Adicionar um enredo no seu idiomaMarshal Cass Silver has to deal with his old nemesis, a corrupt gambler, and his hired guns come to town as well as recurring bouts of blindness.Marshal Cass Silver has to deal with his old nemesis, a corrupt gambler, and his hired guns come to town as well as recurring bouts of blindness.Marshal Cass Silver has to deal with his old nemesis, a corrupt gambler, and his hired guns come to town as well as recurring bouts of blindness.
- Direção
- Roteiristas
- Artistas
- Poker Player
- (não creditado)
- Waitress
- (não creditado)
- Townsman in crowd scene
- (não creditado)
- Townsman
- (não creditado)
- Hotel Clerk
- (não creditado)
- Gambler
- (não creditado)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The film revolves around one of the most popular Western themes the tough Marshall (in this case, a typically impressive Robert Ryan) taming a lawless town. A couple of unusual twists which heighten the tension considerably concern the fact that the young man (Jeffrey Hunter) he appoints as his deputy and on whom he comes to depend due to his gradual blindness bears him a personal grudge; on the other hand, Ryan has his own score to settle with the apparently omnipotent boss (Robert Middleton). For the record, this was the first of three films in which Ryan and Hunter would appear together: the second was the Biblical epic KING OF KINGS (1961), in which the former portrayed John The Baptist and the latter (controversially) Jesus Christ, and the last the historical Western CUSTER OF THE WEST (1967), where both only had supporting roles.
As ever, the hero's woman (Virginia Mayo) becomes embroiled in the violent proceedings while the eminent members in town prefer to stand aside; then again, not much help is forthcoming from Ryan's own associates either: in a role he'd perfect in RIO BRAVO (1959), Walter Brennan is the cantankerous jailer who all he seems to do is read the newspaper whereas Arthur O'Connell brings up his wife's imminent motherhood to be excused from the inevitable showdown. The numerous shoot-outs (in a saloon, on the street at night and an all-out gunfight in a barn) denote obvious highlights; however, also notable is a town-council sequence which ends with Ryan's hardboiled comment to his peers: "If I were you, I couldn't look into a mirror without vomiting!" The evocative score by Lionel Newman includes a whistling motif which effectively comes in at particularly revealing moments in the narrative. In the long run, the film proves an underrated entry to emerge from the genre during its most prolific and mature era.
Robert Ryan has always been a great actor. He plays the tough, hard character in nearly every film and does it as though it were as natural for him as eating dinner. And he comes through in amazing style in this Western as the lawman.
It's a really good Western with some solid Western action and, for those who are Western fans, it is one well worth viewing over and over. For the mainline theme is: How much will a man/woman do in order to retain their honor and pride? It's a question each of us have to face in life and this movie offers some good feedback about the answer.
I strongly recommend the movie to all.
In "The Proud Ones", he is at his best as the smooth-faced and smooth-spoken saloon owner who tries to have the lawman relieved of his job in order for the town to be wide open for wild business...
Middleton makes a considerable impression as Honest John Barrett, distinctive in his dishonesty and insincere manners... He is a thief ready for anything in order to control his lucrative interests, hiring cheap crooks like George Mathews (Dillon) who results a fraud according to his rules... We see him hiring dangerous gunmen willing to slay at any time like Chico (Rodolfo Acosta), who swears to the Marshal that he will kill him one day...
The film arouses profound suspicion that we are pushed to ask ourselves why a suspicious man like the Marshal had to shoot someone apparently unarmed from behind and can we justify his action?! ¿Is he, by any chance, a 'trigger-happy' murderer?
Jeffrey Hunter performs the mistaken cowboy involved in a sinful act to avenge his father's death with the wrong man... He never believes the rectitude of the Marshal who has a questionable past... Hunter accuses him of killing his father... 'It was either him or me', exclaims Ryan, 'but I never shot an unarmed man in my life.'
The climax of the film proves clearly and openly the whole truth to the tormented young man when he confronts Barrett in a showdown... The film wakes up our attention in its development when we discover that the proud Marshall is losing the power of seeing, a serious problem considered suicidal for a lawman who has powerful enemies...
With the lovely Virginia Mayo, the good jailer Brennan and the timid O'Connell, "The Proud Ones" is a solid Western, which remembers me a similar one, "The Lonely Man" with Jack Palance and Anthony Perkins...
Você sabia?
- CuriosidadesAfter the purchase of the novel in December 1952 Victor Mature, Robert Wagner and Debra Paget were tentatively set for the leads and that Frank P. Rosenberg was going to produce for 20th Century Fox.
- Erros de gravaçãoWhen the sheriff brings in two men for attempted robbery, he puts them in the cell without removing their gun belts.
- Citações
[the town council asks Cass to resign]
Mr. Sam Bolton, Owner Boltons Emporium: I hope you don't take this as a personal reflection on you, Cass.
Cass Silver, Marshal Flat Rock Kansas: No, Sam, I don't. I take it as a personal reflection on you - all of you! The minute you people smelled money, this town got an attack of larceny. I don't blame it on Barrett; I blame it you. You're supposed to be respectable. You talk about law and order; you'd sell out for a copper penny - any one of you. You're robbin' and stealin' the same as he is, with your fifty dollar boots and your twelve dollar hotel rooms. If I was on this council, I couldn't look in the mirror without vomiting!
- Trilhas sonorasSweet Betsy from Pike
(uncredited)
Traditional american ballad with lyrics written by John A. Stone before 1858
Played on saloon piano
Principais escolhas
- How long is The Proud Ones?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- The Proud Ones
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 1.400.000 (estimativa)
- Tempo de duração1 hora 34 minutos
- Proporção
- 2.35 : 1