O Rei Vagabundo

This 1956 film version of the Rudolph Friml operetta "The Vagabond King" is a seldom seen gem of a production. Starring Kathryn Grayson, this was meant to be a star vehicle for European opera star Oreste. It didn't quite happen. It is wonderful however seeing some big name stars when they were very young performing in supporting roles. Leslie Neilson, of Naked Gun fame, Jack Lord of Hawaii Five-o, and Rita Moreno all put in admirable performances. It's even narrated by Vincent Price. Some day soon it'll be released on video.

I'd love to have been a fly on the wall at the production meeting when Michael Curtiz and Pat Duggan came up with this concept - a sort of "Camelot" meets "Quentin Durward" musical effort that is not as bad as you might think! We have here a lavish looking historical melodrama featuring Maltese tenor Oreste Kirkop as "Villon", a popular fellow amongst the people who is elected "King of the Vagabonds". Meantime the real King, Louis XI (Walter Hampden), advised by his sagely counsellor "Tristan" (Sir Cedric Hardwicke with hair!) must battle the potential usurper Duke of Burgundy (Tom Duggan) and his rather foppish sidekick "Thibault" (Leslie Nielsen). The action is interspersed by quite frequent little arias that demonstrate that our street-wise hero most certainly has a great voice; limited only by a rather poor libretto - there are only so many things that rhyme with Burgundy. The action scenes provide for plenty of colourful costumes, swash and buckle and it's decently paced with plenty of familiar faces - Jack Lord, Rita Moreno and a rather under-utilised Kathryn Grayson to prop it up nicely. Though it isn't anywhere near as good as "If I Were KIng" (1938) upon which it appears to be based, money has been spent here and it looks good even if the writing and dialogue are poor and many of the scenes pretty heavily staged. Don't write it off, though - if you like the genre then it is still worth a watch, and there's no sign of Howard Keel!

After this film bom bombed at the box office, it was put in the public domain. There are many YouTube channels devoted 2 movies in the public domain including this forgotten movie.

Leslie Nielson said on a talk show that the film was a flop before they started to even film. His trouble was that he was under contract and was assigned to the film being told that he would be wearing tights. Nielsen had Rickets as a child and was very self-conscious of what he thought were very bowed legs, but he said he never thought of his legs again after they told him he would be wearing a dancers belt under the tights and then showed what it was. The first time he wore the tights he said he got so many cat whistles from the woman that he stopped wearing the belt until the director told him if he didn't wear it, he would only film him from the neck up.

I saw this during its neighborhood run in the year of its release and remember that it made glorious use of Paramount's "high-fidelity" VistaVision process, with some very ripe Technicolor liberally applied to everything about the production (courtesy of the wonderful cinematographer, Robert Burks, who did so much outstanding work for Alfred Hitchcock.)

I'd love to revisit this one, despite its very studio-bound aura. It was a feast for the eyes and also for the ears. The handsome tenor, Oreste, had the misfortune to make his screen debut as the Hollywood movie musical was about to be consigned to the fond mists of memory. He and Kathryn Grayson made a great team singing that melodic Friml music.