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Passado Perdido

Título original: These Wilder Years
  • 1956
  • Approved
  • 1 h 31 min
AVALIAÇÃO DA IMDb
6,8/10
1,2 mil
SUA AVALIAÇÃO
Passado Perdido (1956)
A middle-aged man tries to reconnect with his illegitimate son, who was given to an orphanage many years ago.
Reproduzir trailer3:02
1 vídeo
18 fotos
Drama

Adicionar um enredo no seu idiomaA middle-aged man tries to reconnect with his illegitimate son, who was given to an orphanage many years ago.A middle-aged man tries to reconnect with his illegitimate son, who was given to an orphanage many years ago.A middle-aged man tries to reconnect with his illegitimate son, who was given to an orphanage many years ago.

  • Direção
    • Roy Rowland
  • Roteiristas
    • Frank Fenton
    • Ralph Wheelwright
  • Artistas
    • James Cagney
    • Barbara Stanwyck
    • Walter Pidgeon
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    1,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Roy Rowland
    • Roteiristas
      • Frank Fenton
      • Ralph Wheelwright
    • Artistas
      • James Cagney
      • Barbara Stanwyck
      • Walter Pidgeon
    • 37Avaliações de usuários
    • 6Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 3:02
    Official Trailer

    Fotos18

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    Elenco principal64

    Editar
    James Cagney
    James Cagney
    • Steve Bradford
    Barbara Stanwyck
    Barbara Stanwyck
    • Ann Dempster
    Walter Pidgeon
    Walter Pidgeon
    • James Rayburn
    Betty Lou Keim
    Betty Lou Keim
    • Suzie
    Don Dubbins
    Don Dubbins
    • Mark
    Edward Andrews
    Edward Andrews
    • Leland G. Spottsford
    Basil Ruysdael
    Basil Ruysdael
    • Judge
    Grandon Rhodes
    Grandon Rhodes
    • Roy Oliphant
    Will Wright
    Will Wright
    • Old Cab Driver
    Lewis Martin
    Lewis Martin
    • Dr. Miller
    Dorothy Adams
    Dorothy Adams
    • Aunt Martha
    Dean Jones
    Dean Jones
    • Hardware Clerk
    Herb Vigran
    Herb Vigran
    • Traffic Cop
    Bob Alden
    • Bellhop
    • (não creditado)
    Byron Amidon
    • Minor Role
    • (não creditado)
    Margaret Bert
    • Nurse
    • (não creditado)
    Nesdon Booth
    • Pool Room Proprietor
    • (não creditado)
    Lovyss Bradley
    Lovyss Bradley
    • Department Store Customer
    • (não creditado)
    • Direção
      • Roy Rowland
    • Roteiristas
      • Frank Fenton
      • Ralph Wheelwright
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários37

    6,81.1K
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    10

    Avaliações em destaque

    7planktonrules

    This one improved over time

    I first saw this film about 20 years ago on Turner Classic Movies and I was far from impressed--so much so that I long resisted seeing it again. However, on a lark, I decided to see it again--especially because I barely remembered the film--just that I didn't particularly like it. In hindsight, I am thrilled that I saw it again since it was far better than I'd remembered plus there were some truly wonderful moments.

    The film begins with a very rich and successful James Cagney announcing to his board of directors that he was taking an extended leave of absence and wouldn't tell them why. It turns out that 20 years earlier, Cagney had fathered a child out of wedlock and he was trying to reconnect with this lost child. Naturally the adoption agency was not about to just give him this information and eventually Cagney unleashes lawyers and exerts his influences to try to force the issue.

    At the same time, there is a plot involving a nice young girl who Cagney meets who is also pregnant and without resources, so it looks like she'll need to give up her baby. Considering the very obvious parallel, it's not at all surprising where this all leads, but it is still very emotionally satisfying to watch. In addition, there is a great scene at a bowling alley that is full of depth and emotion you often don't find in a Cagney film.

    A highly unusual and soap opera-like film that still manages to satisfy despite a bit of predictability. It was well worth a look--I'm glad I did again.
    joeparkson

    Rarely Seen, Well Acted, Just Misses Greatness

    The two old pros, Cagney and Stanwyck are the reason to watch this one. Neither chews the scenery; there's no romantic subplot between them, yet their scenes together are wonderful. Stanwyck shows no femme fatal sexiness or been there done that humor. She's just a nice, hard working person, and when confronted with Cagney's type A "I'm used to getting what I want", she sweetly deflects it instead of the fireworks you'd normally expect from a Stanwyck character. For his part, Cagney drops his tough guy image and when faced with the pain his past misdeeds have caused, makes no attempt to evade responsibility.

    They're on opposite sides, yet show a respect for each other.

    No motivation is shown for Bradford's sudden desire to drop everything to find the son he abandoned 20 years before. It might have been better if a chance meeting with Betty Lou Keim's abandoned, pregnant teen had served as the spark. Clearly, she reminds him of the girl he abandoned.

    The other major flaw, is that being in his 50s, it would have been more realistic if Bradford's abandonment of his newborn son been 30 years before instead of 20. The guy that plays his son (Don Dubbins) looks and acts much older than a 20 year old. Also, 20 years before, Bradford would have been in his mid 30s, way too old to be a callow college boy. And is 20 years enough time to build such a large business? I also can't help wishing they'd cast someone who looked like Cagney to play Cagney's long lost son, like Richard Jaeckel.
    7bkoganbing

    Revisiting His Past

    These Wilder Years marks the only teaming of James Cagney and Barbara Stanwyck. It would have been nice if they had been teamed for a better film. Can't you just see Stanwyck in Virginia Mayo's part in White Heat?

    Still These Wilder Years is not a bad film, high class soap opera the kind of stuff that became popular on television in the Eighties.

    James Cagney is a millionaire industrialist looking for the son whose paternity he denied when he was sowing his wild oats. Barbara Stanwyck runs the home for unwed mothers where the girl who Cagney was involved with came and gave up her kid for adoption.

    Cagney has the resources to get his way, but Stanwyck with the confidentiality of adoption records has the law on her side. Or has she?

    Walter Pigeon plays Cagney's attorney and Don Dubbins, a young actor whose career Cagney was pushing plays the son and both do well. Look for bit parts from Tom {BillyJack} Laughlin, Michael Landon, and Dean Jones all at the start of their careers.

    Cagney and Stanwyck are both players with an edge to their parts. It's like they've been taken down into second gear for this film. Still it's a pleasant enough movie. Look for young Betty Lou Keim who is a current unwed mother in Stanwyck's charge. Her scenes with Cagney are quite poignant.
    8Star5

    James Cagney star vehicle

    This film turned out to be a real tear-jerker, but in a good way!! James Cagney takes centre stage as the man looking for the son he has never seen. Barbara Stanwyck is good in a supporting role, although I felt she could have been given an even better part. There are some lovely scenes between Cagney and the young girl he ends up bonding with and overall I did enjoy this movie very much.
    7mollytinkers

    Bumping it up 2 stars after repeated viewings

    This is by far from being a masterpiece; yet I don't consider it a yawn-fest as other reviewers describe. Yes, it's a melodrama. Yes, it certainly reeks of Hollywood's lobotomized treatment of illegitimate pregnancy and the adoption experience. But it is at least thoughtful and empathetic in its approach.

    I would technically rate this film 5 out of 10; but because I've seen it several times and will certainly watch it again when on rotation on TCM, I'm bumping it up 2 stars to a 7. When what is in actuality an average movie seems to pop up on some network at regular intervals, it signals there's enough substance and likeability factor intrinsic to warrant repeated airings.

    It's fun watching Stanwyck and Cagney together, and it's especially pleasant to see Cagney in a role wherein he doesn't chew up the scenery. I wouldn't rush to a theater to see it, but I respect it enough to watch it again.

    Mainly for diehard Cagney fans, and for those who will watch anything in which Stanwyck is part of the cast.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      First film roles of Michael Landon and Tom Laughlin.
    • Erros de gravação
      When Cagney rings doorbell on his first visit to Stanwyck's house, the bell rings before he actually presses the button.
    • Citações

      Ann Dempster: There's always a kind of hope in everything.

    • Conexões
      Referenced in The Bob Hope Show: James Cagney, Lucille Ball, Desi Arnaz, Vivian Vance, William Frawley, Diana Dors, Don Larsen (1956)

    Principais escolhas

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    Detalhes

    Editar
    • Data de lançamento
      • 17 de agosto de 1956 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • These Wilder Years
    • Locações de filme
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Califórnia, EUA(Studio)
    • Empresa de produção
      • Metro-Goldwyn-Mayer (MGM)
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.257.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 31 minutos
    • Cor
      • Black and White
    • Mixagem de som
      • Perspecta Stereo
    • Proporção
      • 1.85 : 1

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