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IMDbPro

À Borda da Morte

Título original: The Proud Ones
  • 1956
  • Approved
  • 1 h 34 min
AVALIAÇÃO DA IMDb
6,9/10
1,8 mil
SUA AVALIAÇÃO
Jeffrey Hunter, Virginia Mayo, and Robert Ryan in À Borda da Morte (1956)
Marshal Cass Silver has to deal with his old nemesis, a corrupt gambler, and his hired guns come to town as well as recurring bouts of blindness.
Reproduzir trailer2:25
1 vídeo
82 fotos
DramaOcidenteWestern clássico

Adicionar um enredo no seu idiomaMarshal Cass Silver has to deal with his old nemesis, a corrupt gambler, and his hired guns come to town as well as recurring bouts of blindness.Marshal Cass Silver has to deal with his old nemesis, a corrupt gambler, and his hired guns come to town as well as recurring bouts of blindness.Marshal Cass Silver has to deal with his old nemesis, a corrupt gambler, and his hired guns come to town as well as recurring bouts of blindness.

  • Direção
    • Robert D. Webb
  • Roteiristas
    • Edmund H. North
    • Joseph Petracca
    • Verne Athanas
  • Artistas
    • Robert Ryan
    • Virginia Mayo
    • Jeffrey Hunter
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,9/10
    1,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Robert D. Webb
    • Roteiristas
      • Edmund H. North
      • Joseph Petracca
      • Verne Athanas
    • Artistas
      • Robert Ryan
      • Virginia Mayo
      • Jeffrey Hunter
    • 45Avaliações de usuários
    • 13Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Trailer
    Trailer 2:25
    Trailer

    Fotos82

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    Elenco principal55

    Editar
    Robert Ryan
    Robert Ryan
    • Marshal Cass Silver
    Virginia Mayo
    Virginia Mayo
    • Sally
    Jeffrey Hunter
    Jeffrey Hunter
    • Thad Anderson
    Robert Middleton
    Robert Middleton
    • Honest John Barrett
    Walter Brennan
    Walter Brennan
    • Jake
    Arthur O'Connell
    Arthur O'Connell
    • Jim Dexter
    Ken Clark
    Ken Clark
    • Pike
    Rodolfo Acosta
    Rodolfo Acosta
    • Chico
    George Mathews
    George Mathews
    • Dillon
    Fay Roope
    Fay Roope
    • Markham
    Edward Platt
    Edward Platt
    • Dr. Barlow
    Whit Bissell
    Whit Bissell
    • Mr. Sam Bolton
    Robert Adler
    Robert Adler
    • Poker Player
    • (não creditado)
    Joyce Arleen
    • Waitress
    • (não creditado)
    Emile Avery
    • Townsman in crowd scene
    • (não creditado)
    Walter Bacon
    • Townsman
    • (não creditado)
    Don Brodie
    Don Brodie
    • Hotel Clerk
    • (não creditado)
    Doyle Brooks
    • Gambler
    • (não creditado)
    • Direção
      • Robert D. Webb
    • Roteiristas
      • Edmund H. North
      • Joseph Petracca
      • Verne Athanas
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários45

    6,91.7K
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    Avaliações em destaque

    7Bunuel1976

    THE PROUD ONES (Robert D. Webb, 1956) ***

    This is the best of three efforts by director Webb I watched in quick succession; like WHITE FEATHER (1955), it's a Western that – as far as I'm aware – has never been shown on Italian TV (which is how I first became familiar with a good many vintage Hollywood title).

    The film revolves around one of the most popular Western themes – the tough Marshall (in this case, a typically impressive Robert Ryan) taming a lawless town. A couple of unusual twists which heighten the tension considerably concern the fact that the young man (Jeffrey Hunter) he appoints as his deputy – and on whom he comes to depend due to his gradual blindness – bears him a personal grudge; on the other hand, Ryan has his own score to settle with the apparently omnipotent boss (Robert Middleton). For the record, this was the first of three films in which Ryan and Hunter would appear together: the second was the Biblical epic KING OF KINGS (1961), in which the former portrayed John The Baptist and the latter (controversially) Jesus Christ, and the last the historical Western CUSTER OF THE WEST (1967), where both only had supporting roles.

    As ever, the hero's woman (Virginia Mayo) becomes embroiled in the violent proceedings – while the eminent members in town prefer to stand aside; then again, not much help is forthcoming from Ryan's own associates either: in a role he'd perfect in RIO BRAVO (1959), Walter Brennan is the cantankerous jailer who all he seems to do is read the newspaper – whereas Arthur O'Connell brings up his wife's imminent motherhood to be excused from the inevitable showdown. The numerous shoot-outs (in a saloon, on the street at night and an all-out gunfight in a barn) denote obvious highlights; however, also notable is a town-council sequence which ends with Ryan's hardboiled comment to his peers: "If I were you, I couldn't look into a mirror without vomiting!" The evocative score by Lionel Newman includes a whistling motif which effectively comes in at particularly revealing moments in the narrative. In the long run, the film proves an underrated entry to emerge from the genre during its most prolific and mature era.
    8silverscreen888

    Powerful and Memorable; Indicting Dishonesty, Celebrating Courage

    "The Proud Ones" has an extremely fine script by Edmund H. North, veteran screenwriter; its plot vastly improves on the novel on which it was ostensibly based. Robert D. Webb's direction is taut, featuring dense images, helping his actors to achieve top-notch performances. Every element of this production works, from the art direction by classy Lyle Wheeler to the memorable theme song, the music by Lionel Newman, the sets, and the costumes by Travilla. Among the outstanding performances are those given by Robert Middleton as "Honest John", villain of the piece, George Matthews as his 'segundo', Whitner Bissell and others as townsmen and henchmen; the film is far-above-average in acting. This well-remembered dramatic western stars Robert Ryan, Virginia Mayo and young Jeffrey Hunter as a youth who is befriended by an aging marshal (who has been run out of a town poisoned by the lies of a delusive gambling joint owner). Hunter acquits himself well, as does Ryan, as the younger man tries to forgive the man he begins to admire, even after he has killed the boy's father in the line of duty. Virginia Mayo achieves considerable skill and charm as the woman who loves Ryan. The story's theme of honesty set against plausible pretense is unusual and difficult to carry off; the adjective "proud" has been forced to carry two contradictory meanings for years. Here it is used correctly in a secular sense to refer to men too honest to be bought off and too brave to be scared off, the sort of men who will fight when necessary, refusing to be intimidated. All-too-rare are films that celebrate objective minds, people who can be honestly wrong but act ethically when the chips are down. Whole genres are based on the betrayal of such commitments by people who argue they "can't help being what they are".As the beleaguered marshal in this story faces a town full of profiteers with the wrongness of their selling out to be opportunistic looters of unearned wealth during a boom, the film is raised to heights of thoughtfulness and of clearly-exampled good and bad behavior seldom found in the western genre. This is a very good and a very memorable achievement of cinema. Incidentally, it is physically beautiful to watch as well.
    9greenleaf60

    See this before you see Rio Bravo

    Another great performance by the vastly underrated Robert Ryan. The entire film has a nuanced and adult tone, completely lacking from Rio Bravo, which seems to be a rip-off by Hawks. This film belongs in the company of High Noon, The Ox-bow Incident and damn few other Westerns for the intelligence and seriousness of the script. Ryan's performance alone makes this film watchable and undated, 50 years after. How many other films can say that? Also worth mentioning are the performances of Virginia Mayo as a hard headed business woman, and Walter Brennan. Brennan with hardly any lines of dialog, manages to do more with a newspaper for a prop, and with looks between him and Ryan, then most actors can do when they're chewing the scenery.
    8Flaming_star_69

    Good solid Western Action!

    The Proud Ones is just that: A Western about the proud men of the Old West starring Robert Ryan and Virginia Mayo and a host of other good performers. The plot is simple: A lawman is trying to keep peace in town when the trail drovers arrive. One of them, a young cowboy with two sixguns on his hips, has a grudge against the lawman because the lawman killed his father a few years earlier in another town. Ryan, playing the lawman, takes the youth under his wings and trains him. Eventually, he comes around. But that is not the main problem. Ryan, suffering a wound, is having trouble with his eye-sight and it's effecting his work. That will pose a great problem before the movie ends.

    Robert Ryan has always been a great actor. He plays the tough, hard character in nearly every film and does it as though it were as natural for him as eating dinner. And he comes through in amazing style in this Western as the lawman.

    It's a really good Western with some solid Western action and, for those who are Western fans, it is one well worth viewing over and over. For the mainline theme is: How much will a man/woman do in order to retain their honor and pride? It's a question each of us have to face in life and this movie offers some good feedback about the answer.

    I strongly recommend the movie to all.
    8Nazi_Fighter_David

    A solid Western...

    Robert Middleton was a big brutish character actor... We have seen him in "The Silver Chalice" opposite Paul Newman, in "Friendly Persuasion" opposite Gary Cooper and in "Love Me Tender" with Elvis Presley...

    In "The Proud Ones", he is at his best as the smooth-faced and smooth-spoken saloon owner who tries to have the lawman relieved of his job in order for the town to be wide open for wild business...

    Middleton makes a considerable impression as Honest John Barrett, distinctive in his dishonesty and insincere manners... He is a thief ready for anything in order to control his lucrative interests, hiring cheap crooks like George Mathews (Dillon) who results a fraud according to his rules... We see him hiring dangerous gunmen willing to slay at any time like Chico (Rodolfo Acosta), who swears to the Marshal that he will kill him one day...

    The film arouses profound suspicion that we are pushed to ask ourselves why a suspicious man like the Marshal had to shoot someone apparently unarmed from behind and can we justify his action?! ¿Is he, by any chance, a 'trigger-happy' murderer?

    Jeffrey Hunter performs the mistaken cowboy involved in a sinful act to avenge his father's death with the wrong man... He never believes the rectitude of the Marshal who has a questionable past... Hunter accuses him of killing his father... 'It was either him or me', exclaims Ryan, 'but I never shot an unarmed man in my life.'

    The climax of the film proves clearly and openly the whole truth to the tormented young man when he confronts Barrett in a showdown... The film wakes up our attention in its development when we discover that the proud Marshall is losing the power of seeing, a serious problem considered suicidal for a lawman who has powerful enemies...

    With the lovely Virginia Mayo, the good jailer Brennan and the timid O'Connell, "The Proud Ones" is a solid Western, which remembers me a similar one, "The Lonely Man" with Jack Palance and Anthony Perkins...

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      After the purchase of the novel in December 1952 Victor Mature, Robert Wagner and Debra Paget were tentatively set for the leads and that Frank P. Rosenberg was going to produce for 20th Century Fox.
    • Erros de gravação
      When the sheriff brings in two men for attempted robbery, he puts them in the cell without removing their gun belts.
    • Citações

      [the town council asks Cass to resign]

      Mr. Sam Bolton, Owner Boltons Emporium: I hope you don't take this as a personal reflection on you, Cass.

      Cass Silver, Marshal Flat Rock Kansas: No, Sam, I don't. I take it as a personal reflection on you - all of you! The minute you people smelled money, this town got an attack of larceny. I don't blame it on Barrett; I blame it you. You're supposed to be respectable. You talk about law and order; you'd sell out for a copper penny - any one of you. You're robbin' and stealin' the same as he is, with your fifty dollar boots and your twelve dollar hotel rooms. If I was on this council, I couldn't look in the mirror without vomiting!

    • Trilhas sonoras
      Sweet Betsy from Pike
      (uncredited)

      Traditional american ballad with lyrics written by John A. Stone before 1858

      Played on saloon piano

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    • How long is The Proud Ones?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 15 de maio de 1956 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idiomas
      • Inglês
      • Espanhol
    • Também conhecido como
      • The Proud Ones
    • Locações de filme
      • Old Tucson - 201 S. Kinney Road, Tucson, Arizona, EUA
    • Empresa de produção
      • Twentieth Century Fox
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 1.400.000 (estimativa)
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 34 minutos
    • Proporção
      • 2.35 : 1

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