Sede de Matar

A mixture of Film Noir elements, a lot of psychological insight and scenes that are typical to the usual Western this makes for an unusual film. A child is killed and the man who caused it tries to evade responsibility for it, and many brutal scenes are shown before the final outcome. Filmed in black and white this accentuates the Noir feel, and the direction and casting is excellent. Ruth Roman is at her best as the child's mother, and so is Ben Cooper as one of the brothers of the killer, who tries to restore justice in his own way. John Payne gives a good performance as the father and I cannot fault the acting. In my opinion this film should be better known, and valued but if found it is well worth seeing. A deserved 10.

In postwar Civil War, a father and his four sons, all former Rebel soldiers, eke out a living robbing, always on the run. When three of the brothers ride into town to get water, tragedy occurs when one of them guns down a young boy who has fired at them with his cap pistol. Most of the focus is on five main characters: Bedloe Mason, his sons Gray and Wesley, John Willoughby and his wife, Nora.

Bedloe, the patriarch of the Mason clan, and his four sons were forced to leave their burned out home in Alabama after the Civil War. Bedloe's main concern is to keep his family together, so whenever the family faces trouble, they vote on what they should do. After the boy is killed, the vote is to keep on the run, leaving the trouble behind them.

Gray, the youngest Mason son, is uncomfortable with the idea of running away. After long introspection, he decides the only honorable thing to do is to return to the town, regardless of consequences. Gray's decision disturbs Wesley, the unrepentant killer who is afraid this will result in him being implicated.

After the killing, John Willoughby, father of the unfortunate youngster, loses grip with reality as he wrestles with grief and desire for revenge at any cost. Recognizing this and not wanting any further bloodshed, Nora struggles to keep her man rational and sane. For that reason she refuses to identify a wounded man John brings home as one of the Rebels she saw in town on that fateful day.

Though a "B" western, "Rebel in Town" benefits from good acting, competent direction and an intelligent, well-written script with lots of things for us to think about. Bedloe, a religious man, tries to comfort his troubled son with the thought that sometimes there is no answer so it is better just to let things be, further suggesting that since we are all the children of God, He is responsible for what we do, whether good or bad. Gray counters that he cannot consider his brother an agent for God. Such kind of writing is hardly the stuff of usual westerns.

Rebel In Town is set in the post Civil War west where the surrender at Appomattox hasn't ended conflict in the minds of some. One of those is John Payne who was a Union Army major in the war, but now has settled back on his ranch with wife Ruth Roman and son Bobby Clark. Payne feels we've got a big law and order problem with a lot of former Confederates turning outlaws to survive and is the first to volunteer for any posse to track them down.

But when the Mason family, J. Carrol Naish and his four sons come riding into town for supplies it's a recipe for trouble. When little Bobby Clark shoots at the family from behind with a cap pistol, one of the Masons turns and returns fire killing the kid instantly. The Masons beat it out of town.

The rest of Rebel In Town concerns the actions of Payne and the rest of the town in apprehending the criminals and the Mason family who are torn with what to do.

The Masons are a whole lot like the Hannesseys in The Big Country. The budget for the B western Rebel In Town is a fraction of what The Big Country was, yet William Wyler seems to have been influenced by the relationship of family patriarch Naish with the most reckless of his sons John Smith in creating the characters that Burl Ives and Chuck Connors played in The Big Country.

As for Payne, he's in his vengeance quest persona, something not seen in him since his highly rated performance in the noir classic Kansas City Confidential.

Rebel In Town is no frills B western with some nice performances from the cast. John Payne's fans will like his work here.

Small scale western that holds together well despite unoriginal situations and a low budget.

Most of that can be attributed to the lean direction by the little known Werker and the competence of the players. John Payne is brooding and bitter in the lead occasionally going overboard with with the righteous indignation but by and large he does well. Ben Cooper is also solid as a conscious stricken young man but it's Ruth Roman who stands out with a well balanced performance as Nora Payne, weighted down with grief but compassionate enough to remain clear eyed and level headed while all around her are losing theirs.

Another asset of the film is the use of natural sounds to underscore scenes adding to their import without a lot of intrusive musical cues.

No prize winner but a better than average western.

I just watched this movie on Netflix. Although I am a big western fan, I had never seen this movie with its wonderful cast. The general story line is about a nervous confederate man shooting a boy and then becoming more cowardly than ever, allowing his brother to take the blame. That's not what this movie is truly about. It is about the psychological effects people had as the Civil War ended. On one side, we have the heroic Northern officer who can't resist always assisting the law and his perspective of the Confederacy that he has passed on to his son. On the other side, we have five war-weary confederate soldiers, four brothers and a father, having just robbed a bank in a nearby town, but having a need for water. Three of them ride into town and one is involved with a shooting. The youngest brother feels guilt and wants to do the right thing. The father of the shooting victim wants revenge against the soldiers, regardless of the fact it was an accident. The story hinges on the tug and pull of the emotions and feelings people had, due to the War. If there was something I would criticize, it would be the writer finding the easy out by making the shooter become cowardly and unconcerned about anyone but himself. What made this western stand out to me was the material it covered. It was not a simple plot. The emotional content is what makes this story special, the right and wrong perspective idea consistently flows throughout this movie with only Ruth Roman being the voice of reason and logic. All the actors did great jobs with their characters and it was refreshing watching actors, normally portrayed as stereotypical heroes playing people with huge flaws that pinpointed their humanity. I would like to have seen more of Ben Johnson (side bar complaint). Very worthy of watching more than once.