Nem Tudo é Ilusão

The author of Street Scene Elmer Rice wrote Dream Girl and it ran for 348 performances on Broadway during the 1945-46 season. On stage the stars were Betty Field and Wendell Corey. It must have had something a bit more going for it than this film version.

It has Betty Hutton and maybe had Preston Sturges still been with Paramount he might have done something more. Dream Girl seems like a hybrid workm part Walter Mitty, part Strange Interlude and a bit of Lady In The Dark thrown in for good measure,

Betty's part is that of a dreamy girl who is constantly giving way to imagining fantasies, especially about the men in her life and more not those. She's got a thing for Patric Knowles who is married to her sister Virginia Field, but there's a lot less to Knowles than meets the eye.

The one to set here on a path of reality is Macdonald Carey a cynical newspaperman (is there another kind in movies). But he has his work cut out for him.

Dream Girl is passably good and it could have doe more for Hutton's career. But I don't think she was properly directed.

Surprisingly funny little comedy about a day-dreaming young woman who meets her match in a tough sports writer. Based on a hit play by Elmer Rice.

Betty Hutton stars as the dreamer, a woman who walks through life and dreams about "something happening." Then boorish Macdonald Carey arrives for her sister's wedding and he spends the rest of the film trying to get her to live her own life. The "Walter Mitty" stuff is kept to a minimum. and the plot drags in a few places, but the actors are excellent and the one-liners are very funny.

Zamah Cunningham is a total delight as the music teacher, stealing the long scene with her spastic movements and great voice.. Patric Knowles is the brother-in-law, Walter Abel and Peggy Wood are the parents. Virginia Field is the sister. Carolyn Butler is Claire. And Lowell Gilmore is the roue.

Hutton is low-keyed and still very funny. She plays a saloon singer in one dream and sings "Madame Butterfly" in another. As usual, Hutton is excellent. And this is one of the few films I've liked Macdonald Carey in. A must for Betty Hutton fans.

This story is boring. Georgina (Betty Hutton) keeps day-dreaming. The only cast members that are any good are Virginia Field who plays Hutton's sister and Walter Abel who plays her father. Abel delivers his lines comically and is at the opposite end of the acting spectrum to Hutton who drifts through the film in an annoying manner. Her speech pattern is very whiny and irritating. She has a couple of funny moments but it's just not good enough considering she is on screen for so long. There is an interesting section with a singing teacher that provides some top tips for those of you who want to learn to sing. I remembered a few of them from my days as a choir boy! Unfortunately, I can't say anything better than this film is dull.

This was an interesting Betty Hutton vehicle since she's not her usual boisterous self here. In fact, while she does a lot of talking, she also does a lot of dreaming as shown in some sequences which have a different tone than the more reality-based ones. While there are some funny lines, I don't find myself guffawing like I usually do when watching other Hutton movies. This plays more like those weepies starring Bette Davis or some of the other popular female drama stars of the time doing movies. Ms. Hutton does a number as a drunk nightclub performer in one dream sequence and possibly lip-syncs as an opera diva in another. In summary, Dream Girl is one of the more fascinating of the Betty Hutton movies.

Betty Hutton runs a bookstore with no customers and has written a novel which no one will publish. She's enamored of her brother-in-law, Patric Knowles, and very annoyed by know-it-all sports reporter McDonald Carey. She also is prone to go into trances in which she imagines herself doing something great or noble.

It's based on a play by Elmer Rice, but I can't tell if it's a bad play or director Mitchell Leisen was trying to sabotage Miss Hutton's career. Her character is unfocused enough as it is, but she plays it with bad make-up and a flat, nasal voice. It's a character which, in a well-run comedy, would receive a kick in the pants and get on with things. Instead, thanks to a screenplay by Arthur Sheekman, no such thing happens. It just wanders through several scenes in which she and Carey snap at each other, making sure we thoroughly dislike each, hoping they will get together so they can make each other thoroughly miserable.

Miss Hutton was 27 when she made this, pretty far from the young jitterbugger she had portrayed eight years earlier. Apparently the jitterbug had fallen out of favor, and Paramount was trying to make a new star persona for her. With vehicles like this, the public had no interest in cooperating.