Crime Submarino

This film would appeal more to me than the average person. First, it's set in Tarpon Springs--a small town about 45 minutes from where I live. I've visited it several times, and it's a nice place for a day trip. It's also interesting to see what the town used to be like--before it became a tourism mecca. Second, it's about sponge divers--and I love scuba diving and enjoyed seeing the underwater shots (the fish actually appeared to be Florida fish--not some fish from a Hollywood aquarium).

"16 Fathoms Deep" is an odd little film, as it's about a group of guys working in the sponge diving industry. I really wish that the Netflix copy had been in color (it was originally a color film)--it would have been great to see the underwater shots in their vivid glory. Lloyd Bridges has recently mustered out of the US Navy and is looking for a job. Since he's an experienced diver, he travels to Tarpon Springs. However, he has some trouble getting hired on by the local big-shot (Lon Chaney, Jr.). But, when a young entrepreneur buys his own boat, he needs divers and Bridges is hired. Along for the ride is an inexplicable character--a bumbling Dagwood-like fellow played by Arthur Lake (who is also the film's producer). What none of them knows is that one of the crew is evil...pure evil. Or, at least he's looking to sabotage the boat. But why?! The film is shot semi-documentary in style. This means that Bridges narrated large portions of the film. Considering much of this was during the underwater scenes, it made sense. But in addition, the film takes a lot of time explaining about sponge diving--much like a documentary. It's really odd, then, that Arthur Lake is in the movie. His bumbling comic relief is incongruous with the rest of the film and he was not particularly good in the movie. Also, the way the death was handled as well as the unraveling of the mystery was poorly handled--it all happened too quickly and too matter-of-fact (long-time character actor John Qualen was NOT good in this role--he was too emotionally constricted). It should have been slower and more deliberate and seemed rushed. Overall, it's a film with a lot of problems but one I found worth my time--perhaps you will find it that way, too.

A few observations:

In the brief scene about Epiphany you see the young men diving along the lagoon to retrieve the cross tossed in by the Patriarch. This practice STILL occurs each year and it's a really big event (bringing in thousands of spectators). The only big difference is that the water isn't nearly so clear today--the result of a HUGE building boom in the Tampa Bay area over the last 60 years.

After this film, Bridges went on to star in the "Sea Hunt" TV series. You wonder if this movie led to Bridges interest in diving and the sea.

The young man in the film is played by Dickie Moore. Moore has over a hundred credits and was one of Hal Roach's Little Rascals--and a VERY popular child actor in the 30s (because he was so darn cute and talented).

If you visit the Tampa Bay area, try going to Tarpon Springs for a day. It's full of nice shops, LOTS of Greek food and you can either take a fishing trip or watch sponge divers. Not a bad little tourist trap that your family would probably enjoy.

I just finished watching this movie on a local independent channel broadcast w/a weak signal,so the picture wasn't real clear,but it was worth the effort it took to watch.Really enjoyed seeing&watching the actors & their characters,especially Loyd Bridges,Arthur Lake,&Lon Chaney jr.in an adventurous story taken place in an innocent time against beautifull scenery,without all the over-done techno effects of today.If you liked this movie,you'd probably also enjoy"Beneath The Twelve Mile Reef"with Terry Moore,Gilbert Roland,& a very young Robert Wagner(released 1953).

Watching films I am actually between the two: '34 original and the '48 remake - Not sure which version I prefer. The two films are very much a like but there are differences - most notably the ending. Out of the two endings I actually prefer the '48 ending because Mr. Demitri (Lon Chaney) gets it in the end. We did not get the pleasure of watching the towns people get their revenge in the '34.

I did like the narration in this film... it was interesting to hear (captivating) but I liked the action of the '34 a lot better. I also liked the romance in the '34 between Joe Bethel and Rosita.. it played a bigger role in the '34 where as the '48 had less focus on a fictional romance.

Both films are worth watching - they are different in quite a few ways but it has the same story plot.

Also I liked the role switch for Chaney.

8.5/10

I grew up in Tarpon Springs, the small sponge & fishing village on the west coast of Florida where this was filmed. At 8 years old I watched the filming of 16 Fathoms Deep from the seat of my JC Higgins bicycle. My eyes were opened to the secrets of the movies as I watched the sponge hook being artistically planted in Lon Chaney's back and the 'blood' painted on between scenes. My mom was one of the extras in the sponge auction scenes. I saw and recognized Chick Young at a local coffee shop, where he sketched an impromptu 'Dagwood' on one of the restaurant's walls. Anyway, I saw this film when it was released and have not been able to see or locate a copy since. If I could find it again, it would sure bring back memories of simpler time. There does not seem to be many Ansco Color prints remaining - guess they just didn't hold up.

Lloyd Bridges gets out of the Navy diving program and heads down to Florida to become a sponge diver in this remake of the 1934 movie.

It has a good cast, including Lon Chaney Jr., John Qualen, Arthur Lake, and Dickie Moore. As e first movie shot in Anscocolor, i has some undersea photography that would be pretty god f it weren't muddled in the print, and location shooting likewise. Although it doesn't cover the Greek culture of e sponge divers as interestingly as the older movie, Bridges covers aspects of it in his voice-over narration.

Lake also served as producer for the first and last time in his career. Hence, no doubt, the ambitious color location shooting.