Entre Dois Fogos

Enjoyable noir outing enlivened by a first rate cast, solid script and typically solid Alton camerawork. O'Keefe is right at home as Joe, the hotheaded lug with his own code and unlucky streak. Trevor is at her fatalistic best as the true blue moll who is meant for him but gets stepped over. Hunt is appealing and credible as the fresh-faced moralist who tries to change Joe but winds up changed, instead. Burr is an effective heavy, albeit a bit too wimpy at the end. Toomey, Bissell, and Ireland are all competent as well.

Alton uses multiple familiar Malibu locations to good advantage. The cinematography is excellent.

The script is particularly effective, building as Joe slowly discovers how he has been set up and deceived by basically everyone to some degree. Claire Trevor's struggle to come clean at the end is a moving and suspenseful section and the violent climax is curiously redeeming and satisfying. Noir fans should definitely give this one a look- not as famous as your typical Bogey or Mitchum entry, but just as iconic in its own way.

Raw Deal (1948)

What a moody, dark, steamy, dangerous drama. The story is a little clunky at times, but with this much atmosphere, who cares? Between classic early Anthony Mann (the director) and classic early John Alton (the cinematographer), there is no doubt about wanting to get sucked in, dragged down, swept away, and wowed. It really is a beautiful, brooding movie.

The key theme is escape, as a convict is on the run and he takes two women with him, one his girlfriend who is sort of "bad" and one an admirer who is basically "good." The two don't get along of course, and in the process of fleeing from one situation to another (pretty much always at night) we see the man switch from one kind of woman to another. This man is Dennis O'Keefe, who is strong and almost better here because he isn't well known and there is no baggage from other movies and other roles. The women are played by Claire Trevor, who is terrific, and Marsha Hunt, who is not--though she holds her own. Other smaller parts are gritty and impressive, including Raymond Burr as a very bad man, always photographed from below so he seems sinister.

If the escape and the running were the whole movie, it would have been compact and effective, a tight little piece following these three on the road, hiding, and eventually fighting for their survival. There is one odd and highly improbable scene were they happen upon another criminal running from the police. It's good drama, but too coincidental, out in the mountains of the Pacific Northwest. Otherwise the parts are strong, the story well paced.

And the visuals just stunning. That's the biggest reason to watch. And get pulled away.

What a perfect film for insomniacs. This is wonderful to watch with the lights out. With that said, let's look at this underrated work by director Anthony Mann. First the obvious...John Alton is a genius. The lighting, or lack thereof, is visually striking. What this man could do with a $10 budget was simply amazing. Secondly, let's note the unusual commentary/narration by Academy Award winner(she won the award that same year for her role in "Key Largo"), Claire Trevor. I can count only a couple of film noir in which the voice-over is done by a doomed (in love)woman. Her sense of entrapment perfectly encapsulate's the mood of this film. Now, let's also note the odd use of a theremin for the bulk of the music used in this film. Check it out...very creepy. But one of the most overlooked components in this film has to be the hulking visage of Raymond Burr. This guy had to be in just about every film made between 1944 and 1960. In this particular film he is a sado-masochistic pyromaniac. In just about every scene he is torching somebody, whether it be by using his lighter, or throwing a flaming flambeaus at some poor unsuspecting party-going girl or by just burning down his own apartment. He's a nutcase...but a joy to watch on the screen.

Okay, so the story itself isn't the most original. But with everything else this film has going for it, I HIGHLY recommend anyone even slightly interested, to go buy it NOW! It's one of my absolute favorite film noir's. Oh...I almost forgot. Check out Marsha Hunt in this film. She's stunning.

Gripping film noir with Dennis O'Keefe as Joe Sullivan, a man who escapes from prison with help from Pat, the woman (Claire Trevor) who's loved him and stuck by him for years. But Joe's fallen in love with a sympathetic caseworker (Marsha Hunt) and forces her to accompany him and Pat as they flee. Meanwhile, Raymond Burr plays the man responsible for Joe being in prison. He owes Joe money and sends a hit-man to make sure Joe doesn't try to collect.

A great movie from Anthony Mann. Wonderful script and cast. O'Keefe has arguably the best role of his career here. Trevor's perfect as always. A truly gifted actress who doesn't get as much respect as some of her contemporaries. Marsha Hunt does well with the weakest part in the film. She looks beautiful, which doesn't hurt. Raymond Burr's a sadistic and nasty villain. He has one scene that's pretty shocking for the time and makes the famous coffee-throwing scene from The Big Heat look like a kiss on the cheek. A classic film noir that all fans of the genre should see.

Dennis O'Keefe stars in this crackerjack noir film directed by Anthony Mann. O'Keefe plays a man who took a rap for gangster kingpin Raymond Burr and now he's thinking he's gotten the bad end of a Raw Deal. He wants out of prison and Burr arranges an escape hoping he'll be killed in the attempted breakout.

If you recognize the plot think back to Angels With Dirty Faces where James Cagney takes the rap for Humphrey Bogart and George Bancroft and now wants back in on the rackets they've built up and the other two don't want to cut him in. As dark as that classic was, Raw Deal is a good deal darker as O'Keefe's world is getting smaller and smaller due to the bad choices he made in life.

With cops and Burr looking for him, Dennis also has himself involved with two women, steady streetwise Claire Trevor and the secretary of his lawyer Marsha Hunt. Both are carrying a big torch for O'Keefe, but Trevor is the jealous sort.

Watching Raw Deal reminded me of a Eugene O'Neill play Strange Interlude where the characters voice over narration tells you their real feelings. That device is used for O'Keefe, Trevor, and Hunt as they express their emotions in the narration. And like any classic O'Neill play there is an inevitability about these people especially O'Keefe.

Before Anthony Mann moved on to westerns and bigger budgets he did some good noir work in the Forties and Raw Deal is a fine example.