Um Mundo Entre Cordas

Routine. Standard. Flat. Marginal. Yeah, I'd say the majority of my fourteen, esteemed IMDB colleagues below have this 1956 boxing flic pegged just about right. Nearly everything about it...the fight scenes, the cinematography, the acting of Audie Murphy and Barbara Rush, the dialogue by someone named Sher...screams "mediocrity!" Occasionally, there are flashes of interest, like a smarmy study in toxic wealth by an actor with whom I'm not familiar but soon hope to be, Jeff Morrow. Or real life pugilist Chico Vejar who turns in the film's best, most natural acting job. But just as often the film slips below the ho hum line into the land of serious boredom as in those interminable love scenes between the two leads. Solid C.

PS... Murphy's character says he's Jersey, but every time he opens his mouth I hear Longhorn.

Although the "War-Hero" Always Gave His All in a Career Where He Took On 50 Roles, Mostly in Westerns, and Some TV..."Whispering Smith" (1961),

"Murph" Never Received Credit from the Critics that He Deserved. He Did Have a Huge Fan-Base and His Movies Always Made Money, He was Mostly Ignored and Dismissed as a B-Movie "Pedestrian" Doing Hack-Work.

This is just Not True. His Westerns, Yes Most were Low-Budget, Always seemed to Have an Edge, and Something Not Usually Found in the Routine Oaters so Popular in the 1950's.

Here He Plays a "Boxer" (quite effectively) who Seeks the Middle-Weight Title, Getting Involved with "Crooked" Promoters and then "Seeing the Light", Decides to Fight the Title Match On His Own Terms.

Barbara Rush is the Love Interest, the Rebellious Daughter of a Tycoon, that Also "Sees the Light" Concerning Murph and the Rather Routine Story, with some Bite, is Driven Home by Her and Jeff Morrow, as the Father.

The Ring Footage is Outstanding and You Won't Find Much Better and Should Satisfy Boxing Fans.

It's an Above-Average "B" from the Mid-50's and a Treat to See Audie Murphy in More than just a Western, where He Excels, and this Gangster-Boxing Movie is Another "Win" for the Champion Soldier.

For Pugilist Fans a Must See...

For All Others, it's...

Worth a Watch.

Audie Murphy is an honest young boxer with an honest manager in John MacIntire. But he wants beautiful Barbara Rush, and her father, Jeff Morrow, is a manipulative man. Can Audie remain an honest man and have Miss Rush?

It's pretty much a standard boxing movie, although Murphy, who is mostly quiet, out with long speeches that mark plot switches three or four times. The corruption of the fight game is hinted at throughout, but doesn't turn into actual action until the last act. The fight scenes with Chico Vejar are well shot, and pretty brutal. With Tommy Rail, Howard St. John, and Sheila Bromley.

There was two other underrated boxing stories produced by Universal Pictures: THE SQUARE JUNGLE, and THE IRON MAN, directed by Jerry Hopper and Joseph Pevney, starring Tony Curtis for the first and Jeff Chandler for the second. This one is made by Jesse Hibbs, a western specialist and starring Audie Murphy, who was for Hibbs the equivalent of what Chandler was for Pevney. It is a good time waster bringing no surprises at all, showing the boxing underworld as we all have seen it before in so many movies: corrupted managers, love story between the lead and the gorgeous gal whom he falls in love with, the friendly and paternalistic trainer. This is not THE SET UP, nor THE CHAMPION or THE HARDER THEY FALL, I warn you. But it is unusual to see Murphy in something else than a western and directed by his fetish director Hibbs with whom he also gave a strange drama: JOE BUTTERFLY and not a western.

Tommy Shea (Audie Murphy) is a boxer from the slump. Wealthy businessman Robert T. Mallinson (Jeff Morrow) is unsure, but has a sparing match with him. He gives the driven young boxer a chance with veteran trainer Dave Bernstein (John McIntire) at his estate. He falls for Mallinson's daughter Dorothy (Barbara Rush). She wants to escape her father, but he has no money.

I've never been a big fan of Audie Murphy's acting. He derives his powers from other avenues. I don't get the same jolt as those of that generation. He's alright in a sincere little guy punching above his weight. That actually fits this role. I'm just not that invested in the romance although I buy his motivations. This is a marginal case.