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SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAt the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.At the end of WW2, aboard a repatriation ship, an Army doctor reminisces about his war years while being interviewed by a reporter.
- Prêmios
- 4 vitórias no total
Jessica Grayson
- Sarah, Johnson's Maid
- (as Jessie Grayson)
John Albright
- Corpsman
- (não creditado)
Frank Arnold
- Maitre d'Hotel
- (não creditado)
Peggy Badley
- Nurse Betty Simpson
- (não creditado)
Art Baker
- Williams, Reporter on Transport Ship
- (não creditado)
Gregg Barton
- Captain
- (não creditado)
Nanette Bordeaux
- Nurse
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Enredo
Você sabia?
- CuriosidadesAccording to the AFI catalog entry for this film, for the battle scenes in Italy, MGM constructed five 35-foot towers, a full-sized evacuation hospital, and more than 100 Army tents at the Lasky-Mesa movie ranch 35 miles outside of Hollywood. The set took three weeks to build and the scenes used hundreds of extras, five cameras, and six assistant directors. This was all for a re-creation of the historic capture of the Anzio beachhead in Italy by U.S. and British forces on January 22, 1944.
- Erros de gravaçãoAt the end, Penny Johnson says she followed her husband's movements on a map. During World War II, people in the military had it drilled into them that they could not say anything about where they were in letters sent back home, and to make sure they kept that rule, the mail from soldiers was censored. This has been mentioned in numerous histories of World War II. With Clark Gable being an officer, it's even less likely any information about his movements around Europe would have been available to his wife.
- ConexõesEdited from A Ponte de Waterloo (1940)
Avaliação em destaque
Clark Gable, Lana Turner, Anne Baxter, John Hodiak, and Gladys Cooper star in "Homecoming," a 1948 film about wartime and its aftermath. Gable plays a surgeon, Lee, who falls for a nurse (Turner) with whom he puts together the wounded, endures a life with only the barest of necessities, sits in shelters, and dodges. Back home, his devoted wife (Baxter) realizes by reading his letters that she's losing him.
World War II has been romanticized often in films and in music - somehow, it is perceived by people who lived through Vietnam, Desert Storm, and our current conflicts as being somehow a cleaner war. But no war is clean, and there were some homecomings that were difficult as well. This was touched upon in "The Best Years of Our Lives," and very well here.
The story is brought to life by its players. The role of Snapshot the nurse is a different one for the glamorous and beautiful Turner than what she was normally handed - the curse of the beautiful in Hollywood. She was capable of much more, and she gives a strong performance as an outspoken soldier who finally lets her vulnerability show. The stalwart Gable gives us a man who realizes the detached attitude he had toward his patients at home will no longer work, and he has to rethink himself and his life. Baxter is the "one left out," who can't experience the war, and she gives an excellent portrayal of a woman who loves her husband but doesn't know what to expect from him when he comes home. "I know he's changed," she laments, "but why couldn't we have changed together?" Her real-life husband, John Hodiak, looks quite handsome but doesn't have much to do as a family friend - his brief brush with stardom was a few years away.
A very nice movie that shows that homecoming can be uncomfortable and bittersweet.
World War II has been romanticized often in films and in music - somehow, it is perceived by people who lived through Vietnam, Desert Storm, and our current conflicts as being somehow a cleaner war. But no war is clean, and there were some homecomings that were difficult as well. This was touched upon in "The Best Years of Our Lives," and very well here.
The story is brought to life by its players. The role of Snapshot the nurse is a different one for the glamorous and beautiful Turner than what she was normally handed - the curse of the beautiful in Hollywood. She was capable of much more, and she gives a strong performance as an outspoken soldier who finally lets her vulnerability show. The stalwart Gable gives us a man who realizes the detached attitude he had toward his patients at home will no longer work, and he has to rethink himself and his life. Baxter is the "one left out," who can't experience the war, and she gives an excellent portrayal of a woman who loves her husband but doesn't know what to expect from him when he comes home. "I know he's changed," she laments, "but why couldn't we have changed together?" Her real-life husband, John Hodiak, looks quite handsome but doesn't have much to do as a family friend - his brief brush with stardom was a few years away.
A very nice movie that shows that homecoming can be uncomfortable and bittersweet.
- blanche-2
- 13 de ago. de 2006
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- Consulte mais créditos da empresa na IMDbPro
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- Orçamento
- US$ 2.654.000 (estimativa)
- Tempo de duração1 hora 53 minutos
- Cor
- Proporção
- 1.37 : 1
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By what name was O Amor que Me Deste (1948) officially released in India in English?
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