Trágica Decisão

I found an old tape of Command Decision which I must have made 20 years ago. I concur with all those who have said that it is one of the best WW2 films ever made, but what struck me most forcefully was the fact that this highly intelligent, gripping and thoughtful film was made with a large crew of established filmstars by a completely commercial film studio. It brought home to me forcibly what was lost when the old studio system broke up and the sheer craftsmanship which it embodied was dispersed. The sheer childishness of most current films becomes even more evident.

Writing as one who lived through the bombing of Britain, the historical perspective on the Allied wartime bombing campaign was fascinating. One small complaint--all film coverage of the American campaign in WW2 seems to focus on the Flying Fortress. Actually, most of the bombs were dropped by the Consolidated Liberator squadrons--less photogenic but more effective!

Just saw this on TCM. The story of generals fighting generals, press officers, politicians, etc. There's a few cliches, like the pilot who get news his wife has had a son gets killed during a mission. Don't expect Gable to give an over-the-top performance. It was originally a stage play -- so there are lots of one-on-one confrontations -- they are all done well.

There are no special effects, no women, no air battles. There's spliced in newsreel footage of a plane that lands and explodes. 1948 audiences couldn't really appreciate the abstraction of "air supremacy" that is the heart of the fight here. In our post-Gulf War post-Afghan War -- we now can appreciate the vision of men who took these risks -- so I'd say there's a special historical importance to this film. Check around the web for info on Gable's WW II service record -- he enlisted at age 41 into the Army Air Corps.

This is an under-appreciated gem of a move.

To start with, the core story sounds utterly fantastic, but it is partly true. There was never a "Lance-Wulf 190", but there really was a Messerschmidt Me-262 in World War 2. The Me-262 wasn't quite the wonder-plane which the mythical Lance-Wulf was, but it was a swept-wing jet with a top speed of 540 mph, a blinding speed for the time. And, as fighter pilots say, "speed is life".

American bombing in August, 1943 did delay the introduction of the real Me-262. (The pre-production aircraft were wrecked on an assembly line, forcing a delay of several months.) The irony is that the German jet fighter program was really stymied by Hitler's aversion to defensive weapons and the German feeling that the war could be won with existing fighter types.

There is, however, a "message" in this film which fully applies to civilian life. You know that everything is okay just now, but this will soon come to an end. Given those facts, are you willing to take some massive losses now and solve the problem? Or do you just wait for the situation to become visible to everyone before you act?

I don't know how many times I've seen people--even bright ones--opt for the "wait and see" course of action. It never works.

Just as Betty Davis's 1938 film "Jezebel" was overshadowed by "Gone With The Wind", this film was overshadowed by "Twelve O'Clock High".

"Command Decision" is a wonderful film filled with several great performances. It's Gable's movie, but he's very capably supported by Walter Pigeon, Brian Donlevy and John Hodiak, who nearly equals his "Lifeboat" performance.

Pigeon is especially good in the roll of a senior commander who is more concerned with the political considerations of the war effort than the tactical and strategic goals. (Not without reason - The film correctly details the perilous and tenuous position that the 8th Air Force found itself in during the worst combat period of 1943.)

One of the best scenes in the film is a very long speech given by Pigeon, wherein he explains his reasons for fighting the good fight to keep American air power strong. The scene is a good 6 or 7 minutes long, one camera shot, entirely done without cuts. It must have been rehearsed extensively as it requires about 10 actors to interact with Pigeon at several times, all the while he is moving about the room. Seamless, and very well done! This remarkable scene is followed up with one almost as long, given by Gable.

The drama is occasionally broken up with comic moments provided by Van Johnson, as a savvy sergeant, and Clinton Sunberg as a fastidious aide to Pigeon's General Kane.

If you like to watch actors banging away with words instead of guns, this is the war movie for you.

This is one of the best WW2 movies. The acting and writing are superb and rather subdued at that. With Clark Gable you expect BIG ACTING AND BIG ACTION but in this one he does a very credible job portraying a very troubled man who is put in charge of the bombing campaign against the Germans. So, this movie is a bit of a stretch for the usually glib Gable, as it focuses on the emotional toll of war.

The movie is VERY similar to the great 12 O'Clock High (starring Gregory Peck). 12 O'Clock is a slightly better movie (and it gives Peck more room to hash out his character as the man in charge of sending airmen to their deaths), though they are so good I recommend seeing both.