Highway 13

Nice film with realistic locales. Filmed on and around California highway 14, although film is called highway 13. CA highway 14 winds from Ventura to Lancaster and Mojave.

The story is about a series of truck accidents here and there. Their solution is found by a trucker, part time detective. Along the ride there is a cute waitress, an older lady and an old pop with a shady past. Not forgetting an office manager and the company owner.

Special effects, 1948 style abound, most of them look miniatures but pretty good for the film's small budget.

An amiable war vet trucker is suddenly surrounded by bad dialogue, weak acting, and a rash of fatal truck accidents with cheesy butane lighter explosions!

Highway 13 is one of the better efforts in the Forgotten Noir Vol. 4 series. Aptly directed by William Berke and led by a good cast featuring Robert Lowery who brings some credibility to the proceedings the film succeeds. The story is involving and moves fast. It entails a series of very suspicious accidents on, you guessed it, Highway 13. The action develops with the search for the source of the mayhem. One drawback to this fairly decent film is the very cheesy special effects, but what more can one expect of low budget B films. This was true of most early films but is more evident because of the sophisticated special effects we're used to today. A good movie and any film that has the great character actors Clem Bevans, Mary Gordon and Lyle Talbot can't be all bad!

William Berke, who rose from assistant boy to director/producer of B noirs, and died a young 55, certainly can claim some merits in the finished product of HIGHWAY 13. Obviously operating on a shoestring budget that even had model shots, trucks and sedans careen off Highway 13 before disappearing in explosions, he also had to make do with a clearly substandard cast. The only member of the latter that I recognized from small parts in various minor movies was Clem Bevans, the endearing old "Pops" accumulating more mischief and a longer rap sheet than I had seen coming.

Perhaps the cleverest touch in this cheap Lippert production is Mary Gordon throwing, or threatening to throw, blueberry pies in Bevans' face... I ought to have known that she was doing it for a reason, but I decided - wrongly - that she and the old geezer were two geriatrics and nothing more, thereby ignoring the consistency of "Pops'" presence in this 58-minute noir.

Robert Lowery is a third rate actor but he does not compromise; as indicated, Bevans and Gordon actually elevate the film's acting standard; and Maris Wrixon and Frank Whalen play suave villains. The real poor choice, sadly, is Pamela Blake, who cannot act to save her life, and is given far too significant a role saving the day in the end.

The screenplay by Maurice Trombagel is concise and keeps you interested, cinematography by Carl Berger reflects the film's low budget but I have seen far, far worse. I found the ending rather fitting, too, with justice rightly served to the deserving parties. 7/10.

Never in cinematic history have so many Dinky Toys crashed and burned in such close proximity, in such rapid succession. A series of 'accidents' involving H. G. V.s owned by Norris Trucking is quickly followed by a similar car wreck causing the death of company heiress Henrietta Denton, witnessed by well meaning trucker, Robert Lowery - though smoking a pipe at the scene of the inferno was hardly the wisest move he could have made!

The affable Lowery frequents Pops' diner, where his delightful fiance, Pamela Blake is employed, but when a further death occurs involving his own vehicle, his Johnny on the spot presence arouses suspicion of murder, amidst ongoing murmurings of sabotage.

This Poverty Row, Robert L. Lippert outing, replete with William Berke's clunking, low-budget direction raises a number of smiles along the way. Never quite descending into so bad it's good territory, the simplistic, ham fisted delivery ensures that 'Highway 13' is consistently entertaining and the snappy running time helps to keep dull moments to a minimum.