Adicionar um enredo no seu idiomaMilton Haskins, a math genius known for his infallibility with numbers, quits his job with an insurance company after he discovers he made a mistake, and hooks up with a traveling carnival. ... Ler tudoMilton Haskins, a math genius known for his infallibility with numbers, quits his job with an insurance company after he discovers he made a mistake, and hooks up with a traveling carnival. His knowledge of mathematics makes him a natural as an assistant at the wheel of fortune. ... Ler tudoMilton Haskins, a math genius known for his infallibility with numbers, quits his job with an insurance company after he discovers he made a mistake, and hooks up with a traveling carnival. His knowledge of mathematics makes him a natural as an assistant at the wheel of fortune. His fiancée Vivian begs him to return to his job but he refuses, so she joins the carnival... Ler tudo
- Direção
- Roteiristas
- Artistas
- Sally
- (as Pat Dane)
- Undetermined Role
- (não creditado)
- Freak Show Barker
- (não creditado)
Avaliações em destaque
Parker was in the Broadway show, but nothing else. They even used all-new musical numbers, despite some sprightly Harry Revel tunes. The loose and simple plot is an opportunity stage dance numbers choreographed by Louis Da Pron (who plays a dancing bartender in the first number). The movie version's songs aren't much to write home about, but O'Connor's confident hoofing, Parker's fast-talking patter, and the charms of Olga San Juan, Martha Stewart -- not that one! -- and Patricia Dane help to make this a very pleasant musical.
The music is heavenly! Down at Baba's Alley, and What Do I Have To Do, and I'm Looking For a Prince of a Fella'- all delight to hear! I can never get enough of it- it's all the good words in all the good languages! Carefree and joyful, and a very wonderfully funny plot, to the very instant you hear Milton's matter-of-fact speech.
The characters all very bright and cheerful- I have nothing bad to say about it, only good sentiments!
The big surprise was the very witty dialog, delivered skillfully by O'Connor and the obscure Lew Parker. Of course Donald shines in several comparatively modest dance numbers (this wasn't MGM after all). But Parker, who looks to be in his late 50's, but according to his IMDb bio was about 41, is a surprisingly agile in vaudeville style dancing. And Parker really scores as a fast talking flim-flam man, delivering comic patter with aplomb.
The songs are well crafted but forgettable. For some reason Olga San Juan, a good vocalist, is given almost no singing to do, and her comic skills are underutilized. The production with it's carnival setting would have benefited from color, but it's in B&W.
A treat for those old enough to have grown up with the 1950's TV show, The Adventures of Superman, Lois Lane aka Noel Nell, is a supporting player in this film. She proves herself to be a capable dancer, charming, charismatic, and very pretty too. Too bad she didn't have more of a film career.
Você sabia?
- CuriosidadesNone of the stage musical's original songs were used in the film version.
- Citações
Milton Haskins: I'm sorry, Mr. Bixby. It wouldn't be so bad, sir, if it had happened to a Yale man.
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Engano Feliz
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 33 min(93 min)
- Cor
- Proporção
- 1.37 : 1