A Voz da Honra

Bruce Humberstone directed mainly B pictures - competently, by and large, but nothing too memorable. FURY AT FURNACE CREEK is an odd name to give a Western, but there is high quality written all over it. The direction is assured and even inspired, resting on strong dialogue, convincing characters, unexpected twists, superior cinematography - the horse rides and chases against desert background might just rate the finest I have ever watched - and far better than average acting.

Victor Mature posts one of his best performances, in line with MY DARLING CLEMENTINE, KISS OF DEATH, ESCORT WEST, his roles as Demetrius in three different films, and - to me the jewel in the crown - his self-deprecating performance in Vittorio de Sica's AFTER THE FOX, as a has-been actor. In FURY, Mature dominates the screen. His scenes with lovely Coleen Gray convey a chemistry that contrasts with the film noir-like tones of this Western, where murder is being planned against Captain Walsh, remarkably played by Reginald Gardiner, as a decent man who is sinking into alcohol because of his betrayal of his commanding officer, General Blackwell, who reportedly issued an order that caused the massacre at Fort Furnace Creek.

Albert Dekker as top villain Leverett; Charles Stevens as murderous hispanic gunhand José Artego; and Charles Kemper as Peaceful Jones, the comic relief carrying a large tree trunk, are unforgettable.

Glenn Langan plays the other Blackwell brother. I would have liked to see a more developed part there. Langan does well enough with what he is given, but his sudden exit down a stream strikes me as unsatisfying in an otherwise top grade Western. The other star is lost to a disappointing soundtrack reminiscent of STAGECOACH (1939).

Despite those drawbacks, I would include FURNACE among the 20 best Westerns ever made. Real must-see.

Fury At Furnace Creek has a most ruthless and cunning villain in control of some recently opened up territory. How Albert Dekker got control has him and his gang fomenting an Indian War with a massacre of a supply train and then an army fort. General Robert Warwick gets the blame for this when Captain Reginald Gardiner testifies at Warwick's court martial that he got an order to leave the wagon train unescorted on a written order from Warwick which disappears. Warwick dies on the stand of his court martial with his name still under a cloud.

However Warwick has two sons one is army captain Glenn Langan who takes a leave of absence to clear his father. The other is Victor Mature who was the black sheep of the family. They both work at clearing their father, sometimes at cross purposes though.

Victor Mature borrows a lot from his portrayal of Doc Holliday in My Darling Clementine in playing the black sheep son. I'm sure that Darryl Zanuck seeing the reviews Mature got for Doc Holiday led Zanuck to cast Mature in the lead of Fury At Furnace Creek.

Albert Dekker who played a slew of villainous parts in the Forties is one shrewd piece of work here. He overreaches however in his villainy. Better to have let the Indians do their own thing, but he's brought Chief Jay Silverheels in on his plans and doublecrosses him. That would turn out to be his downfall.

Providing comic relief as he usually did in films of the Forties is Charles Kemper who plays a boisterous muleskinner who likes to party hearty and regrets it. There's no jail in the town so Kemper is chained to an uprooted tree trunk and carries it around with him. It's a marvelous sight gag without any dialog. I was imagining Andy Griffith doing that with Otis Smith as Mayberry's town drunk.

The relationship of Mature and Langan also borrows a bit from the Warner Brothers classic The Oklahoma Kid with the good and bad brothers working at cross purposes to bring law and order into the territory. It turns out better for these brothers as well.

Fury At Furnace Creek is a good western, for Mature a good followup to his western debut in My Darling Clementine.

The title "Fury at Furnace Creek" is a little bit of false advertising. There's not much fury in this movie. This movie is more of a detective story than a western. That's fine. I enjoyed the mystery. It just wasn't what I was expecting. "Fury at Furnace Creek" is a beautiful looking, well acted (mostly) movie. Even though I enjoyed "Fury at Furnace Creek", I can't see myself watching it again anytime soon.

When a general gives an order to divert a military escort from a wagon train to the remote Fort Furnace Creek, the Apache leader "Little Dog" sees his chance to reduce everything to rubble... The horrified authorities proceed to court-martial the general, but he dies on the witness stand and it falls to his two, estranged, sons, to get to the bottom of this mystery. One, "Rufe" (Glenn Lankan) a soldier; the other "Cash" (Victor Mature) an astute gambler handy with his six-gun. The latter gets to the town where one of the chief witnesses against his father "Capt. Walsh" (Reginald Gardiner) has take refuge in the bottle. Clearly seeing he has something on his mind, "Cash" attempts to find out what. The arrival of the other brother, the murder of "Walsh" and a note that might clear things up all feature as the story comes to an head - appropriately, in the burnt out ruins of the fort. It's a solid, action-packed adventure that gives Mature a chance to be more than the usual swarthy, sandalled hero. Coleen Grey ("Molly") introduces the tiniest element of romance, but nothing to clutter the quickly-paced plot that amalgamates just about every theme from the genre. Some effort has been put into the production, and I quite enjoyed it.

Fury At Furnace Creek is a richly textured Western from 1948 starring charming second-tier leads Victor Mature and Coleen Gray. The mid to late 1940's, the Golden Era of Hollywood movies, produced such Western Classics as Red River (1948), My Darling Clementine (1946), and San Antonio (1945) (see my review). While not in a league with those blockbusters, this picture reaps the benefits of a big studio industry that was at the absolute peak of movie-making artistry. Though a medium budget picture, it gets the same glossy production values as any top-dollar 20th Century Fox number.

Mature and second lead Glenn Langan play long-estranged brothers uneasily reunited in a effort to clear their late Army General father of charges he caused an Indian massacre. Ms. Gray, as a pretty, but spunky diner waitress whose enlisted man father died in the massacre, makes a lovely romantic interest for the appealingly laid-back Mature. Formidable villainy is provided by Albert Dekker as a suave crime boss with henchmen Roy Roberts, Fred Clark, and the ever sinister Charles Stevens. Stevens, who claimed to be the grandson of Geronimo, was an asset to any Western. With his beady eyes, his weathered ferret-like face, and his wiry, stooped physique, he seemed the quintessential Western villain. Reginald Gardiner plays a pivotal supporting role as an alcoholic retired Army captain possibly involved in a conspiracy to frame the General.

Though director Bruce Humberstone directed only two other Westerns, he nevertheless shows a nice touch for the genre here, getting fine performances out of a diverse cast and brilliantly setting up the scenes for some dazzling cinematography. He and film editor Robert L. Simpson move along the critically acclaimed Charles Booth/David Garth story with silky smooth scene transitions and nary a wasted camera shot in a lean 88-minute running time. The colorful score, credited in the movie's opening graphics to Alfred Newman, not David Raksin as IMDb indicates, consists mostly of pervasive period honky-tonk music but works quiet effectively. Sets are lavishly detailed and costumes are colorful and authentic looking. All of which along with intelligent, colorful dialog, and Harry Jackson's stylish cinematography creates a rich, layered, ambiance. The style of Jackson's atmospheric cinematography, abounding with night scenes and starkly shadowed, obliquely angled camera shots, shows the influence of the dark, Gothic crime melodrama, now known as film noir, which was all the rage of the late 1940's. Look for some some real knock-out camera work in this modest Western, particularly the following: 1) a lengthy sequence of panicked Garder stalked through, dark streets, boardwalks, and alleys by Stevens -- 2) a shot of Mature descending a stairway viewed between the silhouetted hats of the two villains watching him -- 3) in the final reel horseback chase a pose of villains galloping across the top of a rugged cliff while the two fleeing brothers ride parallel to them at the bottom of the cliff, all in the same frame. And surely the climatic shoot-out scene in the ruins of the old fort accompanied by whistling wind, tumbling tumbleweeds, and screeching gate hinges, has served endless inspiration for a later generation of Spaghetti Western directors.

If you are a Western fan, or just a fan of classic movies, don't miss this one. Fury At Furnace Creek is a skillful blend of drama, intrigue, and action, exciting, atmospheric, and engaging from beginning to end. First-rate Western entertainment from Old Hollywood's Golden Years.