Lar... Meu Tormento

Manhattan apartment dwellers have to put up with all kinds of inconveniences. The worst one is the lack of closet space! Some people who eat out all the time use their ranges and dishwashers as storage places because the closets are already full!

Melvin Frank and Norman Panama, a great comedy writing team from that era, saw the potential in Eric Hodgins novel, whose hero, Jim Blandings, can't stand the cramped apartment where he and his wife Muriel, and two daughters, must share.

Jim Blandings, a Madison Ave. executive, has had it! When he sees an ad for Connecticut living, he decides to take a look. Obviously, a first time owner, Jim is duped by the real estate man into buying the dilapidated house he is taken to inspect by an unscrupulous agent. This is only the beginning of his problems.

Whatever could be wrong, goes wrong. The architect is asked to come out with a plan that doesn't work for the new house, after the original one is razed. As one problem leads to another, more money is necessary, and whatever was going to be the original cost, ends up in an inflated price that Jim could not really afford.

The film is fun because of the three principals in it. Cary Grant was an actor who clearly understood the character he was playing and makes the most out of Jim Blandings. Myrna Loy, was a delightful actress who was always effective playing opposite Mr. Grant. The third character, Bill Cole, an old boyfriend of Myrna, turned lawyer for the Blandings, is suave and debonair, the way Melvin Douglas portrayed him. One of the Blandings girls, Joan, is played by Sharyn Moffett, who bore an uncanny resemblance to Eva Marie Saint. The great Louise Beavers plays Gussie, but doesn't have much to do.

The film is lovingly photographed by James Wong Howe, who clearly knew what to do to make this film appear much better. The direction of H.C. Potter is light and he succeeded in this film that will delight fans of classic comedies.

Superb and very intelligent SERIOUS comedy, that was of course, written off by the critics. A more telling title would have been "The nightmare of home ownership". A man decides to buy a house and move out of his cramped apartment. He buys an old one, but has to demolish it because it is rotten to the core. All sorts of complications ensue, costs pile up, the man loses his peace of mind and can no longer do his work. He is about to be fired. There is an obligatory and perfunctory happy ending, but the message was clear: SUCKERS BEWARE! Buying a home can be a nightmare. The movie was painful to watch because I know people who LIVED it. To buy a home is to buy an entire neighborhood and an entire destiny, because your life will be affected greatly.

This film is a fantastic showcase for Grant's bewildered man of America, and he always did that so well. The Blandings, a 'typical New York family, on about 15,000 a year', decide to leave their four room apartment in the city and buy a 'dream house' in rural Connecticut.

Of course, this being a comedy, you know it won't go smoothly (you get a good clue as well from Melvyn Douglas' laconic narration here and there, as the Blandings' long-suffering lawyer, and Mrs B's high school sweetheart). First the picturesque little home is a wreck, then they start to plan a substitute (the scene where Mr and Mrs B plan what rooms their new house will have is classic), then everything that can go wrong goes wrong ... on top of this, Grant's harrassed advertising executive has to find a slogan for the bete noire of his company, Wham! ham.

My particular favourite scenes involve Myrna Loy, perfect as Mrs B, instructing which colours of paint each room will have; and a little room at the top of the house which regularly traps Grant inside. A highly recommended RKO goodie, this film. Hugely enjoyable.

I saw this movie when it was first released in 1948. Now 50 years later I watch it again. The comedy holds up remarkably well. Say what you like about the Hollywood studios of the forties but they could turn out these pleasant entertainments seemingly without effort. The perils of buying and building a house have not changed (although the prices certainly have!)It's a delight to watch three seasoned professionals (Grant,Loy and Douglas)play against each other so well. All the minor characters are well cast. The touches of sentiment are never over done. A movie well worth seeing more than once.

My main attraction in seeing 'Mr Blandings Builds His Dream House' was the cast. It is hard to resist a film with Cary Grant, Myrna Loy and Melvyn Douglas and in the same film. They're great talented actors on their own (am especially fond of Grant), together it is just as good. Love classic film and a lot of comedy, especially the sophisticated and witty kind, too.

Expectations were high and they were met, if not quite exceeded. Mean every word of my review summary, 'Mr Blandings Builds His Dream House' was a dream to watch and it is far from bland with such a good cast carrying the film so well. My only complaint of 'Mr Blandings Builds His Dream House' is that for my tastes the ending came over as too neatly wrapped up and convenient. Otherwise, the film was a delightful joy and just perfect for a cheering up on a rainy day or after a hard one.

The best thing about 'Mr Blandings Builds His Dream House' is the cast. Grant is his usual urbane and charming self in the best of ways and Loy has charm, elegance and comic timing in spades. Best of all is a hilarious and understated Douglas. The interplay just sparkles.

Another star is the script. The comedy is sparkling in wit, pointed and full of sophistication, the social commentary is interesting regardless of how of the time it is and whether it holds up or not (was enjoying myself and invested in the film to care) and there is a depth that makes it easy to identify with the situation when it is a scenario that is relevant today.

Story-wise, 'Mr Blandings Builds His Dream House' is slight but is never less than absorbing and there is enough going on to not make it too simple, neither does it get over-stuffed or too complicated. The characters to me were likeable and easy to identify with and the pace matches the wild situations very nicely.

Visually, the film isn't audacious but it has an elegant stylishness that is easy on the eye, particularly the photography. The direction is more than just competent and it doesn't feel stagy.

Overall, apart from the ending a delightful film. 9/10 Bethany Cox