Numa Ilha com Você

As an Esther Williams fan -- read fanatic -- since I was a pre-adolescent, I have to admit that On an Island with You is one of a few of her films that misfires as entertainment.

Admittedly applying contemporary values to a light 56-year-old film, I can't get around the fact that there's something disturbing about the Peter Lawford character's obsession with, stalking of, and eventual kidnapping of the Williams character. This is romantic? Lawford's wooden acting is part of the problem -- more warmth might have mitigated the creepiness of the character's behavior.

I have read that Lawford disliked Williams and felt, despite his success in Good News, that he'd been forced into an uninteresting, secondary part in a movie that was clearly hers. That would explain the total absence of chemistry between them.

Redeeming elements: the Charisse-Montalban dance numbers and Cugat's music.

As a retreat from escapism, here's an ESTHER WILLIAMS movie that does the trick with the star herself in fine form as both a swimmer and a capable enough actress. The story is a trifle about a temperamental movie star (Esther) filming a movie in Hawaii who is chased by the technical advisor (Peter Lawford) who happens to be an attractive man in uniform. Ricardo Montalban, Cyd Charisse, Xavier Cugat and his Orchestra and Jimmy Durante do their bit to keep things moving breezily along.

And as if that isn't enough, there's Ricardo Montalban and Cyd Charisse doing a colorfully torrid dance number and Esther doing a spectacular water ballet. It's all wrapped up in bright technicolor hues and guaranteed to pass the time pleasantly if you like these kind of MGM musicals. Xavier Cugat and orchestra play some catchy numbers.

Very easy on the eyes all the way. The comedy relief from Durante is a little strained at times but his fans will get a kick out of his shenanigans. Peter Lawford, saddled with a thankless role, is forced to look glum and determined through most of the film as he tries to win Esther's affection away from Montalban.

It's a typical Esther Williams movie, a no-brainer but fun.

Trivia bit: The little girl (Kathryn Beaumont) who did the voice for Disney's ALICE IN WONDERLAND has a brief role as a British child star wannabe. That voice is SO familiar!!

Esther Williams, once again, proves that she is unequaled, in these MGM escapism musicals. The story is silly, but she is a star in the first degree. Whether wet, underwater, or gliding across the dance floor, she is a beauty to watch. Playing her swim partners in this film are Ricardo Montalban and Peter Lawford. Montalban comes across better. He did other films with Esther; FIESTA and NEPTUNE'S DAUGHTER. Lawford doesn't come off that well. A bit stiff, but that's his role, and somewhat out of place opposite his gorgeous leading lady, he seemed uncomfortable. And he certainly can't swim.

Jimmy Durante does his usual performance of a lovable sidekick. He, too, played opposite Esther in THIS TIME FOR KEEPS, where he had more of a substance role to act. Then there's the lovely Cyd Charisse who in her early days as a feature player, prior THE BANDWAGON, gets a chance to show off those gorgeous legs in a terrific dance routine with Montalban. Xavier Cugat and his orchestra play some lovely songs.

If you want to sit back and watch Esther Williams in a swimsuit or an evening gown in a fun filled musical with no special plot, then enjoy this one.

Musical-comedy vehicle for swimming star Esther Williams set in Hawaii. Peter Lawford has a rather hopeless role as a moony-eyed Lieutenant who becomes obsessed with Esther, playing a movie actress; she's already involved with her co-star (Ricardo Montalban) and is also busy sparring with her unloved movie-rival (Cyd Charisse, in a demeaning part as a girl nobody seems to want). In its day, probably a very acceptable piece of fluff, but in this age of celebrity stalkers, Lawford's intrusive, seemingly off-balanced fan is unintentionally creepy (at one point he even kidnaps Williams, but she stops him from being arrested). Only for die-hard MGM musical buffs, although Esther's swimming sequences are not on their usual grand scale here. *1/2 from ****

One doesn't come to this type of picture with high expectations, but many such films rely on familiar story elements, star turns, colorful settings and lively music to deliver pleasant, unchallenging entertainment that will satisfy an audience. No studio did this better than MGM.

But something went wrong this time around. Maybe it was having four screenwriters contributing to a dull, contrived story. Maybe it was making a musical in which the leading lady is neither a singer nor a dancer, in which one of the male leads also neither sings nor dances, in which the other leading man dances but does not sing, and in which none of the foregoing trio has the slightest flair for comedy. What to do? Give Jimmy Durante a couple of night club scenes in which he can do some familiar turns (which he has done far better elsewhere), fill some time with Cugat's orchestra, have some "native" dancers cavort at a festival. You get the idea. Even Esther's wet scenes don't compare favorably with those in most of her other films. And Peter Lawford, a firmly-established would-be leading man without a shred of discernible talent? His character here, supposedly infatuated and preoccupied, becomes thoroughly distasteful, so much so that his romantic reconciliation with Esther becomes impossible to accept.

Any redeeming qualities in this picture? You bet. Cyd Charisse (whose role, like Durante's, has nothing to do with the plot) is featured in two dance routines with Ricardo Montalban. He is surprisingly good, and she is unsurprisingly great. Perhaps one of those four screenwriters suggested that since they were making a musical without any leading players who could sing, they had better use at least somebody who could claim to be a dancer. Good thinking, MGM. You made the right choice. As for the rest...the sooner forgotten, the better.