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IMDbPro

Caminho da Tentação

Título original: Pitfall
  • 1948
  • Approved
  • 1 h 26 min
AVALIAÇÃO DA IMDb
7,1/10
5 mil
SUA AVALIAÇÃO
Raymond Burr, Dick Powell, and Lizabeth Scott in Caminho da Tentação (1948)
Married insurance adjuster John Forbes falls for femme fatale Mona Stevens while her boyfriend is in jail and all suffer serious consequences as a result.
Reproduzir trailer1:47
1 vídeo
38 fotos
Filme NoirCrimeDramaSuspense

Adicionar um enredo no seu idiomaMarried insurance adjuster John Forbes falls for femme fatale Mona Stevens while her boyfriend is in jail and all suffer serious consequences as a result.Married insurance adjuster John Forbes falls for femme fatale Mona Stevens while her boyfriend is in jail and all suffer serious consequences as a result.Married insurance adjuster John Forbes falls for femme fatale Mona Stevens while her boyfriend is in jail and all suffer serious consequences as a result.

  • Direção
    • André De Toth
  • Roteiristas
    • Jay Dratler
    • Karl Kamb
    • William Bowers
  • Artistas
    • Dick Powell
    • Lizabeth Scott
    • Jane Wyatt
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,1/10
    5 mil
    SUA AVALIAÇÃO
    • Direção
      • André De Toth
    • Roteiristas
      • Jay Dratler
      • Karl Kamb
      • William Bowers
    • Artistas
      • Dick Powell
      • Lizabeth Scott
      • Jane Wyatt
    • 88Avaliações de usuários
    • 45Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Vídeos1

    Trailer
    Trailer 1:47
    Trailer

    Fotos38

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    Elenco principal20

    Editar
    Dick Powell
    Dick Powell
    • John Forbes
    Lizabeth Scott
    Lizabeth Scott
    • Mona Stevens
    Jane Wyatt
    Jane Wyatt
    • Sue Forbes
    Raymond Burr
    Raymond Burr
    • MacDonald
    John Litel
    John Litel
    • District Attorney
    Byron Barr
    Byron Barr
    • Bill Smiley
    Jimmy Hunt
    Jimmy Hunt
    • Tommy Forbes
    Ann Doran
    Ann Doran
    • Maggie
    Selmer Jackson
    Selmer Jackson
    • Ed Brawley
    Margaret Wells
    • Terry
    Dick Wessel
    Dick Wessel
    • Desk Sergeant
    • (as Dick Wassel)
    Eddie Borden
    Eddie Borden
    • Prison Visitor
    • (não creditado)
    Helen Dickson
    Helen Dickson
    • Fashion Show Attendee
    • (não creditado)
    Ben Erway
    Ben Erway
    • Doctor
    • (não creditado)
    Don Haggerty
    Don Haggerty
    • District Attorney's Man
    • (não creditado)
    Sam Harris
    Sam Harris
    • Man in Diner
    • (não creditado)
    Thomas Martin
    • Bartender
    • (não creditado)
    David McMahon
    David McMahon
    • Police Lieutenant
    • (não creditado)
    • Direção
      • André De Toth
    • Roteiristas
      • Jay Dratler
      • Karl Kamb
      • William Bowers
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários88

    7,14.9K
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    10

    Avaliações em destaque

    7mklmjdrake

    Enjoyable noir

    It's still funny to think that Powell was originally a song and dance man. He does the hard boiled noir character fairly well. Straight laced, stiff but a sucker for a femme fatale. Burr is sufficiently creepy - not perhaps to the extreme of Anthony Hopkins as Hannibal but sufficient nonetheless. It's often interesting to see what kind of careers many actors played before they became famous or landed their most well known roles. This is one of those roles for him. I don't find Lizabeth Scott very believable as a model. She has a funny speech pattern and looks like a heavy smoker. Of course, smoking was considered glamorous in those days. Don't get me wrong, I enjoy her acting in the right roles. But a seductress she is not.

    The story works as a basic noir plot. When I read that Jay Dratler was the author I understood why I liked it. He is the author of the original story of Call Northside 777 and Laura which are both well written.

    It feels Jane Wyatt is still trying to play Margaret Anderson. Maybe that's what the director wanted but her acting seems out of place. She does well as the faithful, sweet wife. But it just doesn't fit.

    Unfortunately the film quality of the version I watched was not too good. It was either washed out or overexposed. That\s not the fault of the film makers but it did effect my further enjoyment of the film. It would be worth restoring.

    All film reviews are opinions and you know what they say about opinions...

    Overall I liked the film and I'm glad I discovered it. Thank you again TCM!
    8shotinthetabloid

    chilling anticipation of the coming 50's

    This is an all-around great noir film, as well as a very chilling anticipation of the sterlingness of the coming 50's ethos of home and fidelity at any price. Dick Powell gives a great performance as a man so tired of life and full of malaise that he can hardly stumble through his days as an insurance adjuster and "loving" father . Raymond Burr is the antithesis of his later Perry Mason (or the good-hearted Paul Drake) as a creepy detective stalking the low-rent Lizabeth Scott. And Jane Wyatt is (unintentionally?) the scariest of them all as Powells' homemaking wife. (After her son has a nightmare, she blames his comic books - and takes them away to be burned!) Pitfall is a fine example of the type of noir film that explores not the criminal underworld but the hidden pain and loneliness of the "everyman".
    8claudio_carvalho

    Magnificent Film-Noir

    In Los Angeles, the insurance executive John Forbes (Dick Powell) is a family man bored with his routine suburban life with his wife Sue (Jane Wyatt) and their son Tommy (Jimmy Hunt). When a man called Bill Smiley (Byron Barr) is arrested for embezzlement, Forbes hires the private investigator J.B. MacDonald (Raymond Burr) to find where the money is. MacDonald discovers that Smiley spent part of the money giving gifts to his girlfriend Mona Stevens (Lizabeth Scott) and becomes obsessed with her. Forbes goes to Mona's apartment to collect the gifts and he does not tell that he is married. Soon they have a brief love affair until Mona learns that his married with child. Meanwhile MacDonald unsuccessfully tries to seduce Mona that becomes friend of Forbes. When Smiley is near to be released, MacDonald poisons him against Forbes and on the day that Smiley is discharge, he gives a gun to him. What will happen to Forbes and Smiley?

    "Pitfall" is a magnificent film-noir with a realistic story and well- developed characters. The direction and performances are top-notch and the cast gives credibility to the plot with excellent lines. Dick Powell and Jane Wyatt perform a mature couple that expects to supersede their problem. The gorgeous and sexy Lizabeth Scott is perfect in the role of a seductive femme-fatale. But Raymond Burr steals the show in the role of a despicable and Machiavellian villain. The open end is another plus in this great film. My vote is eight.

    Title (Brazil): "Caminho da Tentação" ("Way to Temptation")
    7bkoganbing

    Dick Powell's mid-life crisis

    Pitfall is about precisely that. Forty something insurance man Dick Powell is getting restless. He's seemingly achieved the American dream, wife, kid, nice home and car. And the nice wife is played by Jane Wyatt who was using this film to warm up for the queen of nice wives in the Fifties as Betty Anderson in Father Knows Best.

    Powell is brought a report on a claim that one of the hired investigators Raymond Burr has. Byron Barr has embezzled money that Powell's insurance company is covering. Barr has spent the money lavishly on presents for Lizabeth Scott. Powell has to check this one out for himself. Of course he meets Lizabeth Scott and nature takes its course. Barr mean time is serving time in jail and Raymond Burr has decided to stake out Ms. Scott for himself. Or maybe the right word is stalk.

    So we've got Barr serving, Burr stalking, Powell cheating, what's this Lizabeth Scott got to get all these guys hormones working in overdrive?

    My description of Pitfall may have been flip up to now, but it really is a fine drama with no real heroes in it, except maybe Jane Wyatt. The best performance in Pitfall goes to Raymond Burr who is really a malevolent figure with his obsession about Scott.
    7planktonrules

    The best thing about this film is Raymond Burr's creepy performance.

    a bit like cape fear problem with the film--the answer to the problem ISN'T that difficult

    Dick Powell plays an insurance investigator named John Forbes. His life is very routine and he makes a point (perhaps too much of a point) of beginning the film complaining about how routine his life is. Soon, he meets a woman on a case, Mona Stevens (Lizabeth Scott) and they begin seeing each other--which is a problem since Forbes is married. However, before it goes very far, she breaks it off with him when she learns he's married.

    This is not the end to it, though. An insane private investigator (Raymond Burr) is infatuated with Mona and MUST have her. And, when he follows her and sees her with Forbes, this maniac decides to threaten to expose Forbes unless she agrees to be his girl. When this doesn't work, he beats Forbes senseless. And, when that doesn't seem to work, he goes to Mona's old boyfriend and gets the man worked up--so worked up that the old boyfriend comes gunning for Forbes. What's next? See this dark little film to see.

    So is this film worth seeing? Yes, though it's far from perfect. As far as the good goes, Raymond Burr is wonderful and is really in his element playing this creepy and sociopathic jerk. He was great in this sort of role and played it in several other films, such as "The Blue Gardenia". Also, the basic story idea is good. However, the film is flawed--seriously flawed. This is because the entire film is based on characters who repeatedly make stupid choices. Any semi-sane man would have told their wife about what had happened or at least they would have gone to the police after they were assaulted and threatened. Many times he COULD have stopped the threats, attacks and eventual catastrophe that occurs at the end--a weakness in an otherwise enjoyable little noir movie. On balance, the good does outweigh the bad.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This was independently produced by Regal Films and released through United Artists. For decades, the film was rarely seen. It can be seen today through the preservation efforts of the UCLA Film and Television Archives.
    • Erros de gravação
      The public elevator indicator in the Los Angeles Hall of Justice building shows floors 1 to 19. However, in reality, the building is only 14 stories tall.
    • Citações

      Tommy Forbes: Dad was a boxer in college!

      Doctor: I think he was wise to go into insurance.

      Doctor: [handing a prescription to Sue Forbes] Take this up to the drug store.

      Sue Forbes: What is it?

      Doctor: A course in boxing.

    • Conexões
      Featured in Noir Alley: Pitfall (2018)
    • Trilhas sonoras
      We Could Make Such Beautiful Music Together
      (uncredited)

      Music by Henry Manners

      Lyrics by Robert Sour

    Principais escolhas

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    Perguntas frequentes18

    • How long is Pitfall?Fornecido pela Alexa
    • What was the make and model of the lead actress's boat that she and the actor Dick Powell drove around before they went for drinks?

    Detalhes

    Editar
    • Data de lançamento
      • 24 de agosto de 1948 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Francês
    • Também conhecido como
      • O Caminho da Tentação
    • Locações de filme
      • 5424 Bradna Drive, Los Angeles, Califórnia, EUA(Forbes Family Home)
    • Empresa de produção
      • Regal Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.000.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 26 min(86 min)
    • Cor
      • Black and White
    • Proporção
      • 1.37 : 1

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