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6,1/10
3,5 mil
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Adicionar um enredo no seu idiomaA radioactive, mud-like creature terrorizes a Scottish village.A radioactive, mud-like creature terrorizes a Scottish village.A radioactive, mud-like creature terrorizes a Scottish village.
Ian MacNaughton
- Haggis
- (as Ian McNaughton)
Norman MacOwan
- Old Tom
- (as Norman Macowan)
Neil Hallett
- Unwin
- (as Neil Hallet)
Michael Brooke
- Willie Harding
- (as Michael Brook)
Frazer Hines
- Ian Osborn
- (as Fraser Hines)
Avaliações em destaque
The plot: In the remote Scottish Highlands, a living radioactive mass seethes out of the depths of the earth and kills everyone in its path as it seeks fresh radioactive energy. Luckily an American scientist is about the place and kicks the 'thing' back down from whence it came.
X the Unknown, while not having the innate intelligence of the Quatermass movies, is a good example of 1950's British pulp science-fiction cinema. While most of its American counterparts visited fantastic worlds inhabited by outlandish monsters and gorgeous 'space-babes', X the Unknown was a truly British effort: our monster was dollop of mud out of a hole in the ground doing a slow crawl around a dingy moor.
It's effective though. It has the same austere, grim intensity which made the Quatermass movies so memorable. The film also benefits from moody, high-contrast black and white photography, a typically acerbic score from James Bernard, and a good cast; Leo Mckern turns in a very good, naturalistic performance, much like his turn in The Day The Earth Caught Fire.
I first saw this movie when I was about six and the extraordinarily graphic scene depicting the monster 'devouring' a hospital doctor gave me a few... err....sleepless nights (there's a particularly ruthless zoom-in to the poor guys hand as it expands and melts!). Perhaps I should have stuck to Bugs Bunny.
Overall, a decent chiller, well directed by Leslie Norman (late father of the superb British film critic Barry Norman).
One last memory of a six year-old's first viewing of this picture: I remember sitting there stunned and horrified as the end credits rolled; I was not looking forward to a good nights sleep. The statutorily paternal BBC announcer came on and cracked the following nervous joke: "Well, I'll never eat cheese on toast again" (see the film and you'll know what he meant). I laughed with relief and my childhood was thus saved a terrible trauma! Thanks Uncle Beeb.
X the Unknown, while not having the innate intelligence of the Quatermass movies, is a good example of 1950's British pulp science-fiction cinema. While most of its American counterparts visited fantastic worlds inhabited by outlandish monsters and gorgeous 'space-babes', X the Unknown was a truly British effort: our monster was dollop of mud out of a hole in the ground doing a slow crawl around a dingy moor.
It's effective though. It has the same austere, grim intensity which made the Quatermass movies so memorable. The film also benefits from moody, high-contrast black and white photography, a typically acerbic score from James Bernard, and a good cast; Leo Mckern turns in a very good, naturalistic performance, much like his turn in The Day The Earth Caught Fire.
I first saw this movie when I was about six and the extraordinarily graphic scene depicting the monster 'devouring' a hospital doctor gave me a few... err....sleepless nights (there's a particularly ruthless zoom-in to the poor guys hand as it expands and melts!). Perhaps I should have stuck to Bugs Bunny.
Overall, a decent chiller, well directed by Leslie Norman (late father of the superb British film critic Barry Norman).
One last memory of a six year-old's first viewing of this picture: I remember sitting there stunned and horrified as the end credits rolled; I was not looking forward to a good nights sleep. The statutorily paternal BBC announcer came on and cracked the following nervous joke: "Well, I'll never eat cheese on toast again" (see the film and you'll know what he meant). I laughed with relief and my childhood was thus saved a terrible trauma! Thanks Uncle Beeb.
Sometimes these low-budget science fiction features are amusing for unintended reasons, but this one is enjoyable because it has an interesting story and because it is well-crafted for such a low-budget movie. Since its effectiveness comes mostly from the story and from the solid acting, even with a bigger budget it might not have been significantly better.
The menace of "X the Unknown" is based on a far-fetched but interesting concept, and the story gets good mileage out of the premise, without pushing it too far. There are a couple of plot holes, but not so bad that they pull it down, and in general the story has the kind of internal logic that holds it together as long as you grant the premise for the sake of a good story.
The cast does surprisingly well. The characters are not the kind of roles that are particularly difficult to play, but they are the kind of roles that are easy to overplay, and that often are overplayed. Here the actors make their characters lifelike without trying to grab the attention, and it works pretty well.
Dean Jagger has good presence as Professor Royston, yet he avoids the kinds of stereotypes that sometimes make such characters annoying. Some of his little habits and mannerisms help to make the professor more human. Leo McKern also turns in a good performance. Edward Chapman's character is quite one-dimensional, yet he does a creditable job with it. It's also rather fun to see a very young-looking Anthony Newley in a small but entertaining role.
All of the cast members do a good job with a script that is plain but workmanlike. The special effects are rudimentary in technique, but they are good enough, and it's certainly preferable to have plain-looking special effects and a good story than to have flashy visuals and a dreary, pointless story. As a whole, "X the Unknown" delivers good science fiction without frills or padding, and it's easily among the better of the 1950s low-budget sci-fi movies.
The menace of "X the Unknown" is based on a far-fetched but interesting concept, and the story gets good mileage out of the premise, without pushing it too far. There are a couple of plot holes, but not so bad that they pull it down, and in general the story has the kind of internal logic that holds it together as long as you grant the premise for the sake of a good story.
The cast does surprisingly well. The characters are not the kind of roles that are particularly difficult to play, but they are the kind of roles that are easy to overplay, and that often are overplayed. Here the actors make their characters lifelike without trying to grab the attention, and it works pretty well.
Dean Jagger has good presence as Professor Royston, yet he avoids the kinds of stereotypes that sometimes make such characters annoying. Some of his little habits and mannerisms help to make the professor more human. Leo McKern also turns in a good performance. Edward Chapman's character is quite one-dimensional, yet he does a creditable job with it. It's also rather fun to see a very young-looking Anthony Newley in a small but entertaining role.
All of the cast members do a good job with a script that is plain but workmanlike. The special effects are rudimentary in technique, but they are good enough, and it's certainly preferable to have plain-looking special effects and a good story than to have flashy visuals and a dreary, pointless story. As a whole, "X the Unknown" delivers good science fiction without frills or padding, and it's easily among the better of the 1950s low-budget sci-fi movies.
X the Unknown is an excellent sci fi movie from Hammer. It was made a year after The Quatermass Experiment.
Drilling at a remote location in the Scottish Highlands attracts a strange force from below. It turns out to be a blob like creature that feeds on radiation, which gets bigger as a result. After several people are killed by it including a young boy, a scientist finds a way to kill it and succeeds at the end.
This films stars American actor Dean Jagger and is joined by several familiar British stars: Leo McKern (The Day The Earth Caught Fire), Anthony Newly (Killers of Kilimanjaro), a young Frazer Hines (Dr Who, Emmerdale) and Hammer regular Michael Ripper (Curse of the Werewolf, The Mummy).
The movie has a very creepy score and location photography, a lot of which was shot at night.
This movie is a must if you are a fan of 1950's science fiction and Hammer.
Rating: 4 stars out of 5.
Drilling at a remote location in the Scottish Highlands attracts a strange force from below. It turns out to be a blob like creature that feeds on radiation, which gets bigger as a result. After several people are killed by it including a young boy, a scientist finds a way to kill it and succeeds at the end.
This films stars American actor Dean Jagger and is joined by several familiar British stars: Leo McKern (The Day The Earth Caught Fire), Anthony Newly (Killers of Kilimanjaro), a young Frazer Hines (Dr Who, Emmerdale) and Hammer regular Michael Ripper (Curse of the Werewolf, The Mummy).
The movie has a very creepy score and location photography, a lot of which was shot at night.
This movie is a must if you are a fan of 1950's science fiction and Hammer.
Rating: 4 stars out of 5.
Often overlooked even by those who enjoy the sci-fi films of the fifties, "X The Unknown" is one of those sleepers that real afficionados will watch over and over. Starring Dean Jagger, the cast also features a very young Anthony Newly as a British Army corporal.
There's not much that professional critics would find either amusing or compelling about this film, but when considered in its place as a landmark movie both for the sci-fi genre and for Hammer films, it shines somewhat brighter.
As has aready been mentioned, this film occupies a prominent role among those that feature a "blob" monster. The special effects, incidentally, are not bad for the year (1956), and the concept of a radioactive blob is perhaps even more interesting than one that merely gobbles up people.
I understand that this was one of the early films produced by Hammer, as a step toward making more sci-fi entries. I'm glad they took the chance. This film and those that followed it enriched the genre for all fans of 1950's and 1960's sci-fi films.
There's not much that professional critics would find either amusing or compelling about this film, but when considered in its place as a landmark movie both for the sci-fi genre and for Hammer films, it shines somewhat brighter.
As has aready been mentioned, this film occupies a prominent role among those that feature a "blob" monster. The special effects, incidentally, are not bad for the year (1956), and the concept of a radioactive blob is perhaps even more interesting than one that merely gobbles up people.
I understand that this was one of the early films produced by Hammer, as a step toward making more sci-fi entries. I'm glad they took the chance. This film and those that followed it enriched the genre for all fans of 1950's and 1960's sci-fi films.
Hammer Films was known mostly for its horror outings like the Dracula, Frankenstein and Mummy films. It did, however, score well in the science fiction department with such hits as the Quatermass series, "The Lost Continent" and this movie.
The film was originally pitches as a potential sequel in the Quatermass series until author Nigel Kneale objected. Thus, the scientist became Alan Royston (played by Dean Jagger of "Twelve O'Clock High" fame) who worked at a nuclear plant instead of a rocket base and the location was moved to Scotland to avoid comparisons to Quatermass.
Ironically, the film still kept the same black & white photography, as well as the creepy string score.
The story involves radioactive mud (sounds silly unless you actually stayed awake during physical science class) that makes it way up to the surface of the earth every so often looking for new energy. Previous trips found nothing but fossil fuel. Now, however, nuclear energy is abundant. The race is on to not just figure out what is turning people into crispy critters, but how to stop something made of pure energy.
Dean Jagger as Royston is quite good and the exact opposite of Brian Donlevy's Quatermass. Leo McKern (of "The Prisoner") is on hand, as is the late British pop star and actor Anthony Newley as a soldier unfortunate enough to be on guard duty when X, the Unknown strikes.
The special effects are adequate, although British films still couldn't show explosions that didn't look like match heads flaring. The visual effects are really creepy, from radiation burns on a boy's chest to a doctor's face melting like wax to a security guard's body literally deflating like a balloon. The ending features a surprise, as well, leaving the viewer with the feeling that, although man appears to have triumphed again, something may still be amiss.
All in all, a good film, especially late on a Saturday night.
The film was originally pitches as a potential sequel in the Quatermass series until author Nigel Kneale objected. Thus, the scientist became Alan Royston (played by Dean Jagger of "Twelve O'Clock High" fame) who worked at a nuclear plant instead of a rocket base and the location was moved to Scotland to avoid comparisons to Quatermass.
Ironically, the film still kept the same black & white photography, as well as the creepy string score.
The story involves radioactive mud (sounds silly unless you actually stayed awake during physical science class) that makes it way up to the surface of the earth every so often looking for new energy. Previous trips found nothing but fossil fuel. Now, however, nuclear energy is abundant. The race is on to not just figure out what is turning people into crispy critters, but how to stop something made of pure energy.
Dean Jagger as Royston is quite good and the exact opposite of Brian Donlevy's Quatermass. Leo McKern (of "The Prisoner") is on hand, as is the late British pop star and actor Anthony Newley as a soldier unfortunate enough to be on guard duty when X, the Unknown strikes.
The special effects are adequate, although British films still couldn't show explosions that didn't look like match heads flaring. The visual effects are really creepy, from radiation burns on a boy's chest to a doctor's face melting like wax to a security guard's body literally deflating like a balloon. The ending features a surprise, as well, leaving the viewer with the feeling that, although man appears to have triumphed again, something may still be amiss.
All in all, a good film, especially late on a Saturday night.
Você sabia?
- CuriosidadesThe film was originally intended to have been a sequel to another Hammer success, Terror que Mata (1955), but creator Nigel Kneale vetoed the use of his character(s) by another writer - hence Prof. Bernard Quatermass swiftly became Dr. Adam Royston.
- Erros de gravaçãoLansing watches the stick sinking in a pool of liquid, but in a later long shot the stick in seen firmly standing in dry ground.
- Citações
Major Cartwright: You know this Royston chap - brilliant, of course, I'm sure - but the trouble with some of these scientific types is they can't see the easy way out of anything. It's got to be complicated if it's going to work.
- ConexõesFeatured in TJ and the All Night Theatre: X the Unknown (1979)
- Trilhas sonorasSerenade for Strings in E Major, Op. 22: V. Finale: Allegro vivace
(uncredited)
Written by Antonín Dvorák
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- How long is X the Unknown?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- X the Unknown
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 60.000 (estimativa)
- Tempo de duração
- 1 h 21 min(81 min)
- Cor
- Proporção
- 1.85 : 1
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