AVALIAÇÃO DA IMDb
7,6/10
10 mil
SUA AVALIAÇÃO
Em uma embaixada em Londres um garoto, Philippe, filho do embaixador, adora o mordomo, Baines. O menino fica confuso com as complexidades e omissões dos adultos. Ele tenta manter segredos, m... Ler tudoEm uma embaixada em Londres um garoto, Philippe, filho do embaixador, adora o mordomo, Baines. O menino fica confuso com as complexidades e omissões dos adultos. Ele tenta manter segredos, mas acaba contando sem querer.Em uma embaixada em Londres um garoto, Philippe, filho do embaixador, adora o mordomo, Baines. O menino fica confuso com as complexidades e omissões dos adultos. Ele tenta manter segredos, mas acaba contando sem querer.
- Direção
- Roteiristas
- Artistas
- Indicado a 2 Oscars
- 10 vitórias e 7 indicações no total
Michèle Morgan
- Julie
- (as Michele Morgan)
Geoffrey Keen
- Detective Davis
- (as Geoffrey Keene)
Avaliações em destaque
Just saw "The Fallen Idol" at the Nu-Art in West Los Angeles on the last day of its one week run, with a new crystal clear 35 mm print. The meaning of the title only becomes clear at the film's conclusion, so I won't say much more on that score. From a Graham Greene novella which I have never read, the author drafted the screenplay, so presumably the film remains faithful to Greene's perennial themes: loyalty and betrayal; faith and faithlessness; marriage and divorce. What makes these issues intriguing is that the film largely revolves around the point of view of an innocent, charming young boy called Phillipe, played to perfection by Bobby Henrey. He lives in the London embassy of a French speaking country, which is a sort of purgatory (always the Catholic themes with Greene) which is both in England and not subject to its laws. He is taken care of by a kind valet/ chef de maison called Baines (understatedly played by Ralph Richardson) and his Cruella De Ville of a wife (played as the personification of small-minded evil by Sonia Dresdel). Phillipe has no mother (she has been unwell and away for a long time), and no memory of her. Insteads, he has the run of his own Garden of Eden-the huge Embassy with its lovely views over London, great rooms and sweeping staircases. He even has his own snake- a pet that he hides behind a brick on the balcony and carries around in his pocket. He hero-worships Baines, who indulges him and talk to him and hates Mrs Baines who orders him around, hectors him and threatens him at every turn. The story of the film occurs over a week-end, where Phillippe and the Baines' are left alone in the Embassy as the ambassador has gone to bring back his wife from her convalescence, and revolves how Phillipe understands the love triangle between Mr Baines and Mrs Baines and the lovely Julie (played with cheek-bones high) by Michele Morgan, speaking both French and English.
Look out for some terrific performances by the main cast (especially Bobby Henrey as Phillipe), but also by a series of supporting characters : two washerwomen, a sharp tongued lady of the night, a kindly bobby, several detectives and a perceptive doctor. The photography bears mentioning. There are shades of the "Third Man", as well as a great hide and seek game in darkness under the furniture in the empty Embassy, and a truly memorable run through the empty streets of London in the dark. From a personal point of view I enjoyed several scenes shot on location at the London Zoo, which was all very familiar even from a fifty year vantage point.
The film won a British Academy award so it's not exactly undiscovered, but it's not been easy to find at revival theaters or on DVD, but it deserves to be. As I said at the top, a minor masterpiece which operates on many levels. (Los Angeles-April 2006).
Look out for some terrific performances by the main cast (especially Bobby Henrey as Phillipe), but also by a series of supporting characters : two washerwomen, a sharp tongued lady of the night, a kindly bobby, several detectives and a perceptive doctor. The photography bears mentioning. There are shades of the "Third Man", as well as a great hide and seek game in darkness under the furniture in the empty Embassy, and a truly memorable run through the empty streets of London in the dark. From a personal point of view I enjoyed several scenes shot on location at the London Zoo, which was all very familiar even from a fifty year vantage point.
The film won a British Academy award so it's not exactly undiscovered, but it's not been easy to find at revival theaters or on DVD, but it deserves to be. As I said at the top, a minor masterpiece which operates on many levels. (Los Angeles-April 2006).
Lies, sometimes, are an act of kindness. Many times I hasten to add. The imagination of a lonely child is ignited by a meek man in love. The man, as played by the extraordinary Ralph Richardson, is a mass of contradictions and yet we understand him. Married to a shrew and in love with Michele Morgan no less. Carol Reed is not a director that comes immediately to mind when one lists the greatest directors of all time, but in my book, is right up there with the very best. No other director has been able to bring Graham Green to the screen with its spirit so gloriously intact. Guilt and fear as riveting entertainment. Suspenseful, funny and beautiful to look at. Go try to top that.
As a child you overwhelmingly annoy, completely irksome the most irritating boy, poor old Baines must entertain, while trying to break from the chain, and make off with lover Julie, for some joy. But events occur and you see things unfold, then you promise to keep secret what you're told, causes you to get Tourette's, and then become almighty pest, as the cops arrive, it's hard to be consoled. The web that's spun then catches hold and yarns unwind, constabulary find a way to not be blind, you increase in irritation, continuous without cessation, I'm sure your parents will ensure, you are confined.
Ever so slightly dated, with language that defines the era, although Ralph Richardson is great as the stereotypical British tongue biting bloke.
Ever so slightly dated, with language that defines the era, although Ralph Richardson is great as the stereotypical British tongue biting bloke.
A riveting little movie. Very Hitchcockian in its style. Smart, economical dialogue. After a somewhat slow, crafty build, it will grab hold of you. Wonderful bit with a paper airplane. Filled with superb little touches.
Worth it just for that last shot of the little boy on the stairs, whose mother has just come home and is calling to him. Exquisitely crafted--beautifully acted, written, directed, and filmed. They don't make films like this anymore. When you see something like this you realize that intelligence has really left cinema.
Você sabia?
- CuriosidadesFor continuity's sake over the course of a long shoot, Producer and Director Sir Carol Reed restricted Bobby Henrey's access to the cake trolley during tea breaks on-set so he wouldn't gain weight. Continuity was also the issue in Reed's only disagreement with Madeleine Henrey. A scene with Bobby running up the stairs was left half-completed at the end of the week's shooting on a Friday evening. Over the weekend, Madeleine decided the boy needed a haircut, and when he returned to the set on Monday, it was impossible to match the remaining shots they needed to the ones taken a few days before. The Make-up Department tried attaching hair pieces to him, but it didn't look right. Reed was furious and had no choice but to rearrange the shooting schedule to complete the stair scene after Bobby's hair grew out. "It's the most expensive haircut in the world!" Reed groused. "Thousands of pounds! That's what it will cost!" The incident was the only delay in an otherwise smooth shoot, which ended up completing on schedule.
- Erros de gravaçãoWhen Julie leaves the tea shop and closes the shop door, there is an Open / Closed sign hanging on the glass pane of the door, but when Baines and Phillipe leave the tea shop a minute or so later, the sign is no longer there.
- ConexõesFeatured in A Sense of Carol Reed (2006)
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- How long is The Fallen Idol?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- El ídolo caído
- Locações de filme
- 1 Grosvenor Crescent, Belgravia, Londres, Inglaterra, Reino Unido(embassy exterior)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- £ 397.568 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 341.121
- Fim de semana de estreia nos EUA e Canadá
- US$ 9.030
- 12 de fev. de 2006
- Faturamento bruto mundial
- US$ 373.185
- Tempo de duração
- 1 h 35 min(95 min)
- Cor
- Proporção
- 1.37 : 1
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