Ao Cair da Noite

Really interesting photography and moody music sets the tone in this very stylish, excellent film noir about a troubled, bitter man who has a rather bad temper caused by the treatment he has received over the years based on the hanging of his father for murder. One youth who taunted him in childhood has now become a rival for a young lady he admires and in an act of violence and anger, he ends up killing this bully with a rock. But - during the crime he drops his pocket knife which is picked up by a local man who is deaf and mute.

This film is very dark and atmospheric, full of facial close-ups, shadowy rooms, and an interestingly photographed ferris wheel ride with cop and panicky murderer in separate seats as the wheel goes round and round. Well done performances by all, I thought Dane Clark very convincing in his role - he really comes across as broody and bitter. Ethel Barrymore really good in her small, but effective part as his grandmother and Harry Morgan very memorable as the deaf-mute young man. I saw this film on the big screen and the print looked really great, with very sharp black and white contrast. A first-rate film.

Normally, I would think when you pitched a film idea to Republic their first question would be "OK, what does this have to do with Westerns or John Wayne?" And here is a film from that studio that involves neither.

In a small Virginia town, Danny Hawkins' father is hanged for murder when Danny (Dane Clark) is just an infant. The result is that, for his entire life, other kids have tormented him for being the son of a man who was executed. Like he had any control over that anymore than he had any control over how tall he was. Thus is the nature of bullying. But I digress.

One night at a dance, out in the woods, Danny and his tormenter since childhood are having a fight. Jerry Sykes (Lloyd Bridges) is the tormenter, and when the fight turns against him, he picks up a rock. Bad idea. Danny gets the rock away from him and does to Sykes what Sykes was going to do to him - bashes his skull in repeatedly, with a lifetime of anger over this guy's bullying swirling in his head. Realizing what he has done, he throws Sykes' body into the swamp and goes back to the dance like nothing has happened.

The rest of the town is about as likeable as Sykes was - judgmental, snobby, a hive mentality. But those characters are largely kept at a distance as part of the crowd. The ones you get to know are likeable and sympathetic people - a retired brakeman living in the woods (Rex Ingram), Sykes' girl whom Danny unfortunately loves (Gail Russell), and believe it or not the sheriff, playing against stereotype for the lawman of a southern town of the era. Oh, and it turns out that Sykes was not that great a guy - he owed lots of money and he stole lots of money from dad's bank to pay his debts.

Given Sykes' bad character there might be any number of suspects, and given the decomposition of the body by the time it is found and the primitive nature of forensics as it was in 1948, Danny might not even be a suspect if he played it cool. But he does just the opposite of that, drawing the attention of the whole town by his suddenly bizarre behavior.

This is practically a one man show and probably the best performance Dane Clark ever gave as his character wrestles with bitterness, anger, guilt, and fear of the town that hanged his father and thus would probably never believe his own story of partial self defense. The costar of the film is the fantastic cinematography by John L. Russell, with beautiful black and white shading, with many important scenes being shot in the moonlight.

MOONRISE shines. Borzage brings expressionist silent movie technique to bear on what is really more a melodrama than a film noir, a tale of guilt and redemption ultimately close to his romantic concerns. The difference is the degree of psychological angst we have to go through with the protagonist in order to reach it. Borzage's technique brings us into the hero's mind, from the stunning opening (flashbacks within flashbacks) to the hero's guilty visions. That opening is one of the finest I've ever seen, building up an unbelievable pressure in the first couple of minutes of the picture, leading to a thirst for revenge which the hero, and the audience, can spend the rest of the film regretting.

Dream-like dark film about a man driven to murder. Aside from the soundtrack and the lack of southern accents, this movie shines. A great b-movie with great visuals. Check out star Dane Clark goes eye to eye with a racoon, realizing they're both trapped with no escape. The film's not for everyone, but if you like b&w film noir you should dig this one up.

During all his childhood ,Danny had only known ragging.Being the son of a hanged man was not easy when your school pals kept laughing at you.We can comprehend Danny's hate for Jerry Snykes ,the boy born silver spoon in hand ,whose father is a banker .

The resentment had been building up for years.Not only Danny was an innocent victim ,but he also showed compassion for the half-wit,the town youth's punching bag.As grandma says,he is a good guy ,and so was his father,another unfortunate victim of fate .

When Danny tries to join the human race,that is to say when he falls in love with Gilly ,it's too late: "why do you always take me far from the others?" she complains.The scene at the fair could be a respite : this is a place dear to Borzage;you may remember Margaret Sullavan on a carousel in "little man what now? " and there's a similar scene in "Liliom" .But the big wheel is also a trap.

Filmed in black and white ,often in the dark,in a desperate atmosphere ,"Moonrise" is an extraordinary film noir.It nearly matched the brilliance of Borzage's precedent decade.