) don't get a lot to do in this one. Gabriel Dell plays a cop this time and figures heavily into the plot. Bernard Gorcey returns as Louie and he's always a treat. Helen Parrish provides the pretty. John Ridgely and Frankie Darro are solid baddies, but it's Lionel Stander who steals the show as an ex-con who mistakes Sach for a criminal he used to know. It's not the best Bowery Boys picture but it's entertaining. The short runtime and quick pace help. Any movie where the bad guys have names like Silky, Feathers, and Hatchet is going to be a fun one.

Trouble Makers was kind of in the middle of the Bowery Boys stories. Sach (Huntz Hall) and Slip (Leo Gorcey, along with his real dad and brother, of course!) get into the usual trouble when they accidentally witness a moidah. keep an eye out for Lionel Stander, who made films for years, but we all know him as Max in Hart to Hart. in this one, slip and sach take up jobs as bellboys in a hotel to keep an eye on things and figure out how the body disappeared. of course, they take on the bad guys, and there must be a big rough and tumble at the end. bake at 350 for an hour and you have a bowery boys adventure. Directed by Reginald Le Borg.. the first of three he would make with the gang. it's the usual fare, probably aimed at a younger audience.

ONCE AGAIN WE find ourselves amazed that so many of these BOWERY BOYS series entries are so much better than we remember them. This flies in the face of the usual disappointment we find when some film or other just doesn't live up to the expectations that our fallible, human memories so often conjure up.

RIGHT FROM THE get go, we can see that this will be a delight for fans of the boys. The opening situation sets the stage. The establishment of the premise of having the boys at odds with a criminal enterprise, while not so very original or refreshing, is well founded and strengthened by the presence of former BB member, Gabe Moreno (Gabriel Dell)now being a rookie NYPD foot patrolman on their beat.

THERE SEEMS TO be an even greater supply of great malaprop for 'Slips' dialogue than usual. These are a definite lifeline and a real plus for any BOWERY BOYS outing.

ONE PARTICULAR ELEMENT that was a central tenet of the various DEAD END KIDS/EAST SIDE KIDS/BOWERY BOYS series was a sort of Urban Myth about "that Old Gang of Mine." It tends to romanticize the "honor" of being a tough, street-wise and under-educated member of class on the lower rung on the socio-economic ladder. It's always a sure fire route to success for on screen comedies.

TO OUR WAY of thinking, this theory of ours is a sort of modern Urban society's version of the long held theory of "The Noble Savage." In l this highly flawed (and widely discredited) Anthropological theory, primitive peoples are inherently much more moral, loving and genteel than their much more civilized relatives (us).

THERE IS SOME definite merit in this thesis, so think about it, okay, Schultz? (It's our own original idea-as far as we know!)

OUR IMPRESSIONS OF why this was another superior outing are many. It has a larger supporting cast, which features names like: Frankie Darro, Lionel Stander, John Ridgely, Helen Parrish and Fritz Feld. The Bowery Boys were now minus Bobby Jordan; but as we said, Gabriel Dell was present to add his talents to those of "Slip" (Leo Gorcey), "Sach: (Huntz Hall) and the other regulars (Dave Gorcey, Billy Benedict, Bennie Bartlett and "Louie:-father Bernard Gorcey.

MISSING FROM THE credits is the name of their usual Director. William "One Shot Bill" Beaudine was replaced by Reginald Le Borg, a more recent arrival from the European movie scene. His was a specialty in "B" horror flicks and he did a lot of television work in the 1950's.

WHEN THE TOTAL output of the DEAD END KIDS/EAST SIDE KIDS/BOWERT BOYS movies are filmed and their total effect on our pop cultural pool is considered, we wonder why the team of Leo Gorcey & Huntz Hall is mot considered to be a legitimate Movie Comedy Team. along with Laurel & Hardy, Abbott & Costello, both the Brothers Marx and Ritz, the 3 Stooges, Wheeler & Woolsey, Clarke & McCullough, Noonan & Marshall.....................

The latest money making scheme of Leo Gorcey involves him and the gang with a telescope charging folks a fee for stargazing. In fact Huntz Hall is checking out one thoroughly heavenly body going down the Bowery. But when Hall points the telescope upward he and Leo Gorcey spot a murder in a window of a swank hotel blocks away. They report the crime to their old pal and gang member beat cop Gabriel Dell.

Not finding any trace of any murder where John Ridgely is staying the guys keep on the case. Dell gets himself in a jackpot at his precinct for leaving his beat on a wild goose chase so it seems. But he does get to meet Helen Parrish the daughter of the deceased whose body was found in the Bronx. They might have a future.

Two colorful character actors appear here as well. Fritz Feld playing the officious hotel manager who is driven to distraction by Leo Gorcey's grammar and colorful language and the eternal dumbness of Huntz Hall. There's also Lionel Stander recently released from jail who thinks that Hall is an old criminal associate with a recent bit of plastic surgery. As if anyone would want to make themselves look like Horace DeBussy Jones.

The regulars and these guest stars make Trouble Makers worthwhile to watch.

10 STARS.

Classic 40s Bowery Boys comedy, pulling out all the stops, and one of the more classy episodes, replete with some nice sets. It's also one of the longer running episodes, 69 minutes in length.

There are two super guest stars in this one; comic actor Fritz Feld as hotel manager Andre Schmidlapp and rapsy voiced Lionel Stander as goofy gangster Hatchet Moran.

The guys are selling peeks at the moon(?) through a telescope (really not a bad idea) and happen to shove the telescope in the direction of a nearby hotel and witness a murder! OMG.

It's pretty clever stuff, and this episode is really a smooth mix of mystery and comedy, thanks to veteran director Reginald Le Borg, who directed a few other entries. Le Borg was a short subject director at MGM, and also won an Oscar, before cranking out dozens of popular B films, including DIARY OF A MADMAN (1963) starring Vincent Price.

Slip and Sach take jobs at the hotel to try to solve the murder, all under the watchful eye of Schmidlapp, who is ready to EXPLODE! They are actually hired by the daughter, Ann Prescott (Helen Parrish) of the man who was killed, also having to contend with rascally gangster Chopper Moran, played to the hilt by Lionel Stander. It's a shame Stander did not appear in another Bowery Boys movie as he was perfect opposite these guys.

There's also some snappy diaglogue in this one, not to be missed. When Slip and Sach are in the morgue to see Dr. Prescott, the attendant says "They did everything they could to save him, even artificial resperation." To which Slip replies... "They coulda' given him the REAL THING!"

There's also an exciting final chase scene through the hotel halls, narrow ledges and down a laundry chute. Le Borg handled it all quite well.

Gabe Dell, generally cast in other roles, this time plays Officer Moreno who ends up being framed and suspended from the police force. Gabe nevertheless hangs tight, and really has a good dramatic part. One of his best.

Butch, Chuck and Whitey are always lending support, especially Whitey performing a pantomime message, which is revealed to be "Routine 5." Although I remember another episode with the same routine which lead to a big fist fight.

You could never really figure out what all the routines were to begin with, but they made fun calls whenever the boys were in big trouble. When you come down to it, anytime Slip called for a "routine" it was a signal to get ready to kick some goon's butt!

Not to be missed. Followed by FIGHTING FOOLS, also directed by Reginald Le Borg.

The Bowery Boys get a telescope and offer a peak into the stars for a nickel. Slip is the barker. Sach is using the telescope to look at more grounded sights and spots a struggle in a distant hotel. It's a murder. The boys tell honest rookie cop Gabe Moreno and together they search for the murder scene. They can't find the body. Some time later, the dead body is found in another location. Slip and Sach go undercover as bellboys in the hotel with help from Ann Prescott. Her father is the dead man and she inherited the hotel from him. Gangster 'Hatchet' Moran mistakes Sach as a fellow criminal.

The starting premise is interesting. I thought Gabe Moreno would have a bigger role in the second half. Quite frankly, Moreno is an unnecessary detour. I also expected Ann Prescott to join in the hijinx. Lionel Stander is a great thug. It does try to turn into a Scooby Doo slapstick comedy. There are some issues there. This has some early fun and it's fine for a Bowery Boys flick.

Trouble Makers (1948)

*** (out of 4)

Good entry in the long-running series has Slip (Leo Gorcey) and Sach (Huntz Hall) witnessing a murder inside a hotel but no one will believe them as no body was found there. Gabe (Gabriel Dell), now working as a cop, tries to investigate but ends up suspended off the force so it's up to the boys to try and figure out who did the killing and why. This was a nice surprise as it turned out to be one of the better entries in the series as we get some very good laughs, nice crime action and a fairly good mystery as well. These Bowery Boys movies often tried mixing various genres but rarely did they all work so well as they do here. What really helps the film is the wonderful supporting cast, which is full of some veteran actors. By having such great support the film didn't have to rely on Gorcey and Hall to get all the laughs. Lionel Stander, who would be blacklisted in upcoming years, is perfect as "Hatchet" Moran, a gangster who loves his friend "Abby" who just happens to be a machine gun. John Ridgely, veteran of many Warner classics, plays Silky Thomas, the main suspect. Both actors are excellent in their roles with Stander getting a great number of laughs and Ridgely being very believable in the crime boss role. Also strong here is Helen Parrish as the murder man's daughter. Both Gorcey and Hall are a lot better here than they were in a couple of the previous films. Gorcey gets some wonderful mangled dialogue that he nails perfectly and even Hall gets some terrific scenes. He plays extremely well with Stander as the two go down memory lanes of when they were knocking off various locations (Stander's character thinks Sach is a former gangster). Dell is also really coming into his own, acting wise, even though he's playing yet a different character. This film really stands out because it actually appears like they took their time with a good screenplay and got some respectable actors to help share the load. The film starts off with some great laughs and they continue all the way through the picture.

As the last reviewer noted, there's a substitute director here, Reginald Le Borg, and who does a terrific job with the material. This comes off more as a dramatic comedy, formula stuff for the 1940s episodes. Make no mistake, though, Leo Gorcey and Huntz Hall have a lot of fun, and it shows.

There's a rather clever opening scene with Slip and Sach selling "peaks" at the moon via a telescope(!). The scope goes off course, in the direction of a nearby hotel, and the boys witness a murder.

Gabe Dell has a good part here, this time playing a cop on the beat, Officer Moreno, who tries to sort things out, but eventually gets framed and kicked off the force! This was probably one of his best roles.

Slip and Sach decide to do some detective work and are actually hired by the victim's daughter, played by Helen Parrish. She gets them into the hotel as bellboys, but they are up against no-nonsense, picky manager Schmidlapp (played by the hilarious Fritz Feld). Another super character actor featured here is gravel-voiced Lionel Stander, as a goofy hitman called Hatchet Moran. It's a shame Stander did not do another episode, as he was a perfect fit for the Bowery Boys.

Butch, Chuck and Whitey, as always work the background, and there's a neat scene where Whitey pantomimes a message, which is supposed to be ROUTINE 5? That's the thing. All of us were always left in the dark about the boys' routine numbers, and what they meant. It's just safe to say that when Slip called for a routine, it was a call to kick some goon's butt!

Le Borg handles the ending quite well, with a wild chase through the hotel halls, on a ledge and even down a laundry chute??? Le Borg began his career with MGM short films and won an Oscar. He later branched out and cranked out many popular B films for both Universal and Monogram, including DIARY OF A MADMAN(1963), starring Vincent Price.

Always goofy dialogue. When Slip and Sach enter the morgue to see Dr. Prescott, the attendant says... "They did everything they could for him, even artifical respiration" To which Slip replies, "They coulda' at least given him the REAL THING!"

10 STARS, followed by FIGHTING FOOLS. Remastered by Warner Brothers in box sets of 6 to 8 films, and worth it.